Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 103 eser Francis Wheatley kataloğumuzda
Özetle
Galerinin gözünde, Francis Wheatley'in en ünlü tablosu, aslı New York, Metropolitan Sanat Müzesi içinde sergilenen The Saithwaite Family (1785)'dir. The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare ve Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Francis Wheatley imzalı 103 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 100 eseri aşağıda sunmaktadır.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
We are looking at The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, a work executed by the English painter Francis Wheatley. This piece dates to 1782 and captures a specific moment of social and military significance. It depicts the second Earl reviewing the Aldborough Volunteers at Belan, a scene that places the viewer directly into the historical landscape of the late 18th century.
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
A young woman leans against a cold stone ledge, her presence a soft weight against the dark, blurred shadows of a woodland background. She is captured in a three-quarter length pose, her body angled slightly away while her gaze remains steady and contemplative. The light, descending from the upper left, brushes the curve of her cheek and the pale expanse of her torso, leaving the folds of her heavy jacket…
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
is a portrait by the British painter Francis Wheatley, executed in about 1775. Also identified as Percival Bentley or by the accession number B1977.14.126, the work captures a man in costume. The subject is presented within a landscape, accompanied by a seated dog.
Mrs. Bentley is a portrait by the British painter Francis Wheatley. Executed in about 1775, the work captures a woman in a moment of poised stillness. She is the singular focus of this composition, a figure of quiet dignity set against a naturalistic backdrop. The brushwork defines the soft contours of her presence, anchoring her within the frame.
The Browne Family is an oil on canvas painting by the English artist Francis Wheatley. Executed in 1778, this work depicts members of the Browne family positioned within a landscape. The composition focuses on the subjects as they engage in leisure activities near a body of water.
The Oliver and Ward Familie, painted by Francis Wheatley in 1778, presents a formal group portrait set within a pastoral landscape. This oil on canvas work captures a multi-generational assembly, centering on the family of a wealthy widow, Mrs. Ward (née Pye). The subjects are arranged in a loose semi-circle, creating a sense of intimacy and presence within an outdoor setting.
The oil on canvas painting titled Spring was executed by the English artist Francis Wheatley. This work is part of the Marion Davies Collection and is currently held by the Los Angeles County Museum of Art. The piece is identified by the accession number M.71.29.1.
Portrait of a Married Couple in a Park1770 · Gemäldegalerie
12
Portrait of The Marquess and Marchioness of Antrim1782 · National Gallery of Ireland
13
Lord Spencer Hamilton (1742-1791)1778 · Royal Collection
14
A Gentleman and his Dog in a Landscape1780 · Yale Center for British Art
15
Mrs. Barclay and Her Children1776 · Yale Center for British Art
16
Portrait of a Man, called George Basil Woodd1780 · Yale Center for British Art
17
Henry Addington, Later first Viscount Sidmouth1785 · Yale Center for British Art
18
Preparing for Market1795 · Birmingham Museum and Art Gallery
19
Captain Arthur Phillip, ca. 1787, by Francis Wheatley1786 · State Library of New South Wales
20
The Mistletoe Bough1790 · Yale Center for British Art
21
Soldier with Country Women Selling Ribbons, near a Military Camp1788 · Yale Center for British Art
22
Captain Steven1795 · Yale Center for British Art
23
Helena and Count Bertram before the King of France1793
24
Night1799 · Yale Center for British Art
25
Evening1799 · Yale Center for British Art
26
Noon1799 · Yale Center for British Art
27
Morning1799 · Yale Center for British Art
28
The Wilkinson Family1776 · Detroit Institute of Arts
29
Winter1793 · Los Angeles County Museum of Art
30
The Benevolent Cottager
31
The Winter's Tale
32
Sir John Sebright
33
View on the Medway1776 · Yale Center for British Art
34
Family Group1780 · National Gallery of Art
35
Portrait of Mr and Mrs RichardsonNational Gallery of Ireland
36
Mary's DreamNational Gallery of Ireland
37
Child with a DogNational Gallery of Ireland
38
Winter Fuel
39
The Medway at Rochester,Yale Center for British Art
40
Mrs Pearce
41
Portrait Of A Gentleman And His Wife
42
The Comedy Of Errors
43
Love And Charity
44
Portrait Of A BoyScottish National Gallery
45
The Return From The Market
46
Lake windermere
47
The Harvest Waggon
48
The Lord Mayor's Procession By Water To Westminster, London
49
A Woman Spinning In A Farmyard Setting
50
Outside The Cottage Door
51
Returned From Market, Engraved
52
Caroline Ambrose
53
Mr ThraleYale Center for British Art
54
Portrait of a country girl
55
Sir Barnard Turner
56
Return From The Shoot
57
Portrait Of A Milkmaid
58
Sir John Irwin, Kb, Reviewing Troops In DublinNational Portrait Gallery
59
The Return From Market
60
Mother And Child
61
The Encampment At Brighton
62
Seashore At Howth, Ireland
63
Mr. Bailey of Stanstead
64
Man With A Dog
65
Girl With A Dog And Fruit
66
The Village Street
67
Family Group
68
A Scene In 'twelfth Night', Act Iii
69
An Unknown ManYale Center for British Art
70
Girl Holding A Silver Salver
71
Benjamin Bond HopkinsFitzwilliam Museum
72
The Hay Cart
73
Arthur PhillipNational Portrait Gallery
74
The Disaster
75
Country Folk Outside A Rustic Tavern
76
Lady Easy's Steinkirk
77
The Sailor's ReturnNational Maritime Museum
78
Mr. Ironmonger, Solicitor,
79
A Scene From Shakespeare's 'the Tempest'Birmingham Museum and Art Gallery
80
Death Of A Bird
81
The soldier's return
82
John Ambrose
83
Henrietta Ambrose, Actress
84
The Harvest Wagon
85
The Love Letter
86
A Peasant Boy
87
Henry GrattanNational Portrait Gallery
88
An Officer On HorsebackScotney Castle
89
The O’Neill Boys with a Chariot in the Grounds of Shane’s Castle
90
John O'neill
91
Rachel Therisa Of Jijona, Near Alicante, Spain
92
Burial Of A Bird
93
The Sportsman's Refreshment
94
A Family Group In A Landscape
95
The Careless Servant
96
Edward And Priscilla Wakefield With Mrs Wakefield's Sister, Catherine Bell
97
Young Marlow And Miss Hardcastle
98
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales1789 · National Portrait Gallery
99
The Dublin Volunteers on College Green, 4th November 17791779 · National Gallery of Ireland
100
The Salmon Leap, Leixlip1783 · Yale Center for British Art
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Francis Wheatley Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 23 | Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son |
 National Gallery of Ireland |
Dublin | 5 | Portrait of The Marquess and Marchioness of Antrim, Portrait of Mr and Mrs Richardson, Mary's Dream |
 National Portrait Gallery |
Londra | 3 | Sir John Irwin, Kb, Reviewing Troops In Dublin, Arthur Phillip, Henry Grattan |
 Los Angeles County Museum of Art |
Los Angeles | 2 | Spring, Winter |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Preparing for Market, A Scene From Shakespeare's 'the Tempest' |
 Metropolitan Sanat Müzesi |
New York | 1 | The Saithwaite Family |
 Gemäldegalerie |
Berlin | 1 | Portrait of a Married Couple in a Park |
 Royal Collection |
Londra | 1 | Lord Spencer Hamilton (1742-1791) |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
A Sportsman with His Son is a portrait by the English painter Francis Wheatley, executed in 1779. This work captures a moment of companionship within a rural setting, focusing on the relationship between a man and a young boy.
Within the quiet intimacy of a richly decorated interior, The Saithwaite Family by Francis Wheatley captures a private moment of domestic life. Painted about 1785, this oil on canvas work presents a woman, her daughter, and her son gathered amidst opulent furnishings. The scene unfolds with a sense of refined elegance, offering a glimpse into the social world of the Georgian era. It functions as a quintessential example of the…
The mouth of a dark, rocky cave opens like a heavy eyelid, revealing a sudden burst of verdant light. Inside this limestone throat, the air feels thick with the scent of damp stone and the heat of sudden movement. A woman in a luminous white gown struggles against the grip of a man in green. Her body angles toward the left, a pale flame flickering against the deep, earthy browns…
The Saithwaite Family (1785), Metropolitan Sanat Müzesi, New York. Ardından The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare ve Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave (1792) geliyor.
38 yaşında: The Saithwaite Family 1785 yılına aittir ve Francis Wheatley 1747 yılında doğmuştur.
The Saithwaite Family, The Earl Of Aldborough Reviewing Volunteers At Belan House, County Kildare, Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven, A Sportsman with His Son, Mr. Bentley, Mrs. Bentley, The Browne Family, The Oliver and Ward Familie ve Spring. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Francis Wheatley tarafından 1770 ile 1799 tarihleri arasında üretilmiş 103 eser bulunmaktadır.
Çoğunlukla Yale Center for British Art (New Haven), National Gallery of Ireland (Dublin) ve National Portrait Gallery (Londra) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1790s döneminde: Bu sayfadaki 100 eserin 12 tanesi o dönemde yapılmıştır, bunların Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave tanesi ise Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave arasındadır.
Bu sayfadaki en eski eser Portrait of a Married Couple in a Park (1770), en yeni eser ise Night (1799)'dir.
Landscape (17), Man (15) ve Woman (12), bu sayfadaki 100 eser genelinde.
Bu sayfadaki 100 eserin 26 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Neoclassicism,
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave, Mrs. Steven ve A Sportsman with His Son: Yale Center for British Art, New Haven, bu sayfadaki eserlerden 23 tanesine ev sahipliği yapmaktadır.
Francis Wheatley (1747-1801), 18. yüzyılın en seçkin İngiliz portre ve manzara ressamlarından biri olarak, kırsal yaşamın yalınlığını, toplumsal sahnelerin canlılığını ve döneminin ruhunu yakalayan portreleriyle tanınır. Londra, Covent Garden'daki Wild Court'ta dünyaya gelen sanatçı, yükselen kariyerinin yanıyle birlikte karmaşık bir özel hayatın içinde yolunu bulmaya çalışmış; geride samimiyeti ve cazibesiyle hayranlık uyandıran bir miras bırakmıştır.
Wheatley'nin ilk yılları, hem büyük fırsatlarla hem de belirsizliklerle doluydu. Usta bir terzinin oğlu olan sanatçının çizim yeteneği çok erken yaşlarda fark edildi. Genç yetenekler için hayati bir kurum olan William Shipley Çizim Okulu ve Royal Academy'de eğitim alarak sanatsal tekniklerde derinleşti. Sanat Cemiyeti'nden (Society of Arts) aldığı çeşitli ödüllerle azmini ve becerisini kanıtlayan Wheatley, büyük ölçekli dekoratif projelerde deneyim kazandı. Londra'nın popüler eğlence bahçesi Vauxhall Gardens'ın süslenmesine yardım etmesi ve Lord Melbourne için Brocket Hall'daki bir tavan resmi projesinde John Hamilton Mortimer ile iş birliği yapması, onun sanatsak gelişimindeki önemli dönemeçler oldu.
Wheatley'nin kariyer yolculuğu, başarılar ve kişisel fırtınalarla kesintiye uğrayan bir seyir izledi. 1778 yılında Royal Academy'de sergilemeye başladığında, kısa sürede yetenekli bir portre sanatçısı olarak ün kazandı ve eleştirmenlerin takdirini topladı. Ancak gençlik heyecanının getirdiği aşırı harcamalar ve artan borçlar hayatını zorlaştırdı. 1779 yılında, meslektaşı John Alexander Gresse'nin eşi Elizabeth Gresse ile İrlanda'ya kaçması, onu bir sürgüne mahkûm etse de bu durum sanatsal açıdan bereketli bir zemin hazırladı.
Wheatley’nin sanatsal üretimi; portre, manzara ve tür sahnelerini kapsayan geniş bir yelpazeye yayılıyordu. Boydell'in Shakespeare Galerisi için hazırladığı çalışmalar ve şairlerin Bell edisyonu için yaptığı illüstrasyonlar olsa da, kalıcı şöhretini kırsal temalı manzaralarına borçludur.
Onun üslubu, hoş bir sadelik ve erişilebilirlik ile karakterize edilir. Aşırı süslemeden kaçınarak, bunun yerine konularının özüne ve tasvir ettiği sahnelerin atmosferine odaklanmıştır. Wheatley'nin manzaraları, 18. yüzyıl sonlarında yükselen pastoral temalara paralel olarak, günlük işlerle meşgul figürlerin yer aldığı idilik kırsal ortamları sunar.
Francis Wheatley, 1790 yılında Royal Academy'nin bir ortağı, 1791 yılında ise bir akademisyeni olarak seçildi. 1787 yılında meslektaşı Clara Maria Leigh ile evlendi. Eserleri, yaşadığı dönemdeki İngiltere'nin değişen sosyal dokusunu; hem aristokratik toplumun görkemini hem de kırsal yaşamın cazibesini yansıtır. Dönemdaşlarının gölgesinde kalmış olsa da, Wheatley’nin samimi tarzı ve ilgi çekici konuları, geniş kitleler nezdinde popülerliğini korumasını sağlamıştır. O, resmi portre sanatı ile manzara ve tür resmine duyulan artan ilginin arasındaki köprüyü kuran, 18. yüzyıl İngiliz sanatının en önemli figürlerinden biri olarak anılmaktadır.
