Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 40 eser Tom Roberts kataloğumuzda
Özetle
Galerinin gözünde, Tom Roberts'in en ünlü tablosu, aslı Melbourne, National Gallery of Victoria içinde sergilenen Slumbering sea, Mentone (1887)'dir. Self portrait (1924) ve Portrait of Louis Abrahams (1886), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Tom Roberts imzalı 40 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 40 eseri aşağıda sunmaktadır.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Portrait of Mrs Tom Roberts: A Window Into Heidelberg Impressionism Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England, on March 8th, 1860, stands as a testament to the burgeoning artistic spirit of Australia during its formative years. Her life’s journey intertwined with that of her husband, Tom Roberts—a fellow artist and cherished friend—resulting in a remarkable collaborative effort that cemented their place within the annals of Australian art…
To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…
In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…
In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…
Sir William Charles Windeyer1892 · National Portrait Gallery
12
James T. Donovan1892 · National Portrait Gallery
13
Mrs Lucy Scot Skirving1898 · Art Gallery of New South Wales
14
Percy F.S. Spence1896 · Art Gallery of New South Wales
15
Portrait of George Selth Coppin1895 · National Portrait Gallery
16
Sir James Reading Fairfax1898 · National Portrait Gallery
17
Hutt Valley1900 · Museum of New Zealand Te Papa Tongarewa
18
In Quarantine, Wellington1900 · Museum of New Zealand Te Papa Tongarewa
19
Mrs W.A.B. Greaves1899 · Art Gallery of New South Wales
20
Edward TrenchardNational Gallery of Victoria
21
Roses1911 · Art Gallery of New South Wales
22
Thames bargesArt Gallery of New South Wales
23
The first basin1913
24
Sherbrooke Forest1924 · Art Gallery of New South Wales
25
An autumn morning, Milson1888 · Art Gallery of New South Wales
26
Harbourscape1890 · National Gallery of Australia
27
Circular Quay1989
28
Holiday sketch at Coogee1888 · Art Gallery of New South Wales
29
Cloud studyNational Gallery of Victoria
30
Washing day KallistaArt Gallery of New South Wales
31
Grey lady (Mrs Ince)Art Gallery of New South Wales
32
Storm at seaArt Gallery of New South Wales
33
Opening of the first Parliament of the Australian Commonwealth, 9th May 19011903 · National Portrait Gallery
34
Shearing the rams1890 · National Gallery of Victoria
35
The Big Picture1903 · Royal Collection
36
Coming South1886 · National Gallery of Victoria
37
Bailed up1927 · Art Gallery of New South Wales
38
In a corner on the Macintyre1895 · National Gallery of Australia
39
Rejected1883
40
The Temple of Dendera, Upper Egypt1841 · Bristol Museum - Art Gallery
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Tom Roberts Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Art Gallery of New South Wales |
Sidney | 15 | Self portrait, Adagio, Fog, Thames Embankment |
 National Portrait Gallery |
Canberra | 7 | Practising the Minuet (Miss Hilda Spong), Tom Roberts'ın İlk Karısı Elizabeth Sarah (Lillie)'nin Portresi, Sir William Charles Windeyer |
 National Gallery of Victoria |
Melbourne | 5 | Slumbering sea, Mentone, Edward Trenchard, Cloud study |
 National Gallery of Australia |
Canberra | 4 | Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Hutt Valley, In Quarantine, Wellington |
 Art Gallery of South Australia |
Adelaide | 1 | Andante |
 Royal Collection |
Londra | 1 | The Big Picture |
 Bristol Museum - Art Gallery |
Bristol | 1 | The Temple of Dendera, Upper Egypt |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
Portrait of Mrs Tom Roberts: A Window Into Heidelberg Impressionism Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England, on March 8th, 1860, stands as a testament to the burgeoning artistic spirit of Australia during its formative years. Her life’s journey intertwined with that of her husband, Tom Roberts—a fellow artist and cherished friend—resulting in a remarkable collaborative effort that cemented their place within the annals of Australian art…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. Ardından Self portrait (1924) ve Portrait of Louis Abrahams (1886) geliyor.
31 yaşında: Slumbering sea, Mentone 1887 yılına aittir ve Tom Roberts 1856 yılında doğmuştur.
Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Tom Roberts'ın İlk Karısı Elizabeth Sarah (Lillie)'nin Portresi, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) ve Fog, Thames Embankment. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Tom Roberts tarafından 1883 ile 1927 tarihleri arasında üretilmiş 40 eser bulunmaktadır.
Çoğunlukla Art Gallery of New South Wales (Sidney), National Portrait Gallery (Canberra) ve National Gallery of Victoria (Melbourne) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1890s döneminde: Bu sayfadaki 40 eserin 12 tanesi o dönemde yapılmıştır, bunların Adagio tanesi ise Adagio arasındadır.
Bu sayfadaki en eski eser Rejected (1883), en yeni eser ise Bailed up (1927)'dir.
Landscape (6), Australia (4) ve Boats (3), bu sayfadaki 40 eser genelinde.
Bu sayfadaki 40 eserin 5 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Impressionism ve Australian impressionism,
Self portrait, Adagio ve Fog, Thames Embankment: Art Gallery of New South Wales, Sidney, bu sayfadaki eserlerden 15 tanesine ev sahipliği yapmaktadır.
Evet, bir reprodüksiyon olarak: Orijinal eser müzesinde kalır, ancak bu sayfadaki herhangi bir tablo, tablonun kendi sayfasından, size özel olarak tek tek ve elle boyanarak sipariş üzerine üretilebilir.
