Copley Fielding portresi

Copley Fielding Tabloları: Bir Galerinin Gözünden En Ünlü 89 Eser

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 105 eser Copley Fielding kataloğumuzda

Özetle

Galerinin gözünde, Copley Fielding'in en ünlü tablosu Richmond hill, (1830)'tir. Ambelside, (1829) ve Lake Nemi with Pontine Marshes in the Background (1837), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Copley Fielding imzalı 105 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 89 eseri aşağıda sunmaktadır.

1787 – 1855, Sowerby Bridge Romanticism En çok eser: Birmingham Museum and Art Gallery

Galerinin en iyi 10 Copley Fielding tablosu

11. sıradan 89. sıraya kadar Copley Fielding tabloları

11Rotha Quillinan tarafından Copley FieldingRotha Quillinan 12Figures Conversing In A Highland Landscape tarafından Copley FieldingFigures Conversing In A Highland Landscape 13Thomas Lombe Taylor tarafından Copley FieldingThomas Lombe Taylor 14Coniston Beck, Lake District tarafından Copley FieldingConiston Beck, Lake District 15William Cubitt, Lord Mayor Of London tarafından Copley FieldingWilliam Cubitt, Lord Mayor Of London 16View From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods tarafından Copley FieldingView From Pont Aberglaslyn Looking West Towards Moel Hebog And The Aberglaslyn Woods 17Loch Katrine tarafından Copley FieldingLoch Katrine 18Dunster Castle, sunset tarafından Copley FieldingDunster Castle, sunsetArt Gallery of New South Wales 19Loch Lomond at Dawn tarafından Copley FieldingLoch Lomond at Dawn 20Sea Piece tarafından Copley FieldingSea Piece 21On The Wye tarafından Copley FieldingOn The Wye 22A shipwreck on the yorkshire coast. tarafından Copley FieldingA shipwreck on the yorkshire coast. 23A fishing vessel heading out to sea in a squall tarafından Copley FieldingA fishing vessel heading out to sea in a squall 24Nanette Rocks tarafından Copley FieldingNanette Rocks 25North View Of Tintern Abbey tarafından Copley FieldingNorth View Of Tintern Abbey 26The Vale Of Neath tarafından Copley FieldingThe Vale Of Neath 27Shipping In Rough Seas tarafından Copley FieldingShipping In Rough Seas 28Henry Graves tarafından Copley FieldingHenry Graves 29A Sea Piece tarafından Copley FieldingA Sea Piece 30John Gibson tarafından Copley FieldingJohn Gibson 31Hauling In The Fishing Boat Onto The Shore tarafından Copley FieldingHauling In The Fishing Boat Onto The Shore 32Evening, Cattle Grazing By A Lake tarafından Copley FieldingEvening, Cattle Grazing By A Lake 33Shipping off Portsmouth tarafından Copley FieldingShipping off Portsmouth 34St. john's vale tarafından Copley FieldingSt. john's vale 35View Of Langdale Pikes And Ullswater tarafından Copley FieldingView Of Langdale Pikes And Ullswater 36Near Cadar Idris, North Wales tarafından Copley FieldingNear Cadar Idris, North Wales 37Figures On A Bridge, With Ruins Beyond tarafından Copley FieldingFigures On A Bridge, With Ruins Beyond 38Skiddaw from derwentwater tarafından Copley FieldingSkiddaw from derwentwater 39Near Ullswater tarafından Copley FieldingNear Ullswater 40Crowded Waters At Dusk tarafından Copley FieldingCrowded Waters At Dusk 41Off to the fishing grounds tarafından Copley FieldingOff to the fishing grounds 42Scarborough Castle tarafından Copley FieldingScarborough Castle 43An Extensive Landscape With Cattle And A Drover tarafından Copley FieldingAn Extensive Landscape With Cattle And A Drover 44On the glaslyn, north wales tarafından Copley FieldingOn the glaslyn, north wales 45Droving cattle tarafından Copley FieldingDroving cattle 46Mountainous Landscape With Lake And Stream tarafından Copley FieldingMountainous Landscape With Lake And Stream 47Bolton Abbey From The River Wharfe, South View tarafından Copley FieldingBolton Abbey From The River Wharfe, South View 48Loch Achray Ruskin tarafından Copley FieldingLoch Achray Ruskin 49Distant View Of The Cumberland Hills From Eskdale tarafından Copley FieldingDistant View Of The Cumberland Hills From Eskdale 50Scene Near Capel Curig Looking Towards Snowdon tarafından Copley FieldingScene Near Capel Curig Looking Towards Snowdon 51Off Fingle's Cave, Staffa, Argyllshire tarafından Copley FieldingOff Fingle's Cave, Staffa, Argyllshire 52Fishing Smacks And Other Vessels Off The Coast In A Squall tarafından Copley FieldingFishing Smacks And Other Vessels Off The Coast In A Squall 53Mrs John Forster tarafından Copley FieldingMrs John Forster 54Cattle Watering In The Lake District tarafından Copley FieldingCattle Watering In The Lake District 55River view tarafından Copley FieldingRiver view 56Dolbadern castle tarafından Copley FieldingDolbadern castle 57Windsor Castle From The Park tarafından Copley FieldingWindsor Castle From The Park 58View Of Loch Katrine, Perthshire, With Ben Venue Beyond tarafından Copley FieldingView Of Loch Katrine, Perthshire, With Ben Venue Beyond 59Harlech Castle tarafından Copley FieldingHarlech Castle 60An Extensive Landscape With A Hay-cart And Figures In The Foreground tarafından Copley FieldingAn Extensive Landscape With A Hay-cart And Figures In The Foreground 61A View On The Brathay Near Ambleside tarafından Copley FieldingA View On The Brathay Near Ambleside 62Cayton Cliff Mill, near Scarborough tarafından Copley FieldingCayton Cliff Mill, near Scarborough 63Traeth Mawr, Port Maddock, North Wales tarafından Copley FieldingTraeth Mawr, Port Maddock, North Wales 64Arundel Castle tarafından Copley FieldingArundel Castle 65An Extensive Landscape With Cattle And Figures In The Foreground tarafından Copley FieldingAn Extensive Landscape With Cattle And Figures In The Foreground 66View of langdale pikes and bow fell, over windermere, westmoreland tarafından Copley FieldingView of langdale pikes and bow fell, over windermere, westmoreland 67Scarborough, with a boat being vitalled in the harbour tarafından Copley FieldingScarborough, with a boat being vitalled in the harbour 68Fishing vessels before st michael's mount tarafından Copley FieldingFishing vessels before st michael's mount 69Figures Conversing In A Mountainous Lake Landscape tarafından Copley FieldingFigures Conversing In A Mountainous Lake Landscape 70Off ramsgate at sunset tarafından Copley FieldingOff ramsgate at sunset 71Fishing boats in a stiff breeze, off shore tarafından Copley FieldingFishing boats in a stiff breeze, off shore 72A Storm Passing Off on the Coast of Merionethshire tarafından Copley FieldingA Storm Passing Off on the Coast of Merionethshire 73Distant View Of Rievaulx Abbey, Near Helmsley, Yorkshire tarafından Copley FieldingDistant View Of Rievaulx Abbey, Near Helmsley, Yorkshire 74A Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape tarafından Copley FieldingA Herder With Cattle At The Edge Of A Lake In A Mountainous Landscape 75A View Of Penrhyn Castle, Wales, With Figures In The Foreground tarafından Copley FieldingA View Of Penrhyn Castle, Wales, With Figures In The Foreground 76Figures by a lake at dusk tarafından Copley FieldingFigures by a lake at dusk 77Lazing on the downs, watching over the flock tarafından Copley FieldingLazing on the downs, watching over the flock 78Cows In A River Landscape tarafından Copley FieldingCows In A River Landscape 79Adam Sedgwick, Fellow, Geologist And Woodwardian Professor tarafından Copley FieldingAdam Sedgwick, Fellow, Geologist And Woodwardian Professor 80Byland Abbey, Yorkshire tarafından Copley FieldingByland Abbey, Yorkshire 81The ferry boat, possibly dartmouth cove tarafından Copley FieldingThe ferry boat, possibly dartmouth cove 82A figure standing on a beach with shipping beyond tarafından Copley FieldingA figure standing on a beach with shipping beyond 83A Scene On The Coast, Merionethshire tarafından Copley FieldingA Scene On The Coast, MerionethshireYale Center for British Art 84Richard Lynch Cotton tarafından Copley FieldingRichard Lynch Cotton 85A rest by the wayside, sunset tarafından Copley FieldingA rest by the wayside, sunset 86William Gibbs tarafından Copley FieldingWilliam GibbsTyntesfield 87Ennerdale, from high point farm tarafından Copley FieldingEnnerdale, from high point farm 88John Frederick Lewis tarafından Copley FieldingJohn Frederick Lewis 89Mrs Susannah Milner-gibson, Nee Cullum tarafından Copley FieldingMrs Susannah Milner-gibson, Nee Cullum

Copley Fielding'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

Copley Fielding'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 4 müze.

Müze Şehir Copley Fielding Eserleri Bu listedeki tablolar
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains
Art Gallery of New South Wales, SidneyArt Gallery of New South Wales Sidney 1 Dunster Castle, sunset
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 A Scene On The Coast, Merionethshire
TyntesfieldTyntesfield 1 William Gibbs

Copley Fielding, her on yıldan bir imza tablo

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Copley Fielding'in tabloları: galeri yanıtları

Tüm Copley Fielding tabloları arasında en ünlüsü hangisidir?Cevabı göster

Richmond hill, (1830). Ardından Ambelside, (1829) ve Lake Nemi with Pontine Marshes in the Background (1837) geliyor.

Copley Fielding, Richmond hill, eserini tamamladığında kaç yaşındaydı?Cevabı göster

43 yaşında: Richmond hill, 1830 yılına aittir ve Copley Fielding 1787 yılında doğmuştur.

Copley Fielding sanatçısının en iyi 10 tablosu hangileridir?Cevabı göster

Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide ve Unloading the catch, whitby. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

Copley Fielding kaç eser yarattı?Cevabı göster

Kataloğumuzda Copley Fielding tarafından 1829 ile 1851 tarihleri arasında üretilmiş 105 eser bulunmaktadır.

Copley Fielding'in en ünlü orijinal eserleri nerede sergileniyor?Cevabı göster

Çoğunlukla Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sidney) ve Yale Center for British Art (New Haven) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Copley Fielding en ünlü tablolarını ne zaman yaptı?Cevabı göster

1830s döneminde: Bu sayfadaki 89 eserin 4 tanesi o dönemde yapılmıştır, bunların Richmond hill, tanesi ise Richmond hill, arasındadır.

Copley Fielding'in en erken ve en geç dönemlerine ait ünlü eserleri hangileridir?Cevabı göster

Bu sayfadaki en eski eser Ambelside, (1829), en yeni eser ise Byland Abbey, (1851)'dir.

Copley Fielding en çok hangi konulara geri döndü?Cevabı göster

Beach (11), Landscape (9) ve Animals (8), bu sayfadaki 89 eser genelinde.

Copley Fielding hangi akımla ilişkilendiriliyor?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Romanticism,

Birmingham Museum and Art Gallery bünyesinde hangi Copley Fielding orijinalleri bulunuyor?Cevabı göster

Lake Nemi with Pontine Marshes in the Background ve Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham, bu sayfadaki eserlerden 2 tanesine ev sahipliği yapmaktadır.

Copley Fielding: sanatçı

The Visionary Brush of Anthony Vandyke Copley Fielding

In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.

Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.

A Mastery of Landscape and Marine Subjects

The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.

His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.

Legacy and Historical Significance

The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.

Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.