Charles de Steuben portresi

En Ünlü 19 Charles de Steuben Tablosu, Bir Galeri Seçkisi

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 19 eser Charles de Steuben kataloğumuzda

Özetle

Charles de Steuben tarafından bırakılan tüm orijinal eserler arasında, en ünlüsü Saint Petersburg, Hermitaj Müzesi koleksiyonunda yer alan Portrait of Anna Benardaki (1844) adlı eserdir. Hemen ardından Portrait of Baron Alexander Stieglitz (1844) ve Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) geliyor. Kataloğumuz Charles de Steuben tarafından yapılmış 19 eser barındırmaktadır; galeri, her biri tarihi, müzesi ve hikayesiyle birlikte sergilenen, dünyanın en çok hayranlık duyduğu 19 eseri muhafaza etmektedir.

1788 – 1856, Bauerbach Romanticism En çok eser: Hermitaj Müzesi

Charles de Steuben tarafından yapılan en iyi 10 tablo: galerinin seçimi

1
Portrait of Anna Benardaki (1844) tarafından Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitaj Müzesi, Saint Petersburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) tarafından Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) tarafından Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) tarafından Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) tarafından Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) tarafından Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Charles de Steuben seçkisi devam ediyor, 11 ile 19 arası

Charles de Steuben'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

Charles de Steuben'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir Charles de Steuben Eserleri Bu listedeki tablolar
Hermitaj Müzesi, Saint PetersburgHermitaj Müzesi Saint Petersburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Müzesi, ParisCarnavalet Müzesi Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersayOpera House Versay 1 Anne d'Autriche, reine de France
Versay Sarayı, VersayVersay Sarayı Versay 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

on yıl on yıl Charles de Steuben: her dönemi tanımlayan orijinal eserler

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Koleksiyonerlerin Charles de Steuben'in tabloları hakkındaki soruları

Charles de Steuben en çok hangi eseriyle tanınır?Cevabı göster

Portrait of Anna Benardaki (1844), Hermitaj Müzesi, Saint Petersburg. Ardından Portrait of Baron Alexander Stieglitz (1844) ve Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) geliyor.

Portrait of Anna Benardaki yapıldığında Charles de Steuben kaç yaşındaydı?Cevabı göster

56 yaşında: Portrait of Anna Benardaki 1844 yılına aittir ve Charles de Steuben 1788 yılında doğmuştur.

En ünlü on Charles de Steuben tablosu hangileridir?Cevabı göster

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" ve Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

Charles de Steuben kaç tablo bıraktı?Cevabı göster

Kataloğumuzda Charles de Steuben tarafından 1800 ile 1850 tarihleri arasında üretilmiş 19 eser bulunmaktadır.

Charles de Steuben'in şaheserleri hangi müzelerde sergileniyor?Cevabı göster

Çoğunlukla Hermitaj Müzesi (Saint Petersburg), Palais des Beaux-Arts de Lille (Lille) ve Carnavalet Müzesi (Paris) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Charles de Steuben en ünlü eserlerini hangi yıllarda yaptı?Cevabı göster

1830s döneminde: Bu sayfadaki 19 eserin 9 tanesi o dönemde yapılmıştır, bunların Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist tanesi ise Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist arasındadır.

Charles de Steuben sanatçısının ilk ve son ünlü orijinal eserleri nelerdir?Cevabı göster

Bu sayfadaki en eski eser The Death of Napoleon (1800), en yeni eser ise Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850)'dir.

Charles de Steuben en çok hangi konuları seçti?Cevabı göster

Woman (3), Man (3) ve Lace (2), bu sayfadaki 19 eser genelinde.

Charles de Steuben en çok hangi tekniği kullandı?Cevabı göster

Bu sayfadaki 19 eserin 5 tanesi Oil On Canvas türündedir.

Charles de Steuben hangi sanat akımına ait?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Romanticism,

Hermitaj Müzesi bünyesinde hangi Charles de Steuben eserleri sergilenmektedir?Cevabı göster

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz ve Portrait of Alexander P. von Benckendorff (1819 – 1851): Hermitaj Müzesi, Saint Petersburg, bu sayfadaki eserlerden 7 tanesine ev sahipliği yapmaktadır.

Charles de Steuben: yaşamı ve eserleri

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.