Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 88 eser Jean-Joseph Benjamin-Constant kataloğumuzda
Özetle
Scene in a Harem (Un Envoi de Serbie) (1876), en çok ilgi çeken Jean-Joseph Benjamin-Constant tablosudur; orijinali New York, Metropolitan Sanat Müzesi bünyesinde bulunmaktadır. Ardından göz, Caucasian Boy (1902) ve İmparatorluk Zamanı Bizans Sarayı üzerine yoğunlaşır. Kataloğumuzdaki Jean-Joseph Benjamin-Constant imzalı 88 eser arasından seçilen bu 85 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Jean-Joseph Benjamin-Constant ve Bizans İmparatorluğu Kraliyet Salonu Tablosu Jean-Joseph Benjamin-Constant’ın büyüleyici tablosu, İzlenimcilik akımının ruhunu taşıyan ve aynı zamanda Viktoryalı Avrupa sanatına özgü bir estetik anlayışıyla dikkat çekiyor. Bu eser sadece iktidarın tasvirinden ötesine geçiyor; izleyicinin düşüncelerini harekete geçiren, otoriteyi, yargıyı ve liderlik ağırlığını sorgulayan etkileyici bir deneyim sunuyor. İzleyiciyi Viktoryalı Avrupa sanatına özgü bir estetik anlayışıyla dikkat çekiyor. Bu eser sadece iktidarın tasvirinden ötesine geçiyor; izleyicinin düşüncelerini harekete geçiren,…
The canvas titled Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre) captures a monumental shift in history. Jean-Joseph Benjamin-Constant brings the viewer into the immediate aftermath of the siege of Constantinople in 1453 CE. The oil on canvas presents the triumphant entrance of the Ottoman Sultan, Mehmed II, as he moves through the city. This moment marks the conclusion…
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The oil on canvas titled Entrance of Mohammed II was painted by Jean-Joseph Benjamin-Constant in 1876. This work depicts the historical conquest of Constantinople. The subject matter focuses on the triumphant entrance of the Ottoman Sultan, Mehmed II, into the city. The scene captures a specific moment of transition following the siege of the city in 1453 CE.
In Arabes assis, Jean-Joseph Benjamin-Constant places three figures within a quiet, shared space. Two adults and a child sit together, their forms gathered in a moment of stillness. They rest upon an ornate rug, the patterns of which anchor the group to the ground. The scene captures individuals from North Africa or the Middle East, presented through the lens of the 19th-century Orientalist movement.
In "Portrait of a Bearded Young Man Called l'Albinos" by Jean-Joseph Benjamin-Constant, the subject emerges from a heavy, shadow-filled void. This bust-length portrait, created about 1875, centers on a young man whose pale features and light hair earn him the name l'Albinos. He sits with arms crossed against his chest, a posture that suggests a quiet guardedness or a deep, inward-looking introspection. The man’s light-colored hair and beard catch the…
The artwork titled Sketch for the church of Clichy-la-Garenne: The Immaculate Conception was created by the French artist Jean-Joseph Benjamin-Constant. This piece dates to about 1874. The subject matter is religious in nature, specifically representing the Immaculate Conception. The composition focuses on a single seated figure, depicted in a manner consistent with classical academic traditions.
Harem in Morocco is an oil on canvas painted by Jean-Joseph Benjamin-Constant. The work dates to about 1878. It captures a crowded, opulent interior through a high-angle perspective, looking into a cavernous room filled with architectural layers and heavy textiles.
The Pasha's Soldiers1880 · Rhode Island School of Design Museum of Art
12
Dance of the Veil1880
13
Odalisque1882
14
Odalisque1880
15
Carpet Seller in Tangiers1883
16
Lutetia Famae Genitrix.1880 · Musée des Augustins
17
Benjamin-Constant - Le caïd marocain Tahamy1880 · Musée d'art et d'histoire de Narbonne
18
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1889 · Petit Palais
19
Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1890 · Petit Palais
20
Evening on the Seashore—Tangiers1891 · Milwaukee Art Museum
21
Arcadian1893 · Musée Victor Hugo
22
Portrait of Jean Montfraix at the Age of Twelve Years1893 · Musée des Augustins
23
Portrait of Henri d'Orléans, Duke of Aumale1896 · Condé Müzesi
24
Mary Henderson1895 · National Portrait Gallery
25
Portrait of His Two Sons (André and Emmanuel)1899 · Musée des Augustins
26
Portrait of Angèle Delasalle1900 · Petit Palais
27
Portrait of Elia Demidof1900 · Ulusal Galeri
28
The Rt Hon. William McEwan MP (1827-1913)1900 · Polesden Lacey
29
Odalisque1900 · Musée d'art et d'histoire de Narbonne
30
Portrait of my son André1895 · Musée d'Orsay
31
Lying Odalisque1870 · Musée d'Orsay
32
Entry of Mahomet II into Constantinople
33
L'Imperatrice Theodora Au Colisee
34
Favorite of the Emir
35
The Cherifas1884 · Musée des Beaux-Arts
36
Favorite of the Emir1879
37
Dr John Chapman1885 · Nottingham Castle Museum And Art Gallery
38
Oriental Woman with a Drum1880
39
Empress Theodora at the Coliseum1889
40
Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities1893 · Petit Palais
41
Henrietta Maria Walter, Wife of Arthur Fraser Walter of Bearwood, High Steward of Woking1896
42
Odalisque1880 · Baltimore Sanat Müzesi
43
Portrait of a Renaissance ManMusée des Augustins
44
In the Sultan's PalaceUtah Museum of Fine Arts
45
The Daughter of Caesar
46
At Rest
47
AutoportraitMusée des Augustins
48
Portrait Of Mme M. S. DervizHermitaj Müzesi
49
Arabian Nights
50
Salome with the Head of St. John the Baptist
51
Contemplation
52
Helene Vincent
53
Herodiade
54
Les Chérifas
55
Le Masque de BeethovenMusée des Augustins
56
Portrait d'Emmanuel, fils de l'artisteMusée des Augustins
57
The Palace Guard With Two Leopards
58
Victory
59
The Favorite of the Emir1879 · National Gallery of Art
60
JudithMetropolitan Sanat Müzesi
61
The Count of Toulouse Has His Standards Blessed at Saint-SerninMusée des Augustins
62
Bird and AnimalStatens Museum For Kunst
63
Gifts from a PashaMusée Des Beaux Arts
64
The Watchful Guard
65
Judith
66
Judith
67
The Houses of Parliament, London
68
The Sultan's TigerMetropolitan Sanat Müzesi
69
Victrix
70
Maures à TangerVictoria Art Gallery
71
On the Terrace
72
Harem Women
73
Paris Welcoming The World
74
Drying Clothes
75
Portrait d'Emmanuel Arago (Fils de l'astronome François Arago. Benjamin Constant a épousé une de ses filles.)Musée des Augustins
76
Harem Scene
77
Twilight Hours
78
Afternoon Langour
79
Antigone au chevet de PolyniceMusée des Augustins
80
Portrait Of An Arab Woman
81
Guarding The Chieftain
82
Toulouse Capitole entrée du pape Urbain II
83
OdalisqueMetropolitan Sanat Müzesi
84
Le jour des funérailles - Scène du Maroc1889 · Petit Palais
85
Evening on Terraces (Morocco)1879 · Montreal Güzel Sanatlar Müzesi
#3 İmparatorluk Zamanı Bizans Sarayı
#4 Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre)
#5 John Brooks Henderson
#16 Lutetia Famae Genitrix.
#18 Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Jean-Joseph Benjamin-Constant Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Musée des Augustins |
Toulouse | 12 | Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos, Lutetia Famae Genitrix. |
 Petit Palais |
Paris | 6 | Sketch for the church of Clichy-la-Garenne: The Immaculate Conception, Sketch for the Ballroom of the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities, Sketch for the Hôtel de Ville de Paris: The City of Paris Inviting the World to its Festivities |
 Metropolitan Sanat Müzesi |
New York | 4 | Scene in a Harem (Un Envoi de Serbie), Judith, The Sultan's Tiger |
 National Portrait Gallery |
Washington, D.C. | 2 | John Brooks Henderson, Mary Henderson |
 Musée d'art et d'histoire de Narbonne |
Narbonne | 2 | Benjamin-Constant - Le caïd marocain Tahamy, Odalisque |
 Musée d'Orsay |
Paris | 2 | Portrait of my son André, Lying Odalisque |
 Art Palace of Georgia - Museum of Cultural History |
Tiflis | 1 | Caucasian Boy |
| Dahesh Museum of Art | New York City | 1 | Arabes assis |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
The canvas presents Scene in a Harem (Un Envoi de Serbie), a work that invites the viewer into a private, shadowed interior. This painting, created in 1876, carries several names that whisper of its complex subject matter. It is known as Three Figures in an Interior (Un Envoi de Serbie) and also bears the alternative title The Serbian Concubine (Un Envoi de Serbie). Each name offers a different lens through…
The Pasha's Soldiers is an oil painting by Jean-Joseph Benjamin-Constant. Created about 1880, this work belongs to the Orientalist movement, a period where the artist turned his attention toward the customs and aesthetics of North Africa and the Ottoman Empire. It reflects the specific interests that emerged following his travels to Morocco in 1872.
In this medium close-up portrait, Jean-Joseph Benjamin-Constant centers John Brooks Henderson against a dark, atmospheric background. The subject is framed by a heavy, black fur-trimmed coat worn over a dark suit. A white shirt and a green cravat provide a sharp point of contrast against the somber tones of the attire. The man’s face is defined by a well-groomed grey beard and thin-rimmed spectacles that catch the light. To the…
The painting depicts a young girl positioned as the central figure. She wears a red hat adorned with a single feather. Her long hair descends along her back, and her gaze is directed toward a point outside the frame. She is dressed in clothing consistent with the traditional attire of the Caucasus region. In the background, several other figures are visible, including one person standing to the left of the…
Scene in a Harem (Un Envoi de Serbie) (1876), Metropolitan Sanat Müzesi, New York. Ardından Caucasian Boy (1902) ve İmparatorluk Zamanı Bizans Sarayı geliyor.
31 yaşında: Scene in a Harem (Un Envoi de Serbie) 1876 yılına aittir ve Jean-Joseph Benjamin-Constant 1845 yılında doğmuştur.
Scene in a Harem (Un Envoi de Serbie), Caucasian Boy, İmparatorluk Zamanı Bizans Sarayı, Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), John Brooks Henderson, Entrance of Mohammed II, Arabes assis, Portrait of a Bearded Young Man Called l'Albinos, Sketch for the church of Clichy-la-Garenne: The Immaculate Conception ve Harem in Morocco. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Jean-Joseph Benjamin-Constant tarafından 1870 ile 1902 tarihleri arasında üretilmiş 88 eser bulunmaktadır.
Çoğunlukla Musée des Augustins (Toulouse), Petit Palais (Paris) ve Metropolitan Sanat Müzesi (New York) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1880s döneminde: Bu sayfadaki 85 eserin 14 tanesi o dönemde yapılmıştır, bunların The Pasha's Soldiers tanesi ise The Pasha's Soldiers arasındadır.
Bu sayfadaki en eski eser Lying Odalisque (1870), en yeni eser ise Caucasian Boy (1902)'dir.
Man (12), Woman (11) ve Women (10), bu sayfadaki 85 eser genelinde.
Bu sayfadaki 85 eserin 26 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Orientalism,
Entrée du sultan Mehmet II à Constantinople le 29 mai 1453 Entrée de Mahomet II à Constantinople (Ancien titre), Portrait of a Bearded Young Man Called l'Albinos ve Lutetia Famae Genitrix.: Musée des Augustins, Toulouse, bu sayfadaki eserlerden 12 tanesine ev sahipliği yapmaktadır.
