Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 33 eser Amico Aspertini kataloğumuzda
Özetle
Female Portrait (1502), en çok ilgi çeken Amico Aspertini tablosudur; orijinali Viyana, Kunsthistorisches Museum bünyesinde bulunmaktadır. Ardından göz, Portrait of a Man (1505) ve View of the Oratory (1504) üzerine yoğunlaşır. Kataloğumuzdaki Amico Aspertini imzalı 33 eser arasından seçilen bu 32 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
In this 1505 portrait, we encounter a figure of profound vulnerability. A woman sits upon a ledge, her hands bound behind her back with heavy rope, a detail that immediately establishes a sense of unease. The composition is defined by a stark, dark background that pushes the subject toward the viewer, forcing an intimate encounter with her distress. There is a palpable tension in her posture, a quiet suffering that…
The fresco titled Legend of Sts Cecilia and Valerian, Scene 6 is a work by the Bolognese painter Amico Aspertini. Created about 1504, this piece belongs to a larger cycle of frescoes. These paintings occupy the walls of the Oratorio di Santa Cecilia in Bologna. The series traces the life of Saint Cecilia and her husband, Valerian.
Legend of Sts Cecilia and Valerian, Scene 5 is a fresco painting by Amico Aspertini. Created in 1504, this work occupies a specific place within a larger decorative cycle. The artist joined Francesco Francia and Lorenzo Costa to execute these frescoes for the Oratory of Santa Cecilia. This sacred space in Bologna, Italy, received its commission from Giovanni II Bentivoglio.
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Portrait of Tommaso Raimondi1500 · Thyssen-Bornemisza Müzesi
12
Ercole e il cinghiale di ErimantoGalleria degli Uffizi
13
Venere con Amore nella fucina di VulcanoGalleria degli Uffizi
14
Statua di Pan/Leone che azzanna un cavalloGalleria degli Uffizi
15
Nereidi, Tritoni e putti alati sopra delfiniGalleria degli Uffizi
16
San Cristoforo con Gesù BambinoGalleria degli Uffizi
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the ShepherdsGemäldegalerie
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare allGalleria degli Uffizi
25
Fregio con tritoni, cicogne e due coppie di animali mostruosiGalleria degli Uffizi
26
CentauromachiaGalleria degli Uffizi
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiumeGalleria degli Uffizi
28
Euridice uccisa dal serpente alla presenza di AristeoGalleria degli Uffizi
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )Galleria degli Uffizi
30
Figura maschile nudaGalleria degli Uffizi
31
Incredulità di San TommasoGalleria degli Uffizi
32
St CassianoPinacoteca di Brera
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Amico Aspertini Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Galleria degli Uffizi |
Floransa | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 Kunsthistorisches Museum |
Viyana | 1 | Female Portrait |
 Städel Müzesi |
Frankfurt | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 National Gallery of Art |
Washington | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 Thyssen-Bornemisza Müzesi |
Madrid | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Female Portrait (1502), Kunsthistorisches Museum, Viyana. Ardından Portrait of a Man (1505) ve View of the Oratory (1504) geliyor.
27 yaşında: Female Portrait 1502 yılına aittir ve Amico Aspertini 1475 yılında doğmuştur.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus ve Adoration. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Amico Aspertini tarafından 1496 ile 1545 tarihleri arasında üretilmiş 33 eser bulunmaktadır.
Çoğunlukla Galleria degli Uffizi (Floransa), Kunsthistorisches Museum (Viyana) ve Städel Müzesi (Frankfurt) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1500s döneminde: Bu sayfadaki 32 eserin 7 tanesi o dönemde yapılmıştır, bunların Female Portrait tanesi ise Female Portrait arasındadır.
Bu sayfadaki en eski eser Heroic Head (1496), en yeni eser ise Portrait of Albertus Magnus and Duns Scotus (1545)'dir.
Religious (6), Man (4) ve People (3), bu sayfadaki 32 eser genelinde.
Bu sayfadaki 32 eserin 4 tanesi Acrylic On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Mannerism ve Renaissance,
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto ve Venere con Amore nella fucina di Vulcano: Galleria degli Uffizi, Floransa, bu sayfadaki eserlerden 14 tanesine ev sahipliği yapmaktadır.
