Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 145 eser Lajos Csordák kataloğumuzda
Özetle
Lajos Csordák tarafından bırakılan tüm orijinal eserler arasında, en ünlüsü Bratislava, Slovak National Gallery koleksiyonunda yer alan Study of a Seated Old Man (1890) adlı eserdir. Hemen ardından Spring (1893) ve Self-Portrait (1904) geliyor. Kataloğumuz Lajos Csordák tarafından yapılmış 145 eser barındırmaktadır; galeri, her biri tarihi, müzesi ve hikayesiyle birlikte sergilenen, dünyanın en çok hayranlık duyduğu 100 eseri muhafaza etmektedir.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
In the landscape painting Spring by Lajos Csordák, created about 1893, a solitary female figure is positioned within a rugged, rocky environment. The woman is seated amidst the terrain, her presence providing a focal point against the natural elements. On the right side of the composition, large, heavy rock formations rise upward, while the left side is occupied by dense, dark foliage. This arrangement creates a sense of enclosure around…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
A wooden plank bridge stretches from the foreground, pulling the eye toward a soft, hazy middle ground. Two women walk across this structure, their figures moving toward the viewer through a landscape of muted ochre and pale blue. The scene captures a singular, quiet moment of daily life in a village setting. Everything feels softened by an overcast sky, casting a diffused light that avoids harsh shadows. The air in…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
By the Stream1897 · Vychodoslovenské Galéria
12
Study of a Dry Tree1894 · Slovak National Gallery
13
Slanecký Castle1893 · Slovak National Gallery
14
Forest1894 · Slovak National Gallery
15
Landscape with Cows Grazing1897 · Vychodoslovenské Galéria
16
Forest Stream1897 · Vychodoslovenské Galéria
17
Little Shepherdess1896 · Slovak National Gallery
18
Rocks1895 · Slovak National Gallery
19
Zádiel Canyon1896 · Slovak National Gallery
20
Landscape with Cords of Wood1896 · Slovak National Gallery
21
Moonlit Landscape with Hrad Slanec1896 · Slovak National Gallery
22
Oldřich Oak in Peruc1893 · Slovak National Gallery
23
Okoř Castle1893 · Slovak National Gallery
24
Wooded Landscape with Little Birches1895 · Slovak National Gallery
25
Interior of Coniferious Woods with Rocks1897 · Slovak National Gallery
26
Forest in Winter1903 · Vychodoslovenské Galéria
27
Tree in the Landscape1902 · Vychodoslovenské Galéria
28
Landscape from Turna1905 · Vychodoslovenské Galéria
29
Horned Tree by the Lake1900 · Vychodoslovenské Galéria
30
Ruins of Slanecký Castle1902 · Vychodoslovenské Galéria
31
Little Grove with Does1905 · Vychodoslovenské Galéria
32
Waterfall1902 · Vychodoslovenské Galéria
33
Sixteen-Year-Old1900 · Gallery of Spis Artists
34
Forest with Sheep1905 · Vychodoslovenské Galéria
35
View of Spišská Nová Ves1900 · Gallery of Spis Artists
36
Meadow with a Group of Trees1900 · Slovak National Gallery
37
Landscape with a Castle1905 · Slovak National Gallery
38
Summer Landscape1900 · Slovak National Gallery
39
Path to Bankov1911 · Vychodoslovenské Galéria
40
Autumn in the Slanca Valley1907 · Vychodoslovenské Galéria
41
Forest1907 · Vychodoslovenské Galéria
42
Winter Landscape under the Tatras1909 · Vychodoslovenské Galéria
43
Cloudy1911 · Vychodoslovenské Galéria
44
Village1909 · Vychodoslovenské Galéria
45
Landscape with Hornád1907 · Vychodoslovenské Galéria
46
Forest1908 · Vychodoslovenské Galéria
47
Landscape1910 · Miloš Alexander Bazovský Gallery
48
Consideration of Hay1910 · Slovak National Gallery
49
The Edge Of The Forest1908 · Slovak National Gallery
50
Artist's Courtyard in Slanec in Winter1907 · Slovak National Gallery
51
Motif from Slanec1907 · Slovak National Gallery
52
Blue Valley1910 · Slovak National Gallery
53
Landscape with a River1912 · Vychodoslovenské Galéria
54
Landscape1912 · Vychodoslovenské Galéria
55
In Front of the House1912 · Vychodoslovenské Galéria
56
Meadow with Bushy Trees1912 · Vychodoslovenské Galéria
57
Landscape with a Diluted Stream1917 · Vychodoslovenské Galéria
58
Summer Landscape with Birches1915 · Vychodoslovenské Galéria
59
Church in Svinica1916 · Vychodoslovenské Galéria
60
Courtyard of the Renaissance Manor House in Strážky1912 · Vychodoslovenské Galéria
61
By the River1917 · Vychodoslovenské Galéria
62
Hrčiarska ulica in Košice1912 · Vychodoslovenské Galéria
63
House on Mäsiarska Street in Košice1912 · Vychodoslovenské Galéria
64
Spišská Kapitula1912 · Vychodoslovenské Galéria
65
Rocks1917 · Vychodoslovenské Galéria
66
Hornád Valley near Ťahanovce1914 · Slovak National Gallery
67
Gothic Chapel in Žehra1912 · Vychodoslovenské Galéria
68
Under Slanecký Castle1914 · Vychodoslovenské Galéria
69
Mariásnky Dvor in Košice1912 · Slovak National Gallery
70
Corner Of A Park1915 · Slovak National Gallery
71
Small Town in Spiš1922 · Vychodoslovenské Galéria
72
Alley in the Evening1920 · Slovak National Gallery
73
Village Motif1918 · Slovak National Gallery
74
Landscape1927 · Vychodoslovenské Galéria
75
Minorite Church in Levoča1926 · Vychodoslovenské Galéria
76
Still Life with Apples1927 · Vychodoslovenské Galéria
77
Poplars by the Road1925 · Vychodoslovenské Galéria
78
Interior of Krásna Hôrka Castle1925 · Vychodoslovenské Galéria
79
Forest1925 · Vychodoslovenské Galéria
80
Gymnázium Church in Levoča1926 · Vychodoslovenské Galéria
81
Motif from an Eastern Slovak Village1925 · Vychodoslovenské Galéria
82
Landscape1927 · Vychodoslovenské Galéria
83
Winter Evening1927 · Vychodoslovenské Galéria
84
Krásnohorské Podhradie1927 · Vychodoslovenské Galéria
85
Spiš Castle1923 · Vychodoslovenské Galéria
86
Landscape1927 · Vychodoslovenské Galéria
87
Winter Landscape1927 · Vychodoslovenské Galéria
88
Landscape1926 · Vychodoslovenské Galéria
89
Fir Forest1923 · Vychodoslovenské Galéria
90
Hradište in Vaľkovce1923 · Vychodoslovenské Galéria
91
Twilight in Zádielska dolina1925 · Vychodoslovenské Galéria
92
Small Church in Kysak1923 · Vychodoslovenské Galéria
93
Forest1927 · Vychodoslovenské Galéria
94
Winter Landscape1927 · Vychodoslovenské Galéria
95
View of Krásna Hôrka Castle1925 · Vychodoslovenské Galéria
96
Chrysanthemums on the Table1925 · Ernest Zmeták Sanat Galerisi
97
Church in Moldava1923 · Vychodoslovenské Galéria
98
Rocks above the Brook1925 · Slovak National Gallery
99
Landscape1923 · Slovak National Gallery
100
Pines1929 · Vychodoslovenské Galéria
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 5 müze.
| Müze | Şehir | Lajos Csordák Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Vychodoslovenské Galéria |
Košice | 67 | Self-Portrait, Washing Machine Before a Tree, Wooden Bridge |
 Slovak National Gallery |
Bratislava | 29 | Study of a Seated Old Man, Spring, Study of a Dry Tree |
 Gallery of Spis Artists |
Spišská Nová Ves | 2 | Sixteen-Year-Old, View of Spišská Nová Ves |
 Miloš Alexander Bazovský Gallery |
Trenčín | 1 | Landscape |
| Ernest Zmeták Sanat Galerisi | Nové Zámky | 1 | Chrysanthemums on the Table |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
Study of a Seated Old Man by Lajos Csordák presents a somber and contemplative oil portrait of an elderly man. The composition utilizes a medium close-up, focusing on the subject from the chest up. By positioning the man slightly off-center, the artist creates a sense of physical weight and presence within the frame. The subject's downward gaze and hands resting upon a wooden staff suggest themes of fatigue, wisdom, or…
This oil portrait, executed in 1904, presents a middle-aged man in a bust-length view. He is positioned slightly off-center, facing the viewer with a direct, steady gaze. The subject possesses a prominent, thick mustache and light-colored eyes. He wears a dark, wide-brimmed hat that casts a soft shadow over the upper portion of his face. His attire consists of a white collared shirt and a light-colored jacket, accented by a…
A woman is positioned in the mid-ground, engaged in the rhythmic chore of washing clothes outdoors. She works near a large, thatched-roof structure that dominates the upper half of the composition. The scene is set within a rural landscape, where the organic shapes of the foliage and the building's architecture create a balanced, quiet atmosphere. Natural daylight illuminates the white surfaces of the laundry and the building walls, casting soft…
In this somber oil portrait, titled Man with Glasses by Lajos Csordák, we are presented with an intimate, close-up bust view of a middle-aged man. The subject is positioned slightly off-center, a choice that lends a sense of natural presence to his figure. He looks directly toward the viewer, establishing a quiet, steady connection that feels both personal and profound. This direct gaze, combined with the man's steady composure, creates…
Study of a Seated Old Man (1890), Slovak National Gallery, Bratislava. Ardından Spring (1893) ve Self-Portrait (1904) geliyor.
26 yaşında: Study of a Seated Old Man 1890 yılına aittir ve Lajos Csordák 1864 yılında doğmuştur.
Study of a Seated Old Man, Spring, Self-Portrait, Washing Machine Before a Tree, Wooden Bridge, Man with Glasses, Shot from Zádielska dolina, Landscape with Trees, Peat Bog under Slanecký Castle ve Landscape with Marsh. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Lajos Csordák tarafından 1890 ile 1929 tarihleri arasında üretilmiş 145 eser bulunmaktadır.
Çoğunlukla Vychodoslovenské Galéria (Košice), Slovak National Gallery (Bratislava) ve Gallery of Spis Artists (Spišská Nová Ves) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1920s döneminde: Bu sayfadaki 100 eserin 30 tanesi o dönemde yapılmıştır, bunların Man with Glasses tanesi ise Man with Glasses arasındadır.
Bu sayfadaki en eski eser Study of a Seated Old Man (1890), en yeni eser ise Pines (1929)'dir.
Woman (2), Tree (2) ve Foliage (2), bu sayfadaki 100 eser genelinde.
Bu sayfadaki 100 eserin 3 tanesi Oil On Canvas türündedir.
Self-Portrait, Washing Machine Before a Tree ve Wooden Bridge: Vychodoslovenské Galéria, Košice, bu sayfadaki eserlerden 67 tanesine ev sahipliği yapmaktadır.
Kassa, 1864. Bir çocuk, çok yakında sınırları aşan bir yolculuğa çıkacağı bir dünyaya gözlerini açar. 1883 yılına gelindiğinde Csordák ailesi Münih'e yerleşerek genç Lajos'u değişen Avrupa manzarasının tam kalbine taşır. Sanat yolculuğuna 1880 civarında başlayan sanatçı, dönemin disiplinli ve katı atmosferinde kendi duruşunu bulmaya başlar. Bu yol onu Prag'a sürükler ve 1889 ile 1895 yılları arasında Güzel Sanatlar Akademisi'ne adım atar. Burada, Çek manzara ressamı Julius Mařák'ın etkisi derin izler bırakır. Bu rehberlik sayesinde Lajos Csordák, doğal dünyaya karşı keskin ve rafine bir bakış açısı geliştirir.
Öğrencilikten yerleşik bir sanatçı kimliğine geçişi, Mánes Güzel Sanatlar Birliği ile kurduğu bağ sayesinde gerçekleşir. Bu sanat çevrelerinde hareket eden sanatçı, 19. yüzyıl sonu estetiğinin değişken akımlarını özümser. Eserleri, kendi memleketinin coğrafyasına olan özel bağlılığını korurken, aynı zamanda Empresyonist hareketin ışık ve atmosferik derinliğini yansıtmaya başlar.
Lajos Csordák'ın fırça darbeleri, en mahrem ve içten ifadesini kuru boyalar ve pastellerin kullanımında bulur. Slovakya ve Macaristan topraklarındaki mevsimlerin sessiz değişimlerini yakalayan manzara resimleri konusunda uzmanlaşmıştır. Kompozisyonları genellikle belirli topografik özellikler etrafında şekillenir: Tatra Dağları'nın sarp yapısı, bir bataklığın durgunluğu veya bir ormanın ağır ve görkemli varlığı...
Tekniği, pastellerin yumuşak dokusu ile tuval veya panel üzerindeki yağlı boyanın ağırlığı arasında gidip gelir. Sanatçının bazı eserleri şu temalar üzerinde yoğunlaşır:
1908'den sonra sanatçının hayatı bir düzene kavuşur ve kalıcı olarak Košice'ye yerleşir. Bu dönem, Doğu Slovakya manzaralarına olan sarsılmaz bağlılığıyla damgalanmıştır. 1927 tarihli eserleri gibi geç dönem çalışmaları, etrafındaki siyasi sınırlar köklü değişimlerden geçerken bile toprağa olan tutkusunun ne denli kararlı olduğunu gösterir. Yerel coğrafyaya sıkı sıkıya bağlı bir figür olarak kalan sanatçı, geride Slovak Ulusal Galerisi ve Doğu Slovak Galerisi gibi önemli koleksiyonlarda korunan devasa bir külliyat bırakır.
28 Haziran 1937'te Košice'de hayata veda eder. Ardında bıraktığı miras; Slanec kalesi, Bankov yolları ve Tatra Dağları'nın üzerindeki ışığın, post-empresiyonist bir bakış açısıyla korunmuş, yerele özgü ve eşsiz bir gözlem kaydıdır.
