Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 87 eser James Carroll Beckwith kataloğumuzda
Özetle
Galerinin gözünde, James Carroll Beckwith'in en ünlü tablosu The Falconer (1878)'tir. The Letter (1910) ve Portrait of Tito (1878), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki James Carroll Beckwith imzalı 87 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 77 eseri aşağıda sunmaktadır.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
In Portrait of Tito, James Carroll Beckwith centers the composition on the subject's face and upper torso. Presented from the chest up, the man gazes directly at the viewer, his expression carrying a slight melancholy. The perspective remains relatively shallow, a choice that directs all attention toward the sitter's immediate presence. This focus is reinforced by the way light and shadow define the figure; an unseen light source from the…
In this three-quarter length portrait by James Carroll Beckwith, titled Portrait of Mrs. William C. Bartlett, the subject is positioned slightly off-center. She meets the viewer with a calm, steady gaze. The composition relies on a controlled interplay of light and shadow, with illumination appearing to originate from the upper left. This directional light casts gentle shadows across the right side of her face, providing a sense of three-dimensional volume…
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
A somber, formal portrait of an elderly man emerges from a void of deep shadows. Positioned in a three-quarter view, the subject gazes forward with a steady, unyielding expression. The composition is minimalist, relying on a dark, muted palette of blacks and browns to push the brightly lit features of the face and the crisp white of a shirt cuff into the foreground. This use of chiaroscuro creates a profound…
The oil painting titled Normandy Girl was created by James Carroll Beckwith. This work emerged around 1883, a period when the artist was refining his naturalist approach. The canvas captures a quiet moment, a single figure suspended against a backdrop of textured straw.
James Carroll Beckwith created Under the Lilacs about 1879. The portrait features a young woman positioned in profile, her gaze directed downward in a moment of quiet contemplation. Her attire suggests a subject from an upper-middle class background, grounding the figure in the social realities of the late nineteenth century.
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
This monochromatic oil painting depicts George Martin Lane from the chest up in a three-quarter view. The subject faces toward the left of the frame, his gaze directed away from the viewer. He possesses a full, textured white beard and matching hair that catch the light against a dark background. He wears a dark suit, a white high-collar shirt, and a dark necktie. The lighting originates from the upper left,…
Sylvan Toilette1898
12
Samuel Verplanck Hoffman (1866–1942)1907 · New York Historical Society
13
Lost in Thought1908
14
Mother and Child1910
15
Self Portrait1898 · Detroit Institute of Arts
16
Palazzo Barberini, Rome
17
Nude Woman
18
Portrait of John Leslie Breck
19
John Singer Sargent (1856–1925)1876
20
La Tour de Solidor at St. Severin, Normandy1877
21
On the Banks of the Rhine, near St. Germain at Mont d'Or1878
22
Peasant Against Hay1883
23
Marguerite1882
24
William Walton1886
25
Portrait of Evelyn Nesbitt1900
26
Lake of Orta1910 · Metropolitan Sanat Müzesi
27
Mrs. John William Davis (1832-1902)New York Historical Society
28
Portrait of William Merritt ChaseIndianapolis Sanat Müzesi
29
Head of a Young Woman
30
Portrait of the Artist's Mother
31
Portrait of a Woman
32
Portrait of Minnie Clark
33
Nymph and Cupid
34
Portrait of Lida Rose McCabe
35
A Study with Sunlight
36
La Tour de Solidor at St. Severin, NormandySmithsonian Amerikan Sanat Müzesi
37
Portrait of a pensive lady
38
Portrait of Evelyn Nesbitt 1
39
Allee de l'Ete, Versailles
40
Woman with Guitar
41
An American Queen
42
Brunette Combing Her Hair
43
The BlacksmithSmithsonian Amerikan Sanat Müzesi
44
Margharite
45
Diand
46
The Embroiderer
47
Carrefour at the End of the Tapis Vert, Versailles
48
Corner of the Terrace, Versailles1911
49
Cathedral at le Puy1911 · Smithsonian Amerikan Sanat Müzesi
50
Palazzo Barberini, Rome1910 · Smithsonian Amerikan Sanat Müzesi
51
St. Isidor, Rome1911 · Smithsonian Amerikan Sanat Müzesi
52
Terminal Figure of Ceres1911 · Smithsonian Amerikan Sanat Müzesi
53
New Hamburg Garden1910
54
Jardin de la Fontaine at Nimes, France1911 · Smithsonian Amerikan Sanat Müzesi
55
In the Gardens of the Villa Palmieri1910 · Smithsonian Amerikan Sanat Müzesi
56
Modigliani Gate Post1910 · Smithsonian Amerikan Sanat Müzesi
57
The Palace of the Popes and Pont d'Avignon1911 · Smithsonian Amerikan Sanat Müzesi
58
Parterre du Nord, Fontaine des Sirenes1913 · Smithsonian Amerikan Sanat Müzesi
59
Nymph and Cupid1913 · Smithsonian Amerikan Sanat Müzesi
60
Allee de l'Ete, Versailles1913 · Smithsonian Amerikan Sanat Müzesi
61
Bassin de Neptune, Versailles1913 · Smithsonian Amerikan Sanat Müzesi
62
Syrinx, Par Maziere, 1689 Bassin d'Apollon1913 · Smithsonian Amerikan Sanat Müzesi
63
Arcade of the Grand Trianon, Versailles1913 · Smithsonian Amerikan Sanat Müzesi
64
One of the Figures at the Parterre d'Eau1913 · Smithsonian Amerikan Sanat Müzesi
65
L' Empereur1912 · Smithsonian Amerikan Sanat Müzesi
66
Untitled1910
67
Cathedral at le Puy
68
UntitledSmithsonian Amerikan Sanat Müzesi
69
Back of J.F. Millet's Garden
70
The Boathouse in Central Park
71
In the Gardens of the Villa Palmieri
72
The emperor
73
Arcade of the Grand Trianon, Versailles
74
The Palace of the Popes and Pont d'Avignon
75
A Wistful Look
76
Gree
77
On the Banks of the Rhine, near St. Germain at Mont d'OrSmithsonian Amerikan Sanat Müzesi
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 7 müze.
| Müze | Şehir | James Carroll Beckwith Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Smithsonian Amerikan Sanat Müzesi |
Washington, D.C. | 20 | La Tour de Solidor at St. Severin, Normandy, The Blacksmith, Cathedral at le Puy |
 New York Historical Society |
New York City | 4 | Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Samuel Verplanck Hoffman (1866–1942) |
 Indianapolis Sanat Müzesi |
Indianapolis | 2 | Portrait of Mrs. William C. Bartlett, Portrait of William Merritt Chase |
 Cooper Hewitt, Smithsonian Design Museum |
New York City | 1 | The Telephone and the Ticker; Study for Manufactures Building |
 Harvard Art Museums |
Cambridge | 1 | George Martin Lane (1823-1897) |
 Detroit Institute of Arts |
Detroit | 1 | Self Portrait |
 Metropolitan Sanat Müzesi |
New York | 1 | Lake of Orta |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
We are looking at The Falconer, a work created by James Carroll Beckwith in 1878. This piece offers a quiet glimpse into the artist's hand during a significant period of his development. It captures a singular moment of focus between a man and his bird, rendered with a precision that speaks to his disciplined training.
This 1882 oil on canvas presents a three-quarter length portrait of Mrs. John William Davis. The subject is positioned slightly off-center against a dark burgundy background. She wears a black velvet dress that absorbs the light, contrasted by white lace at the neckline and a red floral corsage. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating highlights on her…
The Telephone and the Ticker; Study for Manufactures Building is a significant preparatory work by the American artist James Carroll Beckwith. Born in 1852, Beckwith developed a style that reflected the evolving spirit of American realism during the late nineteenth century. This particular piece functions as a study for "Electricity as Applied to Commerce," a theme intended for the grander architectural program of the World's Columbian Exposition. It was conceived…
In The Letter, James Carroll Beckwith captures a quiet, suspended moment of intimacy. A woman stands before a mirror, her attention entirely consumed by the paper held in her hands. The scene unfolds in a soft, warm light that wraps around her figure, creating a sense of private contemplation. She is lost in the words of the letter, seemingly unaware of anything beyond the message before her eyes.
The Falconer (1878). Ardından The Letter (1910) ve Portrait of Tito (1878) geliyor.
26 yaşında: The Falconer 1878 yılına aittir ve James Carroll Beckwith 1852 yılında doğmuştur.
The Falconer, The Letter, Portrait of Tito, Portrait of Mrs. William C. Bartlett, Mrs. John William Davis (1832–1902), Dorman Bridgman Eaton (1823-1899), Normandy Girl, Under the Lilacs, The Telephone and the Ticker; Study for Manufactures Building ve George Martin Lane (1823-1897). Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda James Carroll Beckwith tarafından 1876 ile 1913 tarihleri arasında üretilmiş 87 eser bulunmaktadır.
Çoğunlukla Smithsonian Amerikan Sanat Müzesi (Washington, D.C.), New York Historical Society (New York City) ve Indianapolis Sanat Müzesi (Indianapolis) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1910s döneminde: Bu sayfadaki 77 eserin 22 tanesi o dönemde yapılmıştır, bunların The Letter tanesi ise The Letter arasındadır.
Bu sayfadaki en eski eser John Singer Sargent (1856–1925) (1876), en yeni eser ise Parterre du Nord, Fontaine des Sirenes (1913)'dir.
Man (7), Woman (7) ve Portraits (7), bu sayfadaki 77 eser genelinde.
Bu sayfadaki 77 eserin 13 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Impressionism,
La Tour de Solidor at St. Severin, Normandy, The Blacksmith ve Cathedral at le Puy: Smithsonian Amerikan Sanat Müzesi, Washington, D.C., bu sayfadaki eserlerden 20 tanesine ev sahipliği yapmaktadır.
