Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 21 eser Bernice Cross kataloğumuzda
Özetle
Galerinin gözünde, Bernice Cross'in en ünlü tablosu, aslı Washington, D.C., The Phillips Collection içinde sergilenen Black Pitcher (1944)'dir. Melon Vendor (1934) ve Sancho Panza (1938), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Bernice Cross imzalı 21 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 21 eseri aşağıda sunmaktadır.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · The Phillips Collection
12
ShowerThe Phillips Collection
13
Land of Cotton1938 · The Phillips Collection
14
Georgetown Corner in the Rain1934 · Smithsonian Amerikan Sanat Müzesi
15
Strawberry Basket1943 · The Phillips Collection
16
Pink Lemonade1941 · The Phillips Collection
17
The Little Dove's Stove1940 · The Phillips Collection
18
Pansies and Pitcher1948 · The Phillips Collection
19
Winter Light1951 · The Phillips Collection
20
Royal Figure1953 · The Phillips Collection
21
Key Rack1949 · The Phillips Collection
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Bernice Cross Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 18 | Black Pitcher, Sancho Panza, Seaside |
 Smithsonian Amerikan Sanat Müzesi |
Washington, D.C. | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), The Phillips Collection, Washington, D.C.. Ardından Melon Vendor (1934) ve Sancho Panza (1938) geliyor.
32 yaşında: Black Pitcher 1944 yılına aittir ve Bernice Cross 1912 yılında doğmuştur.
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress ve Circus People Resting. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Bernice Cross tarafından 1934 ile 1953 tarihleri arasında üretilmiş 21 eser bulunmaktadır.
Çoğunlukla The Phillips Collection (Washington, D.C.) ve Smithsonian Amerikan Sanat Müzesi (Washington, D.C.) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1940s döneminde: Bu sayfadaki 21 eserin 9 tanesi o dönemde yapılmıştır, bunların Black Pitcher tanesi ise Black Pitcher arasındadır.
Bu sayfadaki en eski eser Melon Vendor (1934), en yeni eser ise Royal Figure (1953)'dir.
Woman (2) ve Wood grain (2), bu sayfadaki 21 eser genelinde.
Bu sayfadaki 21 eserin 3 tanesi Oil On Canvas türündedir.
Black Pitcher, Sancho Panza ve Seaside: The Phillips Collection, Washington, D.C., bu sayfadaki eserlerden 18 tanesine ev sahipliği yapmaktadır.
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
