Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 68 eser Washington Allston kataloğumuzda
Özetle
Self-Portrait (1799), en çok ilgi çeken Washington Allston tablosudur; orijinali Cambridge, Harvard Art Museums bünyesinde bulunmaktadır. Ardından göz, Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) ve Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811) üzerine yoğunlaşır. Kataloğumuzdaki Washington Allston imzalı 68 eser arasından seçilen bu 68 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…
In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") is an oil painting by the American painter and poet Washington Allston. Created in 1809, the work captures a dramatic moment of narrative tension. The scene focuses on the complex interactions between the central figures within a classical architectural setting.
The oil painting titled Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew captures a moment of sudden, violent movement. Washington Allston rendered this dramatic narrative work about 1809. The canvas holds a scene of friction and sudden gesture, frozen in the stillness of oil and pigment.
The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.
In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…
Diana on a Chase1805 · Harvard Art Museums
12
Study for "Jason Returning to Demand His Father's Kingdom"1807 · Harvard Art Museums
13
Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Yale University Art Gallery
14
Beatrice1819 · Museum of Fine Arts
15
Donna Mencia in the Robber's Cavern1815 · Museum of Fine Arts
16
Head of a Jew1817 · Museum of Fine Arts
17
Study for Belshazzar's Feast1817 · Museum of Fine Arts
18
Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · Harvard Art Museums
19
Rebecca at the Well1816 · Harvard Art Museums
20![A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) tarafından Washington Allston](/media/artworks/images-thumb/ff/46/ff46c6226208aa3441d2d9ba42ab2d29.jpg)
A Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · Metropolitan Sanat Müzesi
21
A Tuscan Girl1831 · New Britain Museum of American Art
22
Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · Harvard Art Museums
23
Ideal Head1835 · Rhode Island School of Design Museum of Art
24
The Sisters1816 · Harvard Art Museums
25
Elijah Fed by the Ravens1818 · Museum of Fine Arts
26
A Landscape after Sunset1819 · National Gallery of Art
27
Moonlit Landscape1819 · Museum of Fine Arts
28
The Rising of a Thunderstorm at Sea1804 · Museum of Fine Arts
29
Italian Shepard BoyDetroit Institute of Arts
30
Rising of a Thunderstorm at Sea1804 · Museum of Fine Arts
31
Landscape with a Lake1804 · Museum of Fine Arts
32
Jacob's Dream1817 · Petworth House
33
Hermina and Helena1815
34
Miriam the Prophetess1821
35
Italian Landscape1814 · Toledo Sanat Müzesi
36
Ship in a Squall1827 · Harvard Art Museums
37
Landscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · Museum of Fine Arts
38
Landscape Composition1834 · Harvard Art Museums
39
The Angel Releasing St. Peter from PrisonMuseum of Fine Arts
40
Romantic Landscape
41
HEAD OF A JEWNational Portrait Gallery of Sweden
42
Moses and the Serpent
43
Benjamin Lynde, Sr
44
Saul and the Witch of Endor
45
Italian Shepherd Boy1819 · Detroit Institute of Arts
46
Dr. John King1814 · Fine Arts Museums of San Francisco
47
Italian Landscape1828 · Detroit Institute of Arts
48
An American LandscapeNational Gallery of Ireland
49
Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts
50
Storm Rising at Sea
51
Christ Healing the SickWorcester Art Museum
52
The Spanish Girl in Reverie
53
Classical Landscape
54
Samuel WilliamsCleveland Museum of Art
55
Jason Returning to Demand his Father's KingdomLowe Gallery
56
Landscape With A Lake
57
The Tippler
58
David Playing before Saul
59
Belshazzar's FeatDetroit Institute of Arts
60
Samuel Taylor ColeridgeNational Portrait Gallery
61
The Opening of the Casket
62
Angel Releasing St. Peter from Prison
63
Meeting of Lear and Cordelia
64
Coast Scene on the Mediterranean
65
Hermia and HelenaSmithsonian Amerikan Sanat Müzesi
66
Uriel Güneş'te Duruyor1817 · Mugar Memorial Library
67
The Flight of Florimell1819 · Detroit Institute of Arts
68
The Spanish Girl in Reverie1831 · Metropolitan Sanat Müzesi
#3 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha
#7 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
#8 Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew
#13 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe
#15 Donna Mencia in the Robber's Cavern
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Washington Allston Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 14 | The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait |
 Harvard Art Museums |
Cambridge | 11 | Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834) |
 Detroit Institute of Arts |
Detroit | 5 | Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 2 | Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' |
 Metropolitan Sanat Müzesi |
New York | 2 | A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie |
 Philadelphia Museum of Art |
Philadelphia | 1 | Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") |
 Yale University Art Gallery |
New Haven | 1 | Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
In this work, titled Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston presents a somber biblical scene set within a dimly lit, architectural interior. The composition centers on two figures positioned amidst stone arches and a dark, recessed space. On the left, the prophet Jeremiah is depicted in a commanding yet distressed pose, his gaze directed upward as if receiving divine revelation. He…
In A Tuscan Girl, Washington Allston positions a single female figure centrally within a three-quarter length pose. Seated amidst dense foliage, the subject is illuminated by a soft, directional light striking from the upper left. This lighting highlights her face, shoulder, and chest, while a chiaroscuro effect casts the surrounding landscape into deep, shadowy tones. The woman's attire provides a sharp chromatic contrast to the dark background, featuring a red…
Self-Portrait (1799), Harvard Art Museums, Cambridge. Ardından Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) ve Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811) geliyor.
20 yaşında: Self-Portrait 1799 yılına aittir ve Washington Allston 1779 yılında doğmuştur.
Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" ve Samuel Taylor Coleridge (1772-1834). Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Washington Allston tarafından 1796 ile 1835 tarihleri arasında üretilmiş 68 eser bulunmaktadır.
Çoğunlukla Museum of Fine Arts (Boston), Harvard Art Museums (Cambridge) ve Detroit Institute of Arts (Detroit) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1810s döneminde: Bu sayfadaki 68 eserin 22 tanesi o dönemde yapılmıştır, bunların Dead Man Restored to Life by Touching the Bones of the Prophet Elisha tanesi ise Dead Man Restored to Life by Touching the Bones of the Prophet Elisha arasındadır.
Bu sayfadaki en eski eser Portrait of Captain A.H. Pray of the Boston Fusiliers (1796), en yeni eser ise Ideal Head (1835)'dir.
Man (16), Woman (9) ve Portrait (8), bu sayfadaki 68 eser genelinde.
Bu sayfadaki 68 eserin 18 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Romantic landscape painting,
The Poor Author and the Rich Bookseller, William Ellery Channing ve Self Portrait: Museum of Fine Arts, Boston, bu sayfadaki eserlerden 14 tanesine ev sahipliği yapmaktadır.
