Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 33 робіт Gherardo Starnina у нашому каталозі
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З усіх оригінальних робіт, які залишив Gherardo Starnina, найвідомішою є Dormition of the Virgin (1408) із колекції Філадельфійський музей мистецтв, Філадельфія. Слідом за ними йдуть Archangel Michael (1404) та Christ as Salvator Mundi (1405). Наш каталог містить 33 робіт Gherardo Starnina; галерея зберегла 33 найвідоміших у світі творів, кожен із яких представлений із датою створення, назвою музею та своєю історією.
The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…
Isaiah with Two Angels1410 · Музей образотв мистецтв
12
Saint Stephen1410 · Музей образотв мистецтв
13
The Dormition of the Virgin1405 · Art Institute of Chicago
14
Two Seated Angels Making Music1400 · Музей Бойманса-ван-Бёнінгена
15
Two Evangelists1407 · Рейксмюзеум
16
St. Matthew (Two Evangelists)1407 · Рейксмюзеум
17
Saints Mary Magdalene, Lawrence and a donor/ Angelo Acciaiuolo1405 · Gemäldegalerie
18
The Assumption of the Virgin1406 · Harvard Art Museums
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Madonna and Child with SS Victor and Octavian1451 · Pinacoteca Comunale
20
Madonna and Child with Musical Angels1410 · Музей Дж. Пола Гетті
21
Saint Hugh of Lincoln Exorcises a Man Possessed by the Devil1407 · Museo Poldi Pezzoli
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Thebaid (detail)1410 · Галерея Уффіці
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Thebaid (detail)1410 · Галерея Уффіці
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The Beheading of Saint MargaretНаціональна галерея
25
The Last JudgmentБаварські державні художні колекції
26
Head of an AngelФонд Барнса
27
St Benedict and Bishop DonatusНаціональний музей Швеції
28
St Vincent1410 · Музей образотв мистецтв
29
(88 x 48 CM) (1400)Музей Національного мистецтва Каталонії
30
Втілення Діви Марії з Дитиною та СвященнимиГалерея Академії у Флоренції
31
Madonna and child1403
32
Incoronazione della Vergine e angeliПалаццо делла Пілотта
33
Thebaid1410 · Галерея Уффіці
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Gherardo Starnina | Картини зі цього списку |
|---|---|---|---|
 Музей Штадель |
Франкфурт | 4 | Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate |
 Музей образотв мистецтв |
Бостон | 4 | Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen |
 Галерея Уффіці |
Флоренція | 3 | Thebaid (detail), Thebaid (detail), Thebaid |
 Рейксмюзеум |
Амстердам | 2 | Two Evangelists, St. Matthew (Two Evangelists) |
 Філадельфійський музей мистецтв |
Філадельфія | 1 | Dormition of the Virgin |
 Museo Nazionale di Villa Guinigi |
Lucca | 1 | Archangel Michael |
 Художній музей Нельсона-Аткінса |
Канзас-Сіті | 1 | Adoration of the Magi |
 Клівлендський музей мистецтва |
Клівленд | 1 | Madonna and Child |
Лише за десятиліття, з 1400 по 1410, цей період подарував світу кожну датовану оригінальну роботу Gherardo Starnina у цій добірці: ось вони, рік за роком.
Оберіть рік, щоб переглянути оригінали.
The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…
Dormition of the Virgin (1408), Філадельфійський музей мистецтв, Філадельфія. Далі йдуть Archangel Michael (1404) та Christ as Salvator Mundi (1405).
54 років: Dormition of the Virgin датована 1408 роком, а Gherardo Starnina народився(-лася) у 1354.
Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence та Jeremiah with Two Angels. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 33 робіт Gherardo Starnina, датованих періодом з 1400 по 1410.
Переважно в Музей Штадель (Франкфурт), Музей образотв мистецтв (Бостон) та Галерея Уффіці (Флоренція). У таблиці музеїв вище наведено їхній повний перелік.
У 1410: 8 із 33 робіт на цій сторінці були створені тоді, серед них Jeremiah with Two Angels.
На цій сторінці найдавніша робота датована Madonna and Child (1400), а найновіша — Jeremiah with Two Angels (1410).
People (2), Figures (2) та Medieval art (2), у 33 роботах на цій сторінці.
Tempera On Panel, для 4 із 33 робіт на цій сторінці.
Christ as Salvator Mundi, Archangel Gabriel та Virgin Annunciate: Музей Штадель, Франкфурт зберігає 4 робіт із цієї сторінки.
In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.
The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.
To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.
His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.
While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.
The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:
Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.
