Özetle
Galerinin gözünde, Copley Fielding'in en ünlü tablosu Richmond hill, (1830)'tir. Ambelside, (1829) ve Lake Nemi with Pontine Marshes in the Background (1837), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Copley Fielding imzalı 105 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 89 eseri aşağıda sunmaktadır.
Galerinin en iyi 10 Copley Fielding tablosu
11. sıradan 89. sıraya kadar Copley Fielding tabloları
Copley Fielding'ın ilgisini çeken konular
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Beach 11 eser
Landscape 9 eser
Animals 8 eser
Copley Fielding'in orijinal eserlerinin sergilendiği müzeler
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 4 müze.
| Müze | Şehir | Copley Fielding Eserleri | Bu listedeki tablolar |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sidney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, her on yıldan bir imza tablo
Copley Fielding'in tabloları: galeri yanıtları
Tüm Copley Fielding tabloları arasında en ünlüsü hangisidir?Cevabı göster
Richmond hill, (1830). Ardından Ambelside, (1829) ve Lake Nemi with Pontine Marshes in the Background (1837) geliyor.
Copley Fielding, Richmond hill, eserini tamamladığında kaç yaşındaydı?Cevabı göster
43 yaşında: Richmond hill, 1830 yılına aittir ve Copley Fielding 1787 yılında doğmuştur.
Copley Fielding sanatçısının en iyi 10 tablosu hangileridir?Cevabı göster
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide ve Unloading the catch, whitby. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Copley Fielding kaç eser yarattı?Cevabı göster
Kataloğumuzda Copley Fielding tarafından 1829 ile 1851 tarihleri arasında üretilmiş 105 eser bulunmaktadır.
Copley Fielding'in en ünlü orijinal eserleri nerede sergileniyor?Cevabı göster
Çoğunlukla Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sidney) ve Yale Center for British Art (New Haven) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
Copley Fielding en ünlü tablolarını ne zaman yaptı?Cevabı göster
1830s döneminde: Bu sayfadaki 89 eserin 4 tanesi o dönemde yapılmıştır, bunların Richmond hill, tanesi ise Richmond hill, arasındadır.
Copley Fielding'in en erken ve en geç dönemlerine ait ünlü eserleri hangileridir?Cevabı göster
Bu sayfadaki en eski eser Ambelside, (1829), en yeni eser ise Byland Abbey, (1851)'dir.
Copley Fielding en çok hangi konulara geri döndü?Cevabı göster
Beach (11), Landscape (9) ve Animals (8), bu sayfadaki 89 eser genelinde.
Copley Fielding hangi akımla ilişkilendiriliyor?Cevabı göster
bu sayfadaki orijinallerine bakılırsa Romanticism,
Birmingham Museum and Art Gallery bünyesinde hangi Copley Fielding orijinalleri bulunuyor?Cevabı göster
Lake Nemi with Pontine Marshes in the Background ve Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham, bu sayfadaki eserlerden 2 tanesine ev sahipliği yapmaktadır.
Copley Fielding: sanatçı
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








