Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 136 eser Raja Ravi Varma kataloğumuzda
Özetle
Galerinin gözünde, Raja Ravi Varma'in en ünlü tablosu, aslı Bengaluru, Sandeep - Gitanjali Maini Foundation içinde sergilenen Damayanti And Hamsam (1899)'dir. Maharani Chimnabai II (1889) ve Music Hath Charms (Kadambari) (1890), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Raja Ravi Varma imzalı 136 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 100 eseri aşağıda sunmaktadır.
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine. Damayanti And Hamsam is not merely a painting; it is a window into the soul of Indian classical storytelling. The artwork presents a serene encounter between the beautiful Damayanti, daughter of King Bhima, and a graceful white swan, or hamsa. As she…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma in 1889, this portrait transcends a mere depiction; it is a window into the zenith of late 19th-century Indian aristocracy, filtered through the sophisticated lens of European academic painting techniques. The subject herself commands attention—a vision of regal poise seated upon an…
A woman sits upon a bench, her fingers poised near the strings of a sitar. She wears a traditional sari and a bindi rests upon her forehead. Around her, the world is quieted by the presence of greenery and two birds resting in the background. A clock hangs on the wall above her head, marking the passage of time in this indoor space. The scene captures a moment of focused…
This exquisite portrait, titled Nair Lady With A Mirror, invites the viewer into an intimate, almost whispered moment of personal contemplation. It captures a lady caught in the gentle ritual of grooming—the act of brushing her hair while gazing into the reflective surface before her. Raja Ravi Varma, master chronicler of everyday Indian life imbued with classical grace, has gifted us more than just a likeness; he offers a window…
A woman leans against a stone balustrade, her silhouette softened by the fading light of a sunset. She wears a sari of shimmering light blue and silver, the fabric catching the glow like water under a summer moon. Her dark hair falls in fluid lines down her back, a deep contrast to the warm pinks and oranges of the sky behind her. In her hand, she holds a red fan,…
In the secluded shade of a forest hermitage, a woman pauses to compose her thoughts. This oil on canvas, dated between 1880 and 1885, captures Shakuntala in a moment of profound intimacy. She sits amidst lush, dark foliage, focused on a lotus leaf that serves as her parchment. Her companions observe from the periphery, their presence grounding the scene in a shared, silent experience. The composition utilizes a triangular arrangement…
In the grand tapestry of Indian mythological storytelling, few moments resonate with as much profound tension and moral complexity as the scene captured in Raja Ravi Varma’s 1897 masterpiece, Draupadi at the Court of Virat. This painting serves as a breathtaking window into a pivotal moment of the Mahabharata, where the sanctity of a queen is challenged within the very halls meant to protect her. The composition centers on Draupadi,…
Raja Ravi Varma's *Radha in the Moonlight*, painted in 1890, stands as a pinnacle of Indian Romanticism and a testament to his unparalleled skill in synthesizing Western academic training with deeply rooted Hindu iconography. This captivating portrait transcends mere representation; it embodies the essence of the ‘uttama nayika,’ the ideal woman figure from classical Sanskrit literature – a being of profound beauty, intelligence, and spiritual grace. The painting’s enduring appeal…
Raja Ravi Varma's “The Maharani of Travancore” is more than just a portrait; it’s a window into the opulent and complex world of 19th-century Kerala, India. Painted in 1887, this arresting image captures a woman of considerable status – likely a sister of Maharaja Rama Varma – radiating an aura of serene dignity and regal beauty. The painting immediately draws the eye with its dramatic lighting, a technique heavily influenced…
To stand before this portrait is to step directly into the opulent drawing rooms and grand processions of late 19th-century Indian royalty. Depicting His Highness Chamarajendra Wadiyar X, the painting radiates an aura of inherited power and refined dignity. The subject himself is rendered with a commanding presence; his attire speaks volumes of his station, particularly the magnificent gold crown that crowns his noble brow. Every element—from the meticulously painted…
Keechaka and Sairandhri1891 · The Raja Ravi Varma Heritage Foundation
12
Sketch Of An Unconscious Woman1897 · The Raja Ravi Varma Heritage Foundation
13
Bandi Balaiah Naidu1904 · Sandeep - Gitanjali Maini Foundation
14
Malabar Lady with Veena - Raja Ravi Varma2026
15
War scene mural by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
16
Men In Headdress1885 · The Raja Ravi Varma Heritage Foundation
17
Untitled (Tilottama)1896 · The Raja Ravi Varma Heritage Foundation
18
Shakuntala Patra Lekhan of Shakuntala Writing a Love LetterThe Ganesh Shivaswamy Foundation
19
Bombay Singer (Bombay Songstress)1893 · The Raja Ravi Varma Heritage Foundation
20
Lady Making A Garland1895 · The Raja Ravi Varma Heritage Foundation
21
Sita in Ashoka Grove1894 · The Raja Ravi Varma Heritage Foundation
22
The Coquette1893 · The Raja Ravi Varma Heritage Foundation
23
Krishna1905 · The Raja Ravi Varma Heritage Foundation
24
Shakuntala And Her Companion1880 · The Raja Ravi Varma Heritage Foundation
25
Damayanti Abandoned In The Forest1894 · Sandeep - Gitanjali Maini Foundation
26
Woman Holding a Fruit1800 · National Gallery of Modern Art
27
A Tamil Lady Playing the SwarbatThe Ganesh Shivaswamy Foundation
28
A Study of a Woman- possibly for Madalasa and RutudwajaThe Ganesh Shivaswamy Foundation
29
Toddy Tapper1895 · The Raja Ravi Varma Heritage Foundation
30
Letter Written by Raja Ravi Varma1906 · The Raja Ravi Varma Heritage Foundation
31
Sita Bhumipravesh1880 · The Raja Ravi Varma Heritage Foundation
32
Judith1889 · The Raja Ravi Varma Heritage Foundation
33
Woman Reclining On The Waterfront1898 · The Raja Ravi Varma Heritage Foundation
34
Maharani Lakshmi Bayi1883 · Sree Chitra Art Gallery
35
Laxman Shakti1880
36
Sketch Of A Lady1890 · The Raja Ravi Varma Heritage Foundation
37
Woman At The Tap1890 · The Raja Ravi Varma Heritage Foundation
38
Bharani Thirunal Mahaprabha Amma Thampuran1880 · The Raja Ravi Varma Heritage Foundation
39
Vishvamitra1897
40
Preparatory Sketch for GangavatranThe Ganesh Shivaswamy Foundation
41
Crossing The River1895 · The Raja Ravi Varma Heritage Foundation
42
Shakuntala and Sakhis1930
43
Hesitation1880 · The Raja Ravi Varma Heritage Foundation
44
Waiting For The Train1891 · The Raja Ravi Varma Heritage Foundation
45
Yuvaraj Kanterava Narasimharaja Wadiyar In A Hunting Dress1902 · The Raja Ravi Varma Heritage Foundation
46
Reverie1900 · Kerala Museum
47
A Lady Holding A Fruit
48
Hanuman1870 · The Raja Ravi Varma Heritage Foundation
49
An Adaptation of the poem1898 · The Ganesh Shivaswamy Foundation
50
Baby & Princess1877 · Sandeep - Gitanjali Maini Foundation
51
Lady with Violin1880 · The Raja Ravi Varma Heritage Foundation
52
Matriarch of Harippad1885 · The Raja Ravi Varma Heritage Foundation
53
The Fakir1890 · The Raja Ravi Varma Heritage Foundation
54
A Musician1890 · The Raja Ravi Varma Heritage Foundation
55
In Conversation1890 · The Raja Ravi Varma Heritage Foundation
56
Muslim Men Praying1890 · The Raja Ravi Varma Heritage Foundation
57
Woman Washing Clothes1890 · The Raja Ravi Varma Heritage Foundation
58
A Young Scholar1893 · The Raja Ravi Varma Heritage Foundation
59
Sketch Of A Young Girl1896 · The Raja Ravi Varma Heritage Foundation
60
Woman With Musical Instrument1880 · The Raja Ravi Varma Heritage Foundation
61
The Gypsies Of South India1893 · The Raja Ravi Varma Heritage Foundation
62
Ornate mural by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
63
Ikkavu Thampuran1900 · The Raja Ravi Varma Heritage Foundation
64
CharitySree Chitra Art Gallery
65
Nala And Damayanti
66
Simhika And Sairandri
67
Maliyali Beauty
68
The MilkmaidSree Chitra Art Gallery
69
Maharani With Prince
70
Two figures Under an ArchThe Ganesh Shivaswamy Foundation
71
Yashoda and KrishnaThe Ganesh Shivaswamy Foundation
72
Gangawataran Sketch1890 · The Raja Ravi Varma Heritage Foundation
73
Initial Sketch Of Gangawataran1893 · The Raja Ravi Varma Heritage Foundation
74
Untitled (Damayanti)1890 · The Raja Ravi Varma Heritage Foundation
75
Gypsies of South India- Preliminary Study1893 · The Ganesh Shivaswamy Foundation
76
Gypsies of South India- Preliminary Study1893 · The Ganesh Shivaswamy Foundation
77
A Study for Yogi GopichandThe Ganesh Shivaswamy Foundation
78
The Maharaja of Travancore welcoming the Duke of Buckingham and Chandos1881 · The Ganesh Shivaswamy Foundation
79
A Tamil Lady1900 · The Raja Ravi Varma Heritage Foundation
80
A Study of a Temple SculptureThe Ganesh Shivaswamy Foundation
81
Mural of Horse by C Raja Raja Varma2018 · The Raja Ravi Varma Heritage Foundation
82
Her Highness Janaki Subamma Bai Sahib of Pudukkottai1879 · The Raja Ravi Varma Heritage Foundation
83
A Parsi CoupleThe Ganesh Shivaswamy Foundation
84
Ravana Carrying Off Sita and Opposed by Jatayu1906 · The Raja Ravi Varma Heritage Foundation
85
Portrait Of Gentleman
86
Kerala Varma Valiya Koil Thampuran1880 · The Ganesh Shivaswamy Foundation
87
A Sketch of an Elephant carrying the Travancore State EmblemThe Ganesh Shivaswamy Foundation
88
Shakuntala -
89
Pleasing
90
Portrait Of Woman
91
Press, 20th Century
92
Malabar Lady
93
Lady In Moonlight
94
Woman With Veena
95
A Study of a ManThe Ganesh Shivaswamy Foundation
96
Maharana prathap singh
97
Draupati At The Court Of Virata
98
A Sketch of a Man Writing a LetterThe Ganesh Shivaswamy Foundation
99
The Bairagi or the RecluseThe Ganesh Shivaswamy Foundation
100
Here Comes Papa
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Raja Ravi Varma Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 The Raja Ravi Varma Heritage Foundation |
Bangalore | 49 | Maharani Chimnabai II, Music Hath Charms (Kadambari), His Highness Chamarajendra Wadiyar X |
 The Ganesh Shivaswamy Foundation |
Bangalore | 28 | Draupadi at the Court of Virat, Radha in the Moonlight, Shakuntala Patra Lekhan of Shakuntala Writing a Love Letter |
 Sandeep - Gitanjali Maini Foundation |
Bengaluru | 5 | Damayanti And Hamsam, Nair Lady With A Mirror, Bandi Balaiah Naidu |
| Sree Chitra Art Gallery | 3 | Maharani Lakshmi Bayi, Charity, The Milkmaid | |
 National Gallery of Modern Art |
Yeni Delhi | 2 | Woman Holding a Fruit |
 Victoria and Albert Museum |
Londra | 1 | Woman Holding a Fan |
 Ashmolean Museum |
Oxford | 1 | Shakuntala writing a love letter on a lotus leaf |
 Royal Collection |
Londra | 1 | The Maharani of Travancore |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
In the quiet, focused atmosphere of 1870, a young Raja Ravi Varma captured a moment of profound spiritual instruction that would resonate through the annals of Indian art history. His painting, Hanuman—often referred to as Hanuman’s Discourse—serves as a breathtaking window into a transitional period of his creative evolution. At this stage in his career, the artist was still deeply enamored with the Tanjore style, a vibrant and ornate school…
To stand before Maharani Chimnabai II is to be enveloped in an atmosphere of opulent grace and quiet power. Painted by the masterful hand of Raja Ravi Varma in 1889, this portrait transcends a mere depiction; it is a window into the zenith of late 19th-century Indian aristocracy, filtered through the sophisticated lens of European academic painting techniques. The subject herself commands attention—a vision of regal poise seated upon an…
In the quietude of a sun-drenched afternoon, Raja Ravi Varma captures a scene that transcends time, inviting the viewer into a realm where myth and reality softly intertwine. Damayanti And Hamsam is not merely a painting; it is a window into the soul of Indian classical storytelling. The artwork presents a serene encounter between the beautiful Damayanti, daughter of King Bhima, and a graceful white swan, or hamsa. As she…
To gaze upon this portrait of Bandi Balaiah Naidu is to encounter a moment suspended in time—a confluence of regal bearing and quiet contemplation. Painted in 1904, the work captures not merely a likeness, but an entire persona steeped in cultural richness. The subject, adorned with traditional Indian accoutrements, sits with an undeniable air of authority. His meticulously rendered beard and mustache frame a countenance that speaks volumes without uttering…
Damayanti And Hamsam (1899), Sandeep - Gitanjali Maini Foundation, Bengaluru. Ardından Maharani Chimnabai II (1889) ve Music Hath Charms (Kadambari) (1890) geliyor.
51 yaşında: Damayanti And Hamsam 1899 yılına aittir ve Raja Ravi Varma 1848 yılında doğmuştur.
Damayanti And Hamsam, Maharani Chimnabai II, Music Hath Charms (Kadambari), Nair Lady With A Mirror, Woman Holding a Fan, Shakuntala writing a love letter on a lotus leaf, Draupadi at the Court of Virat, Radha in the Moonlight, The Maharani of Travancore ve His Highness Chamarajendra Wadiyar X. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Raja Ravi Varma tarafından 1870 ile 1906 tarihleri arasında üretilmiş 136 eser bulunmaktadır.
Çoğunlukla The Raja Ravi Varma Heritage Foundation (Bangalore), The Ganesh Shivaswamy Foundation (Bangalore) ve Sandeep - Gitanjali Maini Foundation (Bengaluru) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1890s döneminde: Bu sayfadaki 100 eserin 35 tanesi o dönemde yapılmıştır, bunların Damayanti And Hamsam tanesi ise Damayanti And Hamsam arasındadır.
Bu sayfadaki en eski eser Hanuman (1870), en yeni eser ise Letter Written by Raja Ravi Varma (1906)'dir.
Portrait (15), Indian art (15) ve Woman (14), bu sayfadaki 100 eser genelinde.
Bu sayfadaki 100 eserin 29 tanesi Oil On Canvas türündedir.
bu sayfadaki orijinallerine bakılırsa Academic realism,
Maharani Chimnabai II, Music Hath Charms (Kadambari) ve His Highness Chamarajendra Wadiyar X: The Raja Ravi Varma Heritage Foundation, Bangalore, bu sayfadaki eserlerden 47 tanesine ev sahipliği yapmaktadır.
