Michele Marieschi portresi

Her Biri Benzersiz, En Ünlü 43 Michele Marieschi Tablosu

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 46 eser Michele Marieschi kataloğumuzda

Özetle

The Grand Canal near the Salute (1733), en çok ilgi çeken Michele Marieschi tablosudur; orijinali Paris, Louvre Müzesi bünyesinde bulunmaktadır. Ardından göz, Capriccio with Classical Arch and Goats (1741) ve The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) üzerine yoğunlaşır. Kataloğumuzdaki Michele Marieschi imzalı 46 eser arasından seçilen bu 43 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.

1710 – 1743, Venice Rococo En çok eser: Varşova Ulusal Müzesi

Galerinin gözünden Michele Marieschi tarafından yapılan en iyi 10 tablo

2
Capriccio with Classical Arch and Goats (1741) tarafından Michele Marieschi

Capriccio with Classical Arch and Goats

1741 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venedik

The composition centers on the intersection of human architecture and the persistent force of the natural world. Crumbling stone arches and weathered columns, once symbols of structural precision, now lie partially reclaimed by thick foliage and creeping vines. In the foreground, a man, a boy, and a dog move through the ruins, providing a sense of scale against the heavy, decaying masonry. Beyond this immediate scene, a body of water…

3
The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) tarafından Michele Marieschi

The Grand Canal with the Ca' Rezzonico and the Campo San Samuele

1742 · Oil On Canvas · Staatliche Museen zu Berlin, Berlin

The oil on canvas titled The Grand Canal with the Ca' Rezzonico and the Campo San Samuele captures a specific slice of Venetian life. Painted by Michele Marieschi, the work dates to about 1742. It presents a wide view of the waterways that define the city, focusing on the intersection of grand architecture and the constant movement of the canals.

4
Courtyard with a Staircase (1735) tarafından Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

5
The Grand Canal in Venice (1700) tarafından Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napoli

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

6
Rialto Köprüsü Riva del Vin (1740) tarafından Michele Marieschi

Rialto Köprüsü Riva del Vin

1740 · Tuval Üzerine Akrilik Boya · Hermitaj Müzesi, Saint Petersburg

Michele Marieschi: Venice Captured in Light and Shadow The painting “The Rialto Bridge from the Riva del Vin” by Michele Marieschi stands as a testament to Venetian Veduta painting—a genre dedicated to capturing the vibrant essence of cityscapes with unparalleled realism and artistic flair. Executed around 1740, this artwork isn’t merely a depiction of Venice; it's an immersive experience for the viewer, transporting them back to the bustling atmosphere of…

7
The Grand Canal with Santa Maria della Salute (1730) tarafından Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Müzesi, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Michele Marieschi'in ünlü tabloları, 11. ile 43. arası

11Fantastic Architecture of a Palace Courtyard (1730) tarafından Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Varşova Ulusal Müzesi 12Riva degli Schiavoni (1730) tarafından Michele MarieschiRiva degli Schiavoni1730 · Varşova Ulusal Müzesi 13Coastal Landscape (1730) tarafından Michele MarieschiCoastal Landscape1730 · Varşova Ulusal Müzesi 14Fantastic Landscape with Ruins (1730) tarafından Michele MarieschiFantastic Landscape with Ruins1730 · Varşova Ulusal Müzesi 15Italian scenery with figures (1727) tarafından Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) tarafından Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavarian State Painting Collections 17Saint Mark's Church and the Square in Venice (1739) tarafından Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) tarafından Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavarian State Painting Collections 19Landscape Capriccio (1735) tarafından Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) tarafından Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Şikago Sanat Enstitüsü 21Courtyard in a Renaissance House (1742) tarafından Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) tarafından Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) tarafından Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Varşova Ulusal Müzesi 24The Grand Canal with the Fishmarket (detail) (1740) tarafından Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) tarafından Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) tarafından Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) tarafından Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) tarafından Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) tarafından Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) tarafından Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove tarafından Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute tarafından Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge tarafından Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum For Kunst 34View of Canale Grande in Venice tarafından Michele MarieschiView of Canale Grande in VeniceStatens Museum For Kunst 35interior of a palazzo with scaffolding + figures tarafından Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port tarafından Michele MarieschiView of a port 37palace - garden and walking people tarafından Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice tarafından Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge tarafından Michele MarieschiLandscape with ruins and a bridgeVarşova Ulusal Müzesi 40Landscape with ruins tarafından Michele MarieschiLandscape with ruinsVarşova Ulusal Müzesi 41Architectural fantasy featuring a prison courtyard tarafından Michele MarieschiArchitectural fantasy featuring a prison courtyardVarşova Ulusal Müzesi 42Imaginative View with Obelisk tarafından Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice tarafından Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Michele Marieschi'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

Michele Marieschi'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir Michele Marieschi Eserleri Bu listedeki tablolar
Varşova Ulusal Müzesi, VarşovaVarşova Ulusal Müzesi Varşova 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VenedikGallerie dell'Accademia di Venezia Venedik 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Hermitaj Müzesi, Saint PetersburgHermitaj Müzesi Saint Petersburg 2 Courtyard with a Staircase, Rialto Köprüsü Riva del Vin
Bavarian State Painting Collections, MünihBavarian State Painting Collections Münih 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum For Kunst, KopenhagStatens Museum For Kunst Kopenhag 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre Müzesi, ParisLouvre Müzesi Paris 1 The Grand Canal near the Salute

On yıllar boyunca Michele Marieschi: her biri için eşsiz bir orijinal eser

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Michele Marieschi'in tabloları: galeri için sorular

Michele Marieschi tarafından yapılmış en ünlü eser hangisidir?Cevabı göster

The Grand Canal near the Salute (1733), Louvre Müzesi, Paris. Ardından Capriccio with Classical Arch and Goats (1741) ve The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) geliyor.

Michele Marieschi, The Grand Canal near the Salute eserini kaç yaşında yarattı?Cevabı göster

23 yaşında: The Grand Canal near the Salute 1733 yılına aittir ve Michele Marieschi 1710 yılında doğmuştur.

Michele Marieschi tarafından yapılmış en ünlü on tablo hangileridir?Cevabı göster

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Rialto Köprüsü Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto ve Fantastic Architecture of a Prison Courtyard. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

Michele Marieschi tarafından yapılmış kaç eser bilinmektedir?Cevabı göster

Kataloğumuzda Michele Marieschi tarafından 1727 ile 1742 tarihleri arasında üretilmiş 46 eser bulunmaktadır.

En ünlü Michele Marieschi orijinalleri nerede görülebilir?Cevabı göster

Çoğunlukla Varşova Ulusal Müzesi (Varşova), Gallerie dell'Accademia di Venezia (Venedik) ve Staatliche Museen zu Berlin (Berlin) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Michele Marieschi en bilinen tablolarını hangi dönemde yaptı?Cevabı göster

1730s döneminde: Bu sayfadaki 43 eserin 14 tanesi o dönemde yapılmıştır, bunların The Grand Canal near the Salute tanesi ise The Grand Canal near the Salute arasındadır.

Hangi ünlü Michele Marieschi tablosu en eski, hangisi ise en yenidir?Cevabı göster

Bu sayfadaki en eski eser Italian scenery with figures (1727), en yeni eser ise The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742)'dir.

Michele Marieschi hangi konuları tercih ederdi?Cevabı göster

Boats (4), Architecture (4) ve Canal (3), bu sayfadaki 43 eser genelinde.

Michele Marieschi en çok hangi malzemelerle resim yaptı?Cevabı göster

Bu sayfadaki 43 eserin 5 tanesi Oil On Canvas türündedir.

Michele Marieschi eserleri hangi akıma aittir?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Rococo,

Varşova Ulusal Müzesi bünyesinde Michele Marieschi imzalı hangi orijinal eserleri görebilirim?Cevabı göster

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard ve Fantastic Architecture of a Palace Courtyard: Varşova Ulusal Müzesi, Varşova, bu sayfadaki eserlerden 10 tanesine ev sahipliği yapmaktadır.

Michele Marieschi: sanatçının bir portresi

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.