Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 29 eser Frederick Richard Say kataloğumuzda
Özetle
Galerinin gözünde, Frederick Richard Say'in en ünlü tablosu, aslı Edinburgh, İskoç Ulusal Portre Galerisi içinde sergilenen General Sir James Macdonell, 1781 - 1857. Soldier (1835)'dir. Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835) ve Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848), her gözün hemen fark edeceği o üçlüyü tamamlıyor. Katalogumuzdaki Frederick Richard Say imzalı 29 eser arasından galerimiz, her biri yapıldığı yıl, sergilendiği müze ve onu eşsiz kılan özellikleriyle birlikte en ünlü 29 eseri aşağıda sunmaktadır.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
The room feels heavy with the weight of intellect and duty. Seated within the deep embrace of a dark green velvet armchair, Sir William Webb Follet rests in a state of profound contemplation. Light spills from the left, carving the contours of his face and catching the subtle textures of his hair. He holds a collection of papers, their edges crisp against his hands, suggesting a mind constantly engaged with…
In this half-length portrait, we encounter Edward Ward, 3rd Viscount Bangor, captured in a moment of quiet contemplation. The subject is rendered with a striking sense of presence, his form emerging from a dark, indistinct background that focuses all attention on his character. He is dressed in formal attire, the sharp edges of his collar and the heavy folds of his jacket providing a structured contrast to the softer, more…
Frederick Richard Say captured the likeness of Edward Law, 1st Earl of Ellenborough, in this 1845 oil painting. The subject sits with the weight of a British Tory politician. His gaze holds the stillness of a man accustomed to the halls of power. He once held the presidency of the Board of Control on four separate occasions. The brush traces the steady presence of a statesman.
This oil portrait captures Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne. Frederick Richard Say rendered the subject's likeness about 1848. The sitter's steady gaze meets the viewer from a position of quiet authority. He is a man of status, framed by the heavy shadows of a formal setting.
Frances Talbot (1782–1857), Countess of Morley1830 · National Trust
12
Edmund Parker (1810–1864), 2nd Earl of Morley1830 · National Trust
13
Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892)1834 · National Trust
14
William Lyde Wiggett Chute (1800–1879)1843 · National Trust
15
Sir Thomas Digby Aubrey (1782–1856)1848 · County Hall
16
Prince Albert (1819–1861), Consort to Queen Victoria1849 · Fitzwilliam Museum
17
Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal1850 · İskoç Ulusal Portre Galerisi
18
Richard Bright1860
19
Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor1863
20
Ernest II (1818-93), Duke of Saxe-Coburg-GothaRoyal Collection
21
Charles Grey (1764–1845), 2nd Earl Grey
22
William Pitt (1773–1857), 1st Lord Amherst
23
Lady Lucy Graham (1793–1875), Countess of Powis
24
The Little Wanderers
25
Temple Hamilton Chase (b.1819), with His Brother DrummondThe Queen's College
26
Admiral Sir William Hargood (1726–1839)National Maritime Museum
27
Admiral Sir Robert Stopford (1768–1847)National Maritime Museum
28
The Right Honourable Sir Harry Verney of Steeple Claydon (1801–1894), Bt, MP, DL, Captain First Grenadier Guards
29
Edward Stanley, 14th Earl of Derby1844 · National Portrait Gallery
Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | Frederick Richard Say Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Royal Collection |
Londra | 4 | Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen |
 National Portrait Gallery |
Londra | 3 | Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Edward Stanley, 14th Earl of Derby |
 National Trust |
Plymouth | 3 | John Parker II (1772–1840), 1st Earl of Morley, Frances Talbot (1782–1857), Countess of Morley, Edmund Parker (1810–1864), 2nd Earl of Morley |
 İskoç Ulusal Portre Galerisi |
Edinburgh | 2 | General Sir James Macdonell, 1781 - 1857. Soldier, Walter Francis Scott (1806–1884), 5th Duke of Buccleuch and 7th Duke of Queensberry, Lord Privy Seal |
 National Trust |
Basingstoke | 2 | Martha Buckworth, Mrs William Lyde Wiggett Chute, with Her Son, Chaloner William Chute (1838–1892), William Lyde Wiggett Chute (1800–1879) |
 National Maritime Museum |
Londra | 2 | Admiral Sir William Hargood (1726–1839), Admiral Sir Robert Stopford (1768–1847) |
 Royal Albert Memorial Museum |
Exeter | 1 | Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) |
 Castle Ward |
1 | Edward Ward (1790–1837), 3rd Viscount Bangor |
O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.
General Sir James Macdonell, 1781 - 1857. Soldier is an oil on canvas portrait attributed to Frederick Richard Say. The subject is General Sir James Macdonell, a Scottish officer of the British Army. This work dates to about 1830 – about 1840.
General Sir James Macdonell, 1781 - 1857. Soldier (1835), İskoç Ulusal Portre Galerisi, Edinburgh. Ardından Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845) (1835) ve Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) (1848) geliyor.
31 yaşında: General Sir James Macdonell, 1781 - 1857. Soldier 1835 yılına aittir ve Frederick Richard Say 1804 yılında doğmuştur.
General Sir James Macdonell, 1781 - 1857. Soldier, Sir William Webb Follet (1796–1845), MP for Exeter (1835–1845), Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Edward Ward (1790–1837), 3rd Viscount Bangor, Edward Law, 1st Earl of Ellenborough, Henry Pelham Fiennes Pelham Clinton, 5th Duke of Newcastle under Lyne, Albert of Saxe Coburg Gotha (1819–1861), Prince Consort, Prince Albert, Prince Consort (1819-1861), Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen ve John Parker II (1772–1840), 1st Earl of Morley. Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.
Kataloğumuzda Frederick Richard Say tarafından 1830 ile 1863 tarihleri arasında üretilmiş 29 eser bulunmaktadır.
Çoğunlukla Royal Collection (Londra), National Portrait Gallery (Londra) ve National Trust (Plymouth) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.
1840s döneminde: Bu sayfadaki 29 eserin 8 tanesi o dönemde yapılmıştır, bunların Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) tanesi ise Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888) arasındadır.
Bu sayfadaki en eski eser John Parker II (1772–1840), 1st Earl of Morley (1830), en yeni eser ise Thomas Musgrave (1788–1860), Fellow, Senior Bursar, Lord Almoner's Professor of Arabic and Senior Proctor (1863)'dir.
Victorian era (4), 19th century (3) ve Man (2), bu sayfadaki 29 eser genelinde.
Bu sayfadaki 29 eserin 5 tanesi Oil On Canvas türündedir.
Wilhelm I, Prince of Prussia, later King of Prussia and German Emperor (1797-1888), Prince Albert, Prince Consort (1819-1861) ve Ernest, Prince of Leiningen, with Prince Victor of Hohenlohe-Langenburg, Count Gleichen: Royal Collection, Londra, bu sayfadaki eserlerden 4 tanesine ev sahipliği yapmaktadır.
Say'ın yetişme yılları, sanatın hamiliğine alışkın bir aile içinde, ayrıcalıklı bir büyüme süreciyle damgalanmıştır. Sanat eğitimi, Romantik akımın etkili isimlerinden ve ünlü bir manzara ressamı olan John Opie'den almıştır; bu süreç, klasik formun yanı sıra doğal güzelliğe karşı derin bir takdir duygusunu beslemiştir. Bu ikili etkinin, sanatçının kendine özgü sanatsal vizyonunu şekillendirmede hayati bir rol oynayacağı aşikardır.
