Sōtarō Yasui portresi

Her Biri Benzersiz, En Ünlü 4 Sōtarō Yasui Tablosu

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 4 eser Sōtarō Yasui kataloğumuzda

Özetle

Portrait of a F. (1939), Sōtarō Yasui tarafından yapılan ve en çok ilgi çeken tablodur. Ardından göz, Lama Shrine at Chengteh (1938) ve Flowers (1927) üzerine yoğunlaşır. Kataloğumuzdaki Sōtarō Yasui imzalı 4 eser arasından seçilen bu 4 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.

1888 – 1955, Nakagyō Ward En çok eser: Aichi Prefectural Museum of Art

Galerinin gözünden Sōtarō Yasui tarafından yapılan en iyi 10 tablo

2
Lama Shrine at Chengteh (1938) tarafından Sōtarō Yasui

Lama Shrine at Chengteh

1938 · Oil · Aichi Prefectural Museum of Art, Nagoya

In the vast, sweeping landscapes of northern China, there exists a place where history and spirituality converge under the watchful eye of the heavens. Lama Shrine at Chengteh, a masterpiece by the esteemed Japanese painter Yasui Sōtarō, captures this ethereal moment with breathtaking clarity. Created in 1938, the painting transports the viewer to the Hebei province, specifically to the city of Chengteh—a location once cherished as a summer retreat by…

3
Flowers (1927) tarafından Sōtarō Yasui

Flowers

1927 · Marubeni Gallery, Tokyo

安井曾太郎は京都出身。1903年京都市立商業学校を中退。翌年浅井忠主宰の聖護院洋画研究所に入る。1907年に渡仏し、アカデミー・ジュリアンに入学してデッサン力を磨くかたわら、ミレー、ピサロ、セザンヌらの画法を研究する。帰国した翌年の1915年、二科展に滞欧作44点を特別陳列し話題を呼んだ。その後、日本の風土に合った油絵を求め続け、やがて大胆な構図、伸びやかな筆致、鮮やかな色彩のコントラスト、簡素で落ち着いた独自の画風を開拓した。また、実物に勝る芸術を生み出すためには、感動によってデフォルメされた形態や、強調された色彩や明暗が必要なことも示した。1935年帝国美術院会員となり、二科会会員を辞し、翌年一水会の創立に参加。1944年に帝室技芸員となり、東京美術学校教授に就任。1949年に日本美術家連盟初代会長に就任し、1952年に文化勲章を受賞。

Sōtarō Yasui'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.

Müze Şehir Sōtarō Yasui Eserleri Bu listedeki tablolar
Aichi Prefectural Museum of Art, NagoyaAichi Prefectural Museum of Art Nagoya 1 Lama Shrine at Chengteh
Marubeni Gallery, TokyoMarubeni Gallery Tokyo 1 Flowers

Yıllar içinde Sōtarō Yasui: her birinin eşsiz orijinalleri

Burada sergilenen Sōtarō Yasui'in ilk ve son tarihli orijinal eserleri 1927 ve 1939 olmak üzere 13 yıl aralığındadır: her yıl aşağıda kendi yerini almaktadır.

Yıla göre eserler

Orijinallerini görmek için bir yıl seçin.

Sōtarō Yasui'in tabloları: galeri için sorular

Sōtarō Yasui tarafından yapılmış en ünlü eser hangisidir?Cevabı göster

Portrait of a F. (1939). Ardından Lama Shrine at Chengteh (1938) ve Flowers (1927) geliyor.

Sōtarō Yasui, Portrait of a F. eserini kaç yaşında yarattı?Cevabı göster

51 yaşında: Portrait of a F. 1939 yılına aittir ve Sōtarō Yasui 1888 yılında doğmuştur.

Sōtarō Yasui tarafından yapılmış kaç eser bilinmektedir?Cevabı göster

Kataloğumuzda Sōtarō Yasui tarafından 1927 ile 1939 tarihleri arasında üretilmiş 4 eser bulunmaktadır.

En ünlü Sōtarō Yasui orijinalleri nerede görülebilir?Cevabı göster

Çoğunlukla Aichi Prefectural Museum of Art (Nagoya) ve Marubeni Gallery (Tokyo) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Hangi ünlü Sōtarō Yasui tablosu en eski, hangisi ise en yenidir?Cevabı göster

Bu sayfadaki en eski eser Flowers (1927), en yeni eser ise Portrait of a F. (1939)'dir.

Sōtarō Yasui: sanatçının bir portresi

Yasui Sōtarō: A Pioneer of Modern Japanese Painting

Early Life and Training

Yasui Sōtarō, born on May 17, 1888, in Kyoto, Japan, was a pivotal figure in the development of modern Japanese painting. He initially defied his family’s expectations by abandoning commercial studies to pursue art. His formal training began at the Shōgoin Institute of Western Art (later known as Kansai Bijutsuin) under the guidance of Asai Chū. This foundation in Western painting techniques proved crucial for his future artistic explorations, alongside fellow student Ryuzaburo Umehara.

Years in France and Artistic Influences

In 1907, at the age of nineteen, Yasui Sōtarō embarked on a transformative journey to Paris, where he studied at the Académie Julian under Jean-Paul Laurens. For seven years (until 1914), he immersed himself in the European art scene. He was profoundly influenced by Realist masters like Jean-François Millet and Pierre-Auguste Renoir, but it was Paul Cézanne’s emphasis on form and structure that left a lasting impression, shaping his unique artistic vision.

Artistic Style and Development

Returning to Japan in 1915 with the outbreak of World War I, Yasui Sōtarō began to forge his distinctive style – often referred to as the “Yasui style.” This approach masterfully blended Western painting techniques with Japanese aesthetic sensibilities. His work is characterized by bold deformations, deliberate omissions, and a striking use of color. He sought to move beyond mere imitation of Western styles, aiming for an authentically modern Japanese expression. A period of health challenges followed his return, but he persevered in refining his unique approach.

Notable Works and Achievements

Some of Yasui Sōtarō’s most celebrated works include:
  • Artist and His Model (1934): A prime example of his mastery of Western-style portraiture.
  • View of the Boso Peninsula (1932): Demonstrates his ability to capture Japanese landscapes through a distinctly modern lens.
  • Black-haired Woman (1924)
  • Portrait of a Woman (1930)
  • Chin-Jung (1934)
In 1935, he was nominated for membership in the prestigious Imperial Fine Arts Academy, solidifying his position within the Japanese art world. He also co-founded the Issui-kai in 1936 with Ikuma Arishima as a rival organization to the Nikakai.

Historical Significance and Legacy

Yasui Sōtarō’s innovative approach revolutionized Japanese portraiture and landscape painting in the 20th century. He played a crucial role in the development of Yōga (Western-style) painting in Japan, successfully integrating Western techniques with Japanese artistic traditions. His work continues to inspire artists today, and his paintings are held in prominent collections such as those at the Art Institute of Chicago and the Hiroshima Museum of Art. He received the Order of Culture from the Japanese government in 1952, recognizing his significant contributions to the nation’s cultural heritage. Yasui Sōtarō passed away on December 14, 1955, leaving behind a legacy as one of Japan's most important modern painters.