Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Özetle
Dead Wildfowl (1674), en çok ilgi çeken Jacob Biltius tablosudur; orijinali Kopenhag, Statens Museum For Kunst bünyesinde bulunmaktadır. Ardından göz, Dead Birds (1670) ve Snip, hanging (1663) üzerine yoğunlaşır. Kataloğumuzdaki Jacob Biltius imzalı 10 eser arasından seçilen bu 10 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 3 müze.
| Müze | Şehir | Jacob Biltius Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Kopenhag | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Leeuwarden | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
17 yıllık uzun bir kariyer, 1663 ile 1679 arası: Jacob Biltius'in yıl yıl sergilenen en ünlü orijinal eserleri.
Orijinallerini görmek için bir yıl seçin.
1666 hakkında daha fazlası
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
1670 hakkında daha fazlası
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Kopenhag. Ardından Dead Birds (1670) ve Snip, hanging (1663) geliyor.
41 yaşında: Dead Wildfowl 1674 yılına aittir ve Jacob Biltius 1633 yılında doğmuştur.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall ve Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Jacob Biltius tarafından 1663 ile 1679 tarihleri arasında üretilmiş 10 eser bulunmaktadır.
Çoğunlukla Statens Museum For Kunst (Kopenhag), Fries Museum (Leeuwarden) ve Kunsthandel P. de Boer bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1663 döneminde: Bu sayfadaki 10 eserin 2 tanesi o dönemde yapılmıştır, bunların Snip, hanging tanesi ise Snip, hanging arasındadır.
Bu sayfadaki en eski eser Snip, hanging (1663), en yeni eser ise Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679)'dir.
Feathers (2) ve Dark background (2), bu sayfadaki 10 eser genelinde.
Bu sayfadaki 10 eserin 2 tanesi Oil On Canvas türündedir.
Dead Wildfowl, Dead Birds ve Wildfowl on a Wooden Table: Statens Museum For Kunst, Kopenhag, bu sayfadaki eserlerden 5 tanesine ev sahipliği yapmaktadır.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.