Edward Lear portresi

Her Biri Benzersiz, En Ünlü 100 Edward Lear Tablosu

Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 419 eser Edward Lear kataloğumuzda

Özetle

Cogoleto, Italy, Edward Lear tarafından yapılan ve en çok ilgi çeken tablodur. Ardından göz, Crescenza ve Blue And Yellow Macaw üzerine yoğunlaşır. Kataloğumuzdaki Edward Lear imzalı 419 eser arasından seçilen bu 100 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.

1812 – 1888, Highgate Romanticism En çok eser: Yale Center for British Art

Galerinin gözünden Edward Lear tarafından yapılan en iyi 10 tablo

1
Cogoleto, Italy tarafından Edward Lear

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

7
The Temple of Apollo at Bassae (1855) tarafından Edward Lear

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam Koleji, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Edward Lear'in ünlü tabloları, 11. ile 100. arası

11A Great Green Macaw tarafından Edward LearA Great Green Macaw 12Great Sulphur Cockatoo (Plyctolophus Sulphureus) tarafından Edward LearGreat Sulphur Cockatoo (Plyctolophus Sulphureus) 13Diano, South Of France tarafından Edward LearDiano, South Of France 14Philae, Egypt (1863) tarafından Edward LearPhilae, Egypt1863 · Yale Center for British Art 15The Plains of Lombardy from Monte Generoso (1880) tarafından Edward LearThe Plains of Lombardy from Monte Generoso1880 · Ashmolean Müzesi 16Between Olavano and Civitella (1842) tarafından Edward LearBetween Olavano and Civitella1842 · Yale Center for British Art 17Civita Castellana (1839) tarafından Edward LearCivita Castellana1839 18The Mountains of Thermopylae (1852) tarafından Edward LearThe Mountains of Thermopylae1852 · Bristol Museum - Art Gallery 19A Study of Ferns, Civitella (1842) tarafından Edward LearA Study of Ferns, Civitella1842 · Yale Center for British Art 20Landscape with Goatherd (1842) tarafından Edward LearLandscape with Goatherd1842 · Yale Center for British Art 21Temple of Venus and Roma, Rome (1840) tarafından Edward LearTemple of Venus and Roma, Rome1840 · Yale Center for British Art 22Rome, a View of the Forum from a Terrace (1841) tarafından Edward LearRome, a View of the Forum from a Terrace1841 23Rome, a View of the Forum with the Temple of Venus (1841) tarafından Edward LearRome, a View of the Forum with the Temple of Venus1841 24A View of the Roman Campagna, a Villa and Aqueduct in the Distance (1841) tarafından Edward LearA View of the Roman Campagna, a Villa and Aqueduct in the Distance1841 25A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance (1841) tarafından Edward LearA View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841 26Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany (1842) tarafından Edward LearStudy of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842 27Venosa (1852) tarafından Edward LearVenosa1852 · Toledo Sanat Müzesi 28Corfu from near the Village of Virós (1858) tarafından Edward LearCorfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art 29Jerusalem from the Mount of Olives (1858) tarafından Edward LearJerusalem from the Mount of Olives1858 · İsrail Müzesi 30Corfu from Ascension (1860) tarafından Edward LearCorfu from Ascension1860 · Yale Center for British Art 31Corfu from Ascension (1862) tarafından Edward LearCorfu from Ascension1862 · Yale Center for British Art 32Corfu from Santa Decca (1862) tarafından Edward LearCorfu from Santa Decca1862 · Yale Center for British Art 33Butrinto, Albania (1861) tarafından Edward LearButrinto, Albania1861 · Yale Center for British Art 34Zagori, Greece (1860) tarafından Edward LearZagori, Greece1860 · Yale Center for British Art 35Masada on the Dead Sea (1858) tarafından Edward LearMasada on the Dead Sea1858 · Fine Arts Museums of San Francisco 36View of the Ducal Palace, Massa, Northern Italy (1858) tarafından Edward LearView of the Ducal Palace, Massa, Northern Italy1858 37View in the Campagna, Rome (with a River) (1861) tarafından Edward LearView in the Campagna, Rome (with a River)1861 38View in the Campagna, Rome (with Ruins) (1861) tarafından Edward LearView in the Campagna, Rome (with Ruins)1861 39View of Florence from Villa San Firenze (1862) tarafından Edward LearView of Florence from Villa San Firenze1862 · Government Art Collection 40Corfu (1863) tarafından Edward LearCorfu1863 41The Forest of Valdoniello, Corsica (1869) tarafından Edward LearThe Forest of Valdoniello, Corsica1869 · Yale Center for British Art 42Denderah on the Nile (1867) tarafından Edward LearDenderah on the Nile1867 43Feluccas on the Nile near Abu-Simbel (1867) tarafından Edward LearFeluccas on the Nile near Abu-Simbel1867 44A Distant View of Nice from the Hills (1864) tarafından Edward LearA Distant View of Nice from the Hills1864 45Thermopylae (1872) tarafından Edward LearThermopylae1872 · Ashmolean Müzesi 46Kinchinjunga (1877) tarafından Edward LearKinchinjunga1877 · Yale Center for British Art 47Campagna di Roma (1878) tarafından Edward LearCampagna di Roma1878 48Buon Ricovero, in the Roman Campagna (1878) tarafından Edward LearBuon Ricovero, in the Roman Campagna1878 49Kangchenjunga from Darjeeling (1879) tarafından Edward LearKangchenjunga from Darjeeling1879 · Yale Center for British Art 50The Marble Rocks - Nerbudda Jubbolpore (1882) tarafından Edward LearThe Marble Rocks - Nerbudda Jubbolpore1882 · Yale Center for British Art 51Argos from Mycene (1884) tarafından Edward LearArgos from Mycene1884 52A View of Adam's Peak, Ceylon (1882) tarafından Edward LearA View of Adam's Peak, Ceylon1882 · Government Art Collection 53Snowy Owl tarafından Edward LearSnowy Owl 54Villa Borghese, Rome tarafından Edward LearVilla Borghese, Rome 55Studies Of Sheep And Herdsmen tarafından Edward LearStudies Of Sheep And Herdsmen 56Views In Rome And Its Environs 2 tarafından Edward LearViews In Rome And Its Environs 2 57Opposite Calvi tarafından Edward LearOpposite Calvi 58Arabs Approaching Mount Sinai tarafından Edward LearArabs Approaching Mount Sinai 59Bocche Di Cattaro, Montenegro tarafından Edward LearBocche Di Cattaro, Montenegro 60Palaiukhora, Crete tarafından Edward LearPalaiukhora, Crete 61Naples, Italy tarafından Edward LearNaples, Italy 62Katholikó Akrotiri, Crete tarafından Edward LearKatholikó Akrotiri, Crete 63Damascus 3 tarafından Edward LearDamascus 3 64View Of Sermoneta, Italy tarafından Edward LearView Of Sermoneta, Italy 65Arkodyllus, Corfu tarafından Edward LearArkodyllus, Corfu 66View Of Jerusalem 1 tarafından Edward LearView Of Jerusalem 1 67The Monastery Of Baarlam, Meteora tarafından Edward LearThe Monastery Of Baarlam, Meteora 68Windermere From Lowwood, Cumbria tarafından Edward LearWindermere From Lowwood, Cumbria 69View Of Philae tarafından Edward LearView Of Philae 70Musta, Malta tarafından Edward LearMusta, Malta 71Modica, Sicily tarafından Edward LearModica, Sicily 72A View Of Sorrento, Italy tarafından Edward LearA View Of Sorrento, Italy 73Parnassus tarafından Edward LearParnassus 74Isola Pescatore, Lake Maggiore, Italy tarafından Edward LearIsola Pescatore, Lake Maggiore, Italy 75A View Of Santa Maura, Levkas, Ionian Islands tarafından Edward LearA View Of Santa Maura, Levkas, Ionian Islands 76Corfu From The Hill Of Gastouri tarafından Edward LearCorfu From The Hill Of Gastouri 77Pompey's Pillar tarafından Edward LearPompey's Pillar 78Figures On The Shore Near Edfu tarafından Edward LearFigures On The Shore Near Edfu 79Joannina, Epirus, Albania tarafından Edward LearJoannina, Epirus, Albania 80Travellers On A Road, Subiaco, Italy tarafından Edward LearTravellers On A Road, Subiaco, Italy 81The Pyramids Road tarafından Edward LearThe Pyramids Road 82View Of Eze, Côte D'azur, France 1 tarafından Edward LearView Of Eze, Côte D'azur, France 1 83An Arab Encampment In Wadi Feiran, Egypt tarafından Edward LearAn Arab Encampment In Wadi Feiran, Egypt 84The Claudian Aqueduct On The Via Appia Near Rome tarafından Edward LearThe Claudian Aqueduct On The Via Appia Near Rome 85A Distant View Of Mdina, Malta tarafından Edward LearA Distant View Of Mdina, Malta 86Galata, Constantinople tarafından Edward LearGalata, Constantinople 87Benares On The Ganges tarafından Edward LearBenares On The Ganges 88Sunrise At Erment, Egypt tarafından Edward LearSunrise At Erment, Egypt 89Porto Maurizio, Italy tarafından Edward LearPorto Maurizio, Italy 90The Nile Above Aswan tarafından Edward LearThe Nile Above Aswan 91A View Of Pauna, In The Ionian Islands tarafından Edward LearA View Of Pauna, In The Ionian Islands 92View Of Ratnapura, Ceylon tarafından Edward LearView Of Ratnapura, Ceylon 93Stairs Leading To S. Pietro In Vincoli tarafından Edward LearStairs Leading To S. Pietro In Vincoli 94Mount Oeta And Thermopylae From Near Lamia tarafından Edward LearMount Oeta And Thermopylae From Near Lamia 95Damascus tarafından Edward LearDamascus 96Arabs At Mount Sinai, Egypt tarafından Edward LearArabs At Mount Sinai, Egypt 97View Of Cythera, Greece tarafından Edward LearView Of Cythera, Greece 98The Upper Nile, Toske, Egypt tarafından Edward LearThe Upper Nile, Toske, Egypt 99Saffron-Coloured Aracari And Golden-Green Aracari tarafından Edward LearSaffron-Coloured Aracari And Golden-Green Aracari 100Prince Of Wales Road, Malta tarafından Edward LearPrince Of Wales Road, Malta

Edward Lear'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

Edward Lear'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir Edward Lear Eserleri Bu listedeki tablolar
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondraGovernment Art Collection Londra 5 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
Ashmolean Müzesi, OxfordAshmolean Müzesi Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
İsrail Müzesi, Kudüsİsrail Müzesi Kudüs 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam Koleji, CambridgeFitzwilliam Koleji Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Mountains of Thermopylae
Toledo Sanat Müzesi, ToledoToledo Sanat Müzesi Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

On yıllar boyunca Edward Lear: her biri için eşsiz bir orijinal eser

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Edward Lear'in tabloları: galeri için sorular

Edward Lear tarafından yapılmış en ünlü eser hangisidir?Cevabı göster

Cogoleto, Italy. Ardından Crescenza ve Blue And Yellow Macaw geliyor.

Edward Lear tarafından yapılmış en ünlü on tablo hangileridir?Cevabı göster

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy ve Ithaca, Ionian Islands. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

Edward Lear tarafından yapılmış kaç eser bilinmektedir?Cevabı göster

Kataloğumuzda Edward Lear tarafından 1839 ile 1884 tarihleri arasında üretilmiş 419 eser bulunmaktadır.

En ünlü Edward Lear orijinalleri nerede görülebilir?Cevabı göster

Çoğunlukla Yale Center for British Art (New Haven), Government Art Collection (Londra) ve Ashmolean Müzesi (Oxford) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Edward Lear en bilinen tablolarını hangi dönemde yaptı?Cevabı göster

1860s döneminde: Bu sayfadaki 100 eserin 14 tanesi o dönemde yapılmıştır, bunların Philae, Egypt tanesi ise Philae, Egypt arasındadır.

Hangi ünlü Edward Lear tablosu en eski, hangisi ise en yenidir?Cevabı göster

Bu sayfadaki en eski eser Civita Castellana (1839), en yeni eser ise Argos from Mycene (1884)'dir.

Edward Lear hangi konuları tercih ederdi?Cevabı göster

Landscape (11), Scenes (11) ve Italy (11), bu sayfadaki 100 eser genelinde.

Edward Lear en çok hangi malzemelerle resim yaptı?Cevabı göster

Bu sayfadaki 100 eserin 2 tanesi Watercolor türündedir.

Edward Lear eserleri hangi akıma aittir?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Romanticism,

Yale Center for British Art bünyesinde Edward Lear imzalı hangi orijinal eserleri görebilirim?Cevabı göster

Philae, Egypt, Between Olavano and Civitella ve A Study of Ferns, Civitella: Yale Center for British Art, New Haven, bu sayfadaki eserlerden 14 tanesine ev sahipliği yapmaktadır.

El boyaması Edward Lear reprodüksiyonu nereden sipariş edebilirim?Cevabı göster

Evet, bir reprodüksiyon olarak: Orijinal eser müzesinde kalır, ancak bu sayfadaki herhangi bir tablo, tablonun kendi sayfasından, size özel olarak tek tek ve elle boyanarak sipariş üzerine üretilebilir.

Edward Lear: sanatçının bir portresi

Edward Lear (1812-1888): The Poet of Nonsense and Light

Edward Lear, a name synonymous with whimsical verse and delightfully peculiar illustrations, was far more than the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children, Lear’s early life was marked by both financial instability and a burgeoning artistic talent. His father, Jeremiah Lear, faced hardship after the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would see him traverse continents and capture the world in vibrant hues and playful lines. The shadow of familial difficulty, coupled with early health challenges – including epilepsy and bouts of melancholia he termed “the Morbids” – instilled within Lear a sense of gentle solitude and an inclination towards imaginative escape, qualities profoundly reflected in his art and writing.

Early Influences: Precision and Observation

Lear’s artistic journey began with meticulous precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a remarkable eye for detail and anatomical accuracy. This early work demanded unwavering observation—a characteristic that would serve as a cornerstone of his subsequent endeavors. The Society tasked him with documenting the diverse avian species inhabiting Britain’s natural habitats, requiring painstaking sketches and detailed renderings that adhered to scientific standards. These formative years instilled in Lear an appreciation for meticulous draughtsmanship and fostered a deep understanding of animal anatomy—skills he would carry forward throughout his career. Beyond the Zoological Society, Lear was influenced by Romantic painters like John Constable and Thomas Gainsborough, whose landscapes championed atmospheric perspective and conveyed a sense of sublime beauty. He absorbed their techniques for capturing light and color, incorporating them into his own artistic practice.

Travel & Landscape Painting: Capturing Exotic Visions

Lear’s fascination with the natural world extended far beyond the confines of British ornithology. Driven by an insatiable curiosity and a desire to experience new cultures, he embarked on extensive travels throughout Europe and beyond—a journey that irrevocably shaped his artistic vision. His expeditions to Italy, Greece, Egypt, and Morocco exposed him to breathtaking vistas and vibrant palettes—inspiring him to develop a distinctive style characterized by atmospheric perspective and delicate brushwork. He meticulously studied the geological formations, vegetation patterns, and climatic conditions of these regions, translating his observations into evocative watercolors that captured the essence of their beauty. Lear’s landscapes are imbued with a palpable sense of wonder—reflecting his own profound appreciation for the grandeur of nature. Consider *The Dong with luminous nose*, where Lear masterfully employs chiaroscuro to create dramatic contrasts between light and shadow, emphasizing the contours of the landscape and conveying an emotional resonance that transcends mere visual representation.

The Poet of Nonsense: A Revolution in Verse

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry—particularly his limericks—revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. He challenged established poetic conventions—rejecting rhyme schemes and meter in favor of spontaneous rhythm and lyrical beauty. His limericks explored themes of loneliness, longing, and the absurdity of existence, cloaked within a veneer of whimsicality—yet beneath the surface lay a poignant awareness of human vulnerability.

Legacy & Enduring Charm

Lear’s influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath—artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet—whose diverse talents converged to create a unique and enduring legacy. He championed innovation while retaining an unwavering commitment to aesthetic beauty—a testament to his artistic integrity. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a beacon of Victorian art and a celebration of Lear’s singular vision. Edward Lear's life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit—a sentiment perfectly encapsulated in his enduring masterpiece, *The Owl and the Pussy-Cat*.

Edward Lear tarafından yapılan tüm 419 eser →