Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 15 eser James Peter Quinn kataloğumuzda
Özetle
James Peter Quinn tarafından bırakılan tüm orijinal eserler arasında, en ünlüsü Liverpool, Walker Art Gallery koleksiyonunda yer alan A Japanese Lady (1914) adlı eserdir. Hemen ardından Lillias Hamilton (1858–1925), Physician (1924) ve LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) geliyor. Kataloğumuz James Peter Quinn tarafından yapılmış 15 eser barındırmaktadır; galeri, her biri tarihi, müzesi ve hikayesiyle birlikte sergilenen, dünyanın en çok hayranlık duyduğu 13 eseri muhafaza etmektedir.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
The canvas holds a man of quiet weight. Lieutenant R.G. Combe sits in a three-quarter profile, his gaze directed toward an unseen point to the left. He wears a military tunic of deep olive green, the fabric rendered with thick, impasto strokes that suggest the heavy texture of wool. Light falls from the upper left, carving the contours of his face and casting soft, directional shadows that define the bridge…
In the portrait LIEUTENANT COLONEL W.A. BISHOP, James Peter Quinn presents a three-quarter length depiction of the military officer. The subject is positioned slightly off-center against a dark, indeterminate background that lacks specific environmental detail. This compositional choice focuses the viewer's attention entirely on the sitter and his attire. The officer is rendered in full military regalia, which includes visible medals, insignia, and a cross-belt. The arrangement of these elements…
The gaze of Major Okill Massey Learmonth meets the viewer through this formal oil portrait by the Australian portrait painter James Peter Quinn. Painted about 1918, the work captures a man defined by his service and the weight of his command. Learmonth holds the rank of acting Major in the 2nd (Eastern Ontario) Battalion of the Canadian Expeditionary Force, a position that carries a heavy sense of duty within the…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
George Bell (artist and critic) is a portrait by James Peter Quinn, executed about 1939. The sitter is George Bell, an Australian painter and teacher. Quinn, a prominent figure in Australian portraiture, captured the subject during a period of significant activity in the local art scene.
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 5 müze.
| Müze | Şehir | James Peter Quinn Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Canadian War Museum |
Ottawa | 3 | LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth |
 Art Gallery of New South Wales |
Sidney | 2 | George Bell (artist and critic), The rendezvous |
 Walker Art Gallery |
Liverpool | 1 | A Japanese Lady |
 Government Art Collection |
Londra | 1 | Arthur, Duke of Connaught and Strathearn (1850–1942) (copy after John Singer Sargent) |
 The National Trust For Scotland |
Forres | 1 | Fish Market at Étaples, France |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
A Japanese Lady is a portrait executed by James Peter Quinn in 1914. The work focuses on a woman characterized by her dark hair and traditional Asian attire. Quinn, an Australian portraitist born in Melbourne, established a significant presence in the art world through his academic training in Paris and his later service as an official war artist.
The woman stands before us, draped in a heavy red cape that commands the space around her. She holds her hands clasped together, a gesture of quiet composure that suggests a mind accustomed to discipline and steady thought. Her attire, formal and purposeful, hints at a life lived within the rigorous structures of academia or the demanding precision of medicine. There is a stillness in her posture, yet the way…
In this 1934 portrait, we find ourselves in the presence of William Self Weeks, captured in a moment of quiet, seated contemplation. The subject occupies the center of the frame, his presence established by a dark, formal suit and a waistcoat that suggests a life of significant standing. He sits within a dark wooden chair, his hands resting with a certain weight, one holding a folded piece of paper that…
A Japanese Lady (1914), Walker Art Gallery, Liverpool. Ardından Lillias Hamilton (1858–1925), Physician (1924) ve LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910) geliyor.
45 yaşında: A Japanese Lady 1914 yılına aittir ve James Peter Quinn 1869 yılında doğmuştur.
A Japanese Lady, Lillias Hamilton (1858–1925), Physician, LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP, Major Okill Massey Learmonth, William Self Weeks, George Bell (artist and critic), C. J. Bowen Cooke, London and North Western Railway, Dr Robert Aitken (1869–1951) ve Arthur (1850–1942), Duke of Connaught, President of the Bible Society (copy of John Singer Sargent). Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda James Peter Quinn tarafından 1910 ile 1939 tarihleri arasında üretilmiş 15 eser bulunmaktadır.
Çoğunlukla Canadian War Museum (Ottawa), Art Gallery of New South Wales (Sidney) ve Walker Art Gallery (Liverpool) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1930s döneminde: Bu sayfadaki 13 eserin 5 tanesi o dönemde yapılmıştır, bunların William Self Weeks tanesi ise William Self Weeks arasındadır.
Bu sayfadaki en eski eser LIEUTENANT R.G. COMBE, THE VICTORIA CROSS (1910), en yeni eser ise George Bell (artist and critic) (1939)'dir.
Man (5), Chair (3) ve Portrait (3), bu sayfadaki 13 eser genelinde.
Bu sayfadaki 13 eserin 4 tanesi Oil On Canvas türündedir.
LIEUTENANT R.G. COMBE, THE VICTORIA CROSS, LIEUTENANT COLONEL W.A. BISHOP ve Major Okill Massey Learmonth: Canadian War Museum, Ottawa, bu sayfadaki eserlerden 3 tanesine ev sahipliği yapmaktadır.
