August Allebé portresi

En Ünlü 33 August Allebé Tablosu, Bir Galeri Seçkisi

Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 33 eser August Allebé kataloğumuzda

Özetle

August Allebé tarafından bırakılan tüm orijinal eserler arasında, en ünlüsü Amsterdam, Rijksmuseum koleksiyonunda yer alan A young Woman (1863) adlı eserdir. Hemen ardından Lethe (1863) ve Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) geliyor. Kataloğumuz August Allebé tarafından yapılmış 33 eser barındırmaktadır; galeri, her biri tarihi, müzesi ve hikayesiyle birlikte sergilenen, dünyanın en çok hayranlık duyduğu 33 eseri muhafaza etmektedir.

1838 – 1927, Amsterdam Amsterdam impressionism En çok eser: Rijksmuseum

August Allebé tarafından yapılan en iyi 10 tablo: galerinin seçimi

1
A young Woman (1863) tarafından August Allebé

A young Woman

1863 · Oil On Canvas · Rijksmuseum, Amsterdam

A single figure occupies the center of this 1863 portrait. She stands with an upright, quiet dignity, her body turned slightly toward the viewer. The light enters from the upper left, catching the curve of her neck and the pale expanse of her face. She wears a white apron or shawl that gathers in heavy, sculptural folds. These highlights contrast sharply against a dark, atmospheric background, pulling her form out…

2
Lethe (1863) tarafından August Allebé

Lethe

1863 · Oil On Canvas · Dordrechts Museum, Dordrecht

In Lethe, August Allebé places a solitary elderly man within the heavy silence of a dimly lit interior. The composition anchors itself upon the figure and the large, ornate architectural element of the hearth. Deep, warm tones of rich brown and burnt umber dominate the space, swallowing the corners of the room. A chiaroscuro effect emerges from these shadows, where light struggles against the dark. This low-key, dramatic lighting strikes…

3
Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) tarafından August Allebé

Anno 1704. Willem Vleertman explores the terrain near Höchstadt

1862 · Oil · Amsterdam Museum, Amsterdam

This landscape painting, titled Anno 1704. Willem Vleertman explores the terrain near Höchstadt, was executed by August Allebé. Created in 1862, the work captures a specific sense of place and time through its quiet, monochromatic presentation. It offers a glimpse into the artist's early period, a time when his hand was beginning to navigate the nuances of the romantic tradition.

4
Surprise of Coevorden by Van Thienen, 1672 (1862) tarafından August Allebé

Surprise of Coevorden by Van Thienen, 1672

1862 · Oil On Canvas · Amsterdam Museum, Amsterdam

The oil on canvas captures a fragment of the 1672 conflict through a lens of academic realism. There is a heavy, quiet energy in the way the figures are positioned, suggesting a sudden disruption in a quiet landscape. The brushwork is loose, prioritizing the feeling of light hitting fabric and skin over meticulous detail. It is a scene of movement frozen in a dim, historical twilight. The light fades into…

5
Historical Representation (1860) tarafından August Allebé

Historical Representation

1860 · Oil · Amsterdam Museum, Amsterdam

In "Historical Representation" by August Allebé, the composition centers on a luminous female figure positioned in the foreground. Dressed in light-colored clothing, she holds her hands near her chest in a gesture that suggests a contemplative or perhaps fearful state of mind. The scene is captured from a medium shot at eye level, creating an intimate encounter with the subject. This central figure is framed by a strictly grayscale color…

6
Oude vrouw (1861) tarafından August Allebé

Oude vrouw

1861 · Oil

A single light source strikes from the upper right, carving the profile of an elderly woman out of the darkness. The light catches the ridges of her wrinkles and the heavy drape of her dark garment, turning skin into a landscape of texture. She sits in a quiet, side-profile view, her hands wrapped around a slender glass vessel. The composition is tight and intimate, pulling the viewer into a private…

7
Page (1860) tarafından August Allebé

Page

1860 · Oil

A single male figure emerges from the gloom, caught in a moment of quiet stillness. He stands slightly off-center, his body turned toward the left as if responding to an unseen presence or a sudden thought. A dark, heavy coat or cloak envelops his frame, its thick texture catching a soft light that seems to spill from the front-left. This illumination carves his silhouette against an indistinct, atmospheric background, where…

8
Seamstress (1859) tarafından August Allebé

Seamstress

1859 · Oil On Canvas

A soft, directional light spills from the upper left, catching the curve of a forehead and the bridge of a nose in a delicate dance of highlights. The young woman sits in profile, her body turned slightly away, lost in the rhythmic, silent labor of her needle. She is a figure of stillness, wrapped in a white shawl that glows against the deep, shadowy folds of her dark clothing. Every…

9
Zelfportret 1862 (1862) tarafından August Allebé

Zelfportret 1862

1862 · Oil On Canvas

The light catches the edge of a face, carving a profile out of the surrounding gloom. In this 1862 oil portrait, the artist gazes back at us, or perhaps inward, through a veil of shadow. He sits with a quiet, heavy presence, his features emerging from a deep, monochromatic darkness that feels almost tactile. A soft light brushes against his forehead and the bridge of his nose, highlighting the subtle…

10
Dr. G.A.N. Allebé (1810-1892) (1858) tarafından August Allebé

Dr. G.A.N. Allebé (1810-1892)

1858 · Oil

This mid-19th-century oil portrait, dating to 1858, presents a formal and dignified depiction of an older gentleman, Dr. G.A.N. Allebé. The composition is a three-quarter length portrait where the subject is positioned slightly off-center, facing toward the left of the frame while his body is angled toward the viewer. He is depicted with a steady gaze and formal attire, conveying an air of intellectual authority and seriousness.

August Allebé seçkisi devam ediyor, 11 ile 33 arası

August Allebé'in dönemlere göre ünlü tabloları

August Allebé'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

August Allebé'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir August Allebé Eserleri Bu listedeki tablolar
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 9 A young Woman, Portrait of a Boy, August Allebé, 1856, Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 6 Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation
Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 2 Lethe, Turkeys in a Landscape
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 L'école buissonnière, Garden Corner (Poppies)
The Mesdag Collection, LaheyThe Mesdag Collection Lahey 1 An old friend
Museum Catharijneconvent, UtrechtMuseum Catharijneconvent Utrecht 1 Portrait of Ottho Gerhard Heldring (1804-1876)
Teylers Museum, HarenTeylers Museum Haren 1 Kraambezoek
Museum De Waag, DeventerMuseum De Waag Deventer 1 Interior of Barn with Old Open Doors and Sheaf of Corn

on yıl on yıl August Allebé: her dönemi tanımlayan orijinal eserler

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Koleksiyonerlerin August Allebé'in tabloları hakkındaki soruları

August Allebé en çok hangi eseriyle tanınır?Cevabı göster

A young Woman (1863), Rijksmuseum, Amsterdam. Ardından Lethe (1863) ve Anno 1704. Willem Vleertman explores the terrain near Höchstadt (1862) geliyor.

A young Woman yapıldığında August Allebé kaç yaşındaydı?Cevabı göster

25 yaşında: A young Woman 1863 yılına aittir ve August Allebé 1838 yılında doğmuştur.

En ünlü on August Allebé tablosu hangileridir?Cevabı göster

A young Woman, Lethe, Anno 1704. Willem Vleertman explores the terrain near Höchstadt, Surprise of Coevorden by Van Thienen, 1672, Historical Representation, Oude vrouw, Page, Seamstress, Zelfportret 1862 ve Dr. G.A.N. Allebé (1810-1892). Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

August Allebé kaç tablo bıraktı?Cevabı göster

Kataloğumuzda August Allebé tarafından 1856 ile 1877 tarihleri arasında üretilmiş 33 eser bulunmaktadır.

August Allebé'in şaheserleri hangi müzelerde sergileniyor?Cevabı göster

Çoğunlukla Rijksmuseum (Amsterdam), Amsterdam Museum (Amsterdam) ve Dordrechts Museum (Dordrecht) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

August Allebé en ünlü eserlerini hangi yıllarda yaptı?Cevabı göster

1860s döneminde: Bu sayfadaki 33 eserin 16 tanesi o dönemde yapılmıştır, bunların A young Woman tanesi ise A young Woman arasındadır.

August Allebé sanatçısının ilk ve son ünlü orijinal eserleri nelerdir?Cevabı göster

Bu sayfadaki en eski eser Portrait of a Boy, August Allebé, 1856 (1856), en yeni eser ise Portrait of Ottho Gerhard Heldring (1804-1876) (1877)'dir.

August Allebé en çok hangi konuları seçti?Cevabı göster

Man (8), Woman (6) ve Portrait (4), bu sayfadaki 33 eser genelinde.

August Allebé en çok hangi tekniği kullandı?Cevabı göster

Bu sayfadaki 33 eserin 14 tanesi Oil On Canvas türündedir.

August Allebé hangi sanat akımına ait?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Amsterdam impressionism,

Rijksmuseum bünyesinde hangi August Allebé eserleri sergilenmektedir?Cevabı göster

A young Woman, Portrait of a Boy, August Allebé, 1856 ve Old Woman by the Fireplace, August Allebé, c. 1850 - c. 1875: Rijksmuseum, Amsterdam, bu sayfadaki eserlerden 9 tanesine ev sahipliği yapmaktadır.

August Allebé: yaşamı ve eserleri

August Allebé: Pioneer of Amsterdam Impressionism

August Allebé (1838 – 1927) stands as a cornerstone figure in the burgeoning artistic landscape of late nineteenth-century Holland, specifically within the vibrant movement known as Amsterdam Impressionism. Born in Amsterdam, Allebé’s formative years were marked by exposure to artistic instruction and intellectual stimulation—he pursued evening classes at Felix Meritis and studied diligently at both Antwerp Academy and the Royal Academy of Amsterdam (Rijksakademie van beeldende kunsten), demonstrating a commitment to broadening his artistic horizons. His academic training under luminaries like Petrus Franciscus Greive, Adolphe Mouilleron, Charles Rochussen, and Louis Royer instilled in him a cosmopolitan outlook that would profoundly shape his artistic endeavors and pedagogical approach.
  • Early Romantic Influences:
  • Allebé’s initial artistic output leaned heavily into the romantic tradition, characterized by dramatic landscapes and emotionally charged depictions of human subjects—a stylistic choice reflective of the prevailing aesthetic sensibilities of his time.
  • Transition to Realism & Impressionism:
  • However, Allebé swiftly recognized the limitations of romantic formalism and embraced realism alongside impressionistic techniques. This pivotal shift propelled him toward capturing fleeting moments of light and color with unprecedented accuracy, mirroring the revolutionary spirit of the era.

Amsterdam Impressionism: A Countercurrent to Hague School Dominance

Allebé’s artistic vision wasn't merely a personal stylistic evolution; it represented a deliberate challenge to the dominant aesthetic currents emanating from The Hague School. While the Hague School prioritized meticulous detail and idealized representations of Dutch history and culture, Allebé championed a looser brushstroke style—a movement he spearheaded through St Lucas Artist Group – prioritizing atmospheric effects and subjective perception. This divergence fostered an environment where younger artists could experiment with innovative approaches to painting, establishing Amsterdam Impressionism as a distinct artistic identity.
  • St Lucas Artist Group:
  • Allebé founded St Lucas Artist Group in 1880, fostering collaboration and intellectual exchange among aspiring painters. This collective served as a crucible for experimentation and propelled the movement forward.
  • Influence on Students & Artistic Development:
  • As Professor at Rijksakademie van beeldende kunsten, Allebé cultivated a stimulating atmosphere where students were encouraged to pursue their artistic ambitions with unwavering determination—a legacy that continues to resonate within Dutch art history.

Notable Works & Artistic Techniques

Allebé’s oeuvre comprises numerous paintings showcasing his mastery of realism and impressionistic principles. Pieces like “Portrait of a Boy” (1856) exemplify his meticulous attention to detail, capturing youthful innocence with subtle impasto textures—a testament to his dedication to portraying the human form with nuanced sensitivity. Similarly, “Old Woman by the Fireplace” (c. 1850 – c. 1875) demonstrates Allebé’s ability to convey emotion through color and light, creating a poignant depiction of domestic life.
  • "Life's Eventide" exemplifies Allebé's exploration of capturing fleeting moments of beauty and emotion with expressive brushstrokes.

Historical Significance & Legacy

August Allebé’s contribution to Dutch art history extends far beyond his individual artistic achievements. He served as a catalyst for artistic innovation, fostering a spirit of experimentation that irrevocably altered the trajectory of modern Dutch painting. His unwavering belief in nurturing talent and promoting intellectual discourse cemented his position as a champion of progressive artistic ideals—a legacy that continues to inspire artists and scholars alike. Allebé’s influence can be seen throughout Amsterdam Impressionism and beyond, securing his place as one of the most important figures in shaping the visual culture of his era.