Portrait of William Salter

The 88 Most Famous William Salter Paintings, a Gallery Selection

Updated Ekim 2026 · ranked by our popularity score (searches, visits and orders for each work) · 88 works by William Salter in our catalogue

In short

Of all the originals William Salter left, the most famous is Sir Henry Murray (1837), in the collection of the National Portrait Gallery, Londra. Close behind it come The Waterloo Banquet (1836) and Arthur Wellesley (1769–1852), 1st Duke of Wellington (1839). Our catalog holds 88 works by William Salter; the gallery has kept the 88 the world admires most, each shown with its date, its museum and its story.

1804 – 1875, Honiton Neoclassicism Most works: National Portrait Gallery

William Salter's top 10 paintings: the gallery's choice

1
Sir Henry Murray (1837) by William Salter

Sir Henry Murray

1837 · Oil On Canvas · National Portrait Gallery, Londra

This nineteenth-century portrait depicts Sir Henry Murray in a three-quarter profile view, presented from the waist up against a dark, atmospheric background. The subject is positioned slightly off-center, creating a sense of presence within the vertical composition. He is dressed in a military tunic of a vibrant, saturated red, which serves as the primary focal point of the work. The uniform is detailed with gold accents appearing on the epaulettes,…

The William Salter selection continues, 11 to 88

11Sir Richard Llewellyn (1840) by William SalterSir Richard Llewellyn1840 · National Portrait Gallery 12James Hay (1840) by William SalterJames Hay1840 · National Portrait Gallery 13Charles Allix (1840) by William SalterCharles Allix1840 · National Portrait Gallery 14Sir Colin Campbell (1840) by William SalterSir Colin Campbell1840 · National Portrait Gallery 15Sir Hew Dalrymple Ross (1840) by William SalterSir Hew Dalrymple Ross1840 · National Portrait Gallery 16Sir Frederick Adam (1848) by William SalterSir Frederick Adam1848 · National Portrait Gallery 17Sir Henry Wyndham (1840) by William SalterSir Henry Wyndham1840 · National Portrait Gallery 18Richard Michell (1805–1877), First Principal of Hertford College (1874) (1874) by William SalterRichard Michell (1805–1877), First Principal of Hertford College (1874)1874 · Girton College 19John Jeffreys Pratt (1759–1840), Marquis Camden (1825) by William SalterJohn Jeffreys Pratt (1759–1840), Marquis Camden1825 20The Entombment of Christ (1838) by William SalterThe Entombment of Christ1838 · Honiton Town Council 21Henry Bathurst, 3rd Earl Bathurst (1834) by William SalterHenry Bathurst, 3rd Earl Bathurst1834 · National Portrait Gallery 22Thomas William Taylor (1838) by William SalterThomas William Taylor1838 · National Portrait Gallery 23Clement Delves Hill (1837) by William SalterClement Delves Hill1837 · National Portrait Gallery 24Sir Henry Askew (1837) by William SalterSir Henry Askew1837 · National Portrait Gallery 25Sir Charles Webb Dance (1836) by William SalterSir Charles Webb Dance1836 · National Portrait Gallery 26Sir Robert Henry Dick (1838) by William SalterSir Robert Henry Dick1838 · National Portrait Gallery 27Sir Edward Barnes (1837) by William SalterSir Edward Barnes1837 · National Portrait Gallery 28William Elphinstone (1839) by William SalterWilliam Elphinstone1839 · National Portrait Gallery 29Arthur Wellesley, 1st Duke of Wellington (1839) by William SalterArthur Wellesley, 1st Duke of Wellington1839 · National Portrait Gallery 30Reginald Ranald Macdonald (1838) by William SalterReginald Ranald Macdonald1838 · National Portrait Gallery 31Lord Robert William Manners (1835) by William SalterLord Robert William Manners1835 · National Portrait Gallery 32Arthur Moyses William Sandys, 2nd Baron Sandys (1837) by William SalterArthur Moyses William Sandys, 2nd Baron Sandys1837 · National Portrait Gallery 33Alexander Fraser, 16th Baron Saltoun (1837) by William SalterAlexander Fraser, 16th Baron Saltoun1837 · National Portrait Gallery 34Sir Arthur Clifton (1838) by William SalterSir Arthur Clifton1838 · National Portrait Gallery 35Sir Alexander Dickson (1838) by William SalterSir Alexander Dickson1838 · National Portrait Gallery 36Sir John Ormsby Vandeleur (1838) by William SalterSir John Ormsby Vandeleur1838 · National Portrait Gallery 37Lord John Somerset (1837) by William SalterLord John Somerset1837 · National Portrait Gallery 38Count Carlo Andrea Pozzo di Borgo (1839) by William SalterCount Carlo Andrea Pozzo di Borgo1839 · Thorvaldsen Müzesi 39Sir John Lambert (1840) by William SalterSir John Lambert1840 · National Portrait Gallery 40Sir John May (1840) by William SalterSir John May1840 · National Portrait Gallery 41Sir George Scovell (1840) by William SalterSir George Scovell1840 · National Portrait Gallery 42William II of Holland (1840) by William SalterWilliam II of Holland1840 · National Portrait Gallery 43Sir Peregrine Maitland (1840) by William SalterSir Peregrine Maitland1840 · National Portrait Gallery 44Sempronius Stretton (1840) by William SalterSempronius Stretton1840 · National Portrait Gallery 45Edward Parkinson (1840) by William SalterEdward Parkinson1840 · National Portrait Gallery 46Berkeley Drummond (1840) by William SalterBerkeley Drummond1840 · National Portrait Gallery 47Henry Dawkins (1840) by William SalterHenry Dawkins1840 · National Portrait Gallery 48John Gurwood (1840) by William SalterJohn Gurwood1840 · National Portrait Gallery 49Sir Thomas Reynell, 6th Bt (1840) by William SalterSir Thomas Reynell, 6th Bt1840 · National Portrait Gallery 50John Reeve (1841) by William SalterJohn Reeve1841 · National Portrait Gallery 51Thomas Hunter Blair (1840) by William SalterThomas Hunter Blair1840 · National Portrait Gallery 52Sir James Kempt (1840) by William SalterSir James Kempt1840 · National Portrait Gallery 53Sir Edward Bowater (1840) by William SalterSir Edward Bowater1840 · National Portrait Gallery 54Sir George Charles Hoste (1840) by William SalterSir George Charles Hoste1840 · National Portrait Gallery 55Lord Robert Edward Somerset (1840) by William SalterLord Robert Edward Somerset1840 · National Portrait Gallery 56Sir John Waters (1840) by William SalterSir John Waters1840 · National Portrait Gallery 57John William Fremantle (1840) by William SalterJohn William Fremantle1840 · National Portrait Gallery 58Sir James Wallace Sleigh (1840) by William SalterSir James Wallace Sleigh1840 · National Portrait Gallery 59Sir Henry Murray (1840) by William SalterSir Henry Murray1840 60George Lionel Dawson Damer (1840) by William SalterGeorge Lionel Dawson Damer1840 · National Portrait Gallery 61Edward Pyndar Lygon (1840) by William SalterEdward Pyndar Lygon1840 · National Portrait Gallery 62Sir Charles Rowan (1840) by William SalterSir Charles Rowan1840 · National Portrait Gallery 63Sir Edward Kerrison, 1st Bt (1840) by William SalterSir Edward Kerrison, 1st Bt1840 · National Portrait Gallery 64Sir William Maynard Gomm (1840) by William SalterSir William Maynard Gomm1840 · National Portrait Gallery 65Sir Horatio George Powys Townshend (1840) by William SalterSir Horatio George Powys Townshend1840 · National Portrait Gallery 66Sir Robert William Gardiner (1840) by William SalterSir Robert William Gardiner1840 · National Portrait Gallery 67Fitzroy James Henry Somerset, 1st Baron Raglan (1840) by William SalterFitzroy James Henry Somerset, 1st Baron Raglan1840 · National Portrait Gallery 68John Byng, 1st Earl of Strafford (1840) by William SalterJohn Byng, 1st Earl of Strafford1840 · National Portrait Gallery 69Henry William Paget, 1st Marquess of Anglesey (1840) by William SalterHenry William Paget, 1st Marquess of Anglesey1840 · National Portrait Gallery 70Charles King (1840) by William SalterCharles King1840 · National Portrait Gallery 71James Grant (1840) by William SalterJames Grant1840 · National Portrait Gallery 72Henry D'Oyly (1840) by William SalterHenry D'Oyly1840 · National Portrait Gallery 73Charles Gordon Lennox, 5th Duke of Richmond and Lennox (1840) by William SalterCharles Gordon Lennox, 5th Duke of Richmond and Lennox1840 · National Portrait Gallery 74Felix Calvert (1840) by William SalterFelix Calvert1840 · National Portrait Gallery 75Samson Stawell (1840) by William SalterSamson Stawell1840 · National Portrait Gallery 76Sir Henry Willoughby Rooke (1840) by William SalterSir Henry Willoughby Rooke1840 · National Portrait Gallery 77George O'Malley (1840) by William SalterGeorge O'Malley1840 · National Portrait Gallery 78Sir Joseph Straton (1840) by William SalterSir Joseph Straton1840 · National Portrait Gallery 79Paolo Ruffo di Bagnaria, Prince of Castelcicala (1840) by William SalterPaolo Ruffo di Bagnaria, Prince of Castelcicala1840 · National Portrait Gallery 80Beaumont Hotham, 3rd Baron Hotham (1840) by William SalterBeaumont Hotham, 3rd Baron Hotham1840 · National Portrait Gallery 81Rowland Hill, 1st Viscount Hill (1840) by William SalterRowland Hill, 1st Viscount Hill1840 · National Portrait Gallery 82Sir Charles Broke Vere (1840) by William SalterSir Charles Broke Vere1840 · National Portrait Gallery 83Douglas Mercer, Later Henderson Mercer (1840) by William SalterDouglas Mercer, Later Henderson Mercer1840 · National Portrait Gallery 84Henry Hardinge, 1st Viscount Hardinge of Lahore (1840) by William SalterHenry Hardinge, 1st Viscount Hardinge of Lahore1840 · National Portrait Gallery 85Richard Hussey Vivian, 1st Baron Vivian (1840) by William SalterRichard Hussey Vivian, 1st Baron Vivian1840 · National Portrait Gallery 86Colonel George William Blathwayt (1797–1871) (1850) by William SalterColonel George William Blathwayt (1797–1871)1850 87General Sir Colin Halkett (1774–1856), GCB, GCH by William SalterGeneral Sir Colin Halkett (1774–1856), GCB, GCH 88William Hughes, Llanfaes Maltster, 1831 by William SalterWilliam Hughes, Llanfaes Maltster, 1831

The subjects that held William Salter's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep William Salter's originals

The 5 museums that hold the most of the paintings on this page.

Museum City Works by William Salter Paintings from this list
National Portrait Gallery, LondraNational Portrait Gallery Londra 78 Sir Henry Murray, Don Miguel Ricardo de Alava, Richard Egerton
National Maritime Museum, LondraNational Maritime Museum Londra 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington
Girton College, OxfordGirton College Oxford 1 Richard Michell (1805–1877), First Principal of Hertford College (1874)
Honiton Town Council, HonitonHoniton Town Council Honiton 1 The Entombment of Christ
Thorvaldsen Müzesi, KopenhagThorvaldsen Müzesi Kopenhag 1 Count Carlo Andrea Pozzo di Borgo

William Salter decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about William Salter's paintings

Which work is William Salter most famous for?Reveal the answer

Sir Henry Murray (1837), National Portrait Gallery, Londra. The Waterloo Banquet (1836) and Arthur Wellesley (1769–1852), 1st Duke of Wellington (1839) come next.

What age was William Salter when Sir Henry Murray was made?Reveal the answer

33 years old: Sir Henry Murray dates from 1837, and William Salter was born in 1804.

What are the ten most famous William Salter paintings?Reveal the answer

Sir Henry Murray, The Waterloo Banquet, Arthur Wellesley (1769–1852), 1st Duke of Wellington, Don Miguel Ricardo de Alava, Richard Egerton, Stephen Galway Adye, Sir John Elley, Sir Andrew Francis Barnard, Sir Colin Halkett and William George Harris, 2nd Baron Harris. The ranking above gives each one's year and museum.

How many paintings did William Salter leave?Reveal the answer

Our catalog holds 88 works by William Salter, dated from 1825 to 1874.

In which museums do William Salter's masterpieces hang?Reveal the answer

Mostly in National Portrait Gallery (Londra), National Maritime Museum (Londra) and Girton College (Oxford). The museum table above lists them all.

In which years did William Salter paint the most famous works?Reveal the answer

In 1840s: 55 of the 88 works on this page were made then, Don Miguel Ricardo de Alava among them.

What are the first and the last famous originals of William Salter?Reveal the answer

On this page, the earliest is John Jeffreys Pratt (1759–1840), Marquis Camden (1825) and the latest Richard Michell (1805–1877), First Principal of Hertford College (1874) (1874).

Which subjects did William Salter choose most often?Reveal the answer

Portrait (11), Military (11) and Formal (8), across the 88 works on this page.

To which art movement does William Salter belong?Reveal the answer

Neoclassicism and Academic realism, judging by the originals on this page.

Which William Salter works hang at the National Portrait Gallery?Reveal the answer

Sir Henry Murray, Don Miguel Ricardo de Alava and Richard Egerton: the National Portrait Gallery, Londra holds 78 of the works on this page.

Can I commission a reproduction of a William Salter painting?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

William Salter: life and work

Değişen Bir Çağın Vizyoner Portre Ressamı

On dokuzuncu yüzyılın kalbinde, Britanya Sanayi Devrimi'nin derin dönüşümlerini ve küresel nüfuzunun genişlemesini yaşarken, William Salter Viktorya dönemi ihtişamının ruhunu yakalamayı başaran bir ressam olarak öne çıktı. 1804 yılında Devon'ın sakin kasabası Honiton'da doğan Salter'ın erken yaşamı geleneksel İngiliz manzaralarına dayanıyordu, ancak sanatsal ruhu çok daha büyük sahneler için kaderinde yazılmıştı. Honiton Gramer Okulu'ndaki bir öğrencilikten Londra sanat dünyasının saygın bir figürüne uzanan yolculuğu, klasik ustalığa olan sarsılmaz bağlılığı ve dinmek bilmeyen entelektüel merakıyla döşendi. Sadece trendleri takip ederek şöhret arayan çağdaşlarının aksine, Salter'ın yaklaşımı, bir belgeselcinin hassasiyetini gerçek bir hikaye anlatıcısının duygusal derinliğiyle harmanlayan derin ve akademik bir tutkuydu.

Salter'ın teknik dehasının temelleri İngiltere kıyılarından çok uzakta atıldı. 1822 yılında, gelişmekte olan stili için dönüştürücü bir bağ olacağını kanıtlayan James Northcote stüdyolarının sunduğu titiz eğitimi aradı. Bu çıraklık dönemi, ışık ve gölge nüanslarını özümsemesine olanak tanıyarak onu sonraki İtalya Grand Tour yolculuğuna hazırladı. Floransa ve Padua'nın sanatsal merkezlerinde seyahat ederken Salter sadece gözlem yapmakla kalmadı; Rönesans'ın klasik idealleriyle iç içe geçti. Socrates Yargıçlar Karşısında gibi eserlerin tasarlandığı bu İtalyan seyahatleri, ona Avrupalı entelektüeller arasında büyük bir itibar kazandırdı ve karmaşık tarihi anlatıları zarafet ve psikolojik bir kavrayışla ele alabilen bir sanatçı olarak ününü pekiştirdi.

Anıtsal Bir Miras: Waterloo Ziyafeti

Salter'ın kariyerinin zirvesi, 1836 yılında en iddialı ve en çok konuşulan eseri olan Waterloo Ziyafeti'nin gün yüzüne çıkmasıyla geldi. Bizzat Wellington Dükü tarafından sipariş edilen bu devasa çalışma, basit bir anma tablosundan çok daha fazlasıydı; tarihi büyüklüğe sahip bir tableau vivant idi. Tuval, Waterloo zaferini kutlamak için bir araya gelen yaklaşık seksen seçkin bireyi titizlikle tasvir ederek, Britanya zaferinin eşsiz bir anına açılan nefes kesici bir pencere görevi görür. Böyle bir başarıyı gerçekleştirmek için Salter, sadece görkemli tören kıyafetlerini ve Domingos Antonio de Sequeira'nın muhteşem gümüş avizesini değil, aynı zamanda bir araya gelen seçkinlerin arasındaki ince kişiler arası dinamikleri de yakalayabilecek olağanüstü bir gözlem yeteneğine sahip olmak zorundaydı.

Bu şaheserin içinde, Salter'ın tekniğinin imzası olan realizm ve atmosferin kusursuz bir birleşimi bulunur. Etkinliğin devasa ölçeğini, öznelerinin bireysel vakarıyla ödün vermeden aktarmayı başarmıştır. Apsley House'un mücevheri olarak kalmaya devam eden tablo, tarihsel belgeleme ile sanatsal ihtişamı sentezleme yeteneğinin bir kanıtı olarak durmaktadır. Fırçası sayesinde ziyafetin kutlama enerjisi sonsuza dek korunmuş, modern izleyicilerin dönemin siyasi ve sosyal öneminin ağırlığını hissetmelerine olanak sağlanmıştır.

Portre Sanatı, Hassasiyet ve Tarihsel Önem

Tarihi kompozisyonlarının anıtsal ölçeğinin ötesinde, Salter'ın repertuvarı karakter ustalığını sergileyen bir dizi samimi portreyi de içeriyordu. Bir askeri üniformanın ağır kızıl rengini veya bir hanımefendinin elbisesinin zarif dantelini yansıtma yeteneği, onu hem Britanya aristokrasisi hem de subaylar için aranan bir ressam haline getirdi. Sir John Elley ve Sir Colin Campbell gibi eserler, izleyicinin dikkatini üzerine çeken dramatik ve canlı varlıklar yaratmak için chiaroscuro tekniğini kullanmadaki becerisini kanıtlamaktadır.

Salter'ın sanat tarihine katkısı tuvalin ötesine uzanır; o, hayatı kendi çağının entelektüel canlılığını yansıtan bir eğitimci ve gezgindi. Mirası birkaç temel sütun üzerine inşa edilmiştir:

  • Teknik Ustalık: İtalya'da ve Northcote gibi ustalardan aldığı eğitimle rafine edilmiş, klasik akademik geleneklerin derin bir hakimiyeti.
  • Tarihsel Belgeleme: Tarihi olayları, 19. yüzyılın ruhunu yakalayan kalıcı görsel anlatılara dönüştürme yeteneği.
  • Psikolojik Derinlik: Öznelerinin sadece benzerliğini değil, karakterini ve statüsünü de ortaya çıkaran portre yeteneği.
  • Kültürel Etki: Viktorya dönemi boyunca Britanya portre sanatını uluslararası bir prestij seviyesine taşıma rolü.

William Salter, 22 Aralık 1875'te hayata gözlerini yumduğunda, geride Britanya kimliğinin vazgeçilmez bir arşivi olan bir eser külliyatı bıraktı. Resimleri, bir ulusun gücünün zirvesindeyken sahip olduğu zarafeti, karmaşıklığı ve anıtsal hırsları anlamak için hayati dönüm noktaları olmaya devam ediyor.

All 88 works by William Salter →