Anna Dorothea Therbusch portresi

Her Biri Benzersiz, En Ünlü 36 Anna Dorothea Therbusch Tablosu

Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 37 eser Anna Dorothea Therbusch kataloğumuzda

Özetle

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), en çok ilgi çeken Anna Dorothea Therbusch tablosudur; orijinali Münih, Bavarian State Painting Collections bünyesinde bulunmaktadır. Ardından göz, Portrait of Prince Augustus Ferdinand of Prussia (1773) ve A Scientist Seated at a Desk by Candlelight (1767) üzerine yoğunlaşır. Kataloğumuzdaki Anna Dorothea Therbusch imzalı 37 eser arasından seçilen bu 36 eser; yapıldığı yıl, sergilendiği müze ve zamana meydan okuma nedenleriyle birlikte sunulan en ünlü ve her biri eşsiz orijinal çalışmalardır.

1721 – 1782, Berlin Rococo En çok eser: Gemäldegalerie

Galerinin gözünden Anna Dorothea Therbusch tarafından yapılan en iyi 10 tablo

1
Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763) tarafından Anna Dorothea Therbusch

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit

1763 · Oil On Canvas · Bavarian State Painting Collections, Münih

The air in the room feels heavy with the scent of old wood and expensive fabric as Elector Karl Theodor sits for his portrait. He is positioned slightly off-center, a choice that lends a sense of movement to his regal posture. The deep, royal blue of his velvet suit dominates the visual field, its texture so palpable that one can almost feel the plush weight of the cloth against the…

2
Portrait of Prince Augustus Ferdinand of Prussia (1773) tarafından Anna Dorothea Therbusch

Portrait of Prince Augustus Ferdinand of Prussia

1773 · Oil On Canvas · Hermitaj Müzesi, Saint Petersburg

The portrait presents Prince Augustus Ferdinand of Prussia in a formal, full-length stance, capturing the gravity of the Hohenzollern lineage. He is positioned in a three-quarter pose, his figure framed by the verticality of a classical column and the heavy, dark folds of a velvet cloak. This mantle, adorned with the white Maltese crosses of the Order of St. John, drapes heavily around him, anchoring the composition. A red waistcoat…

3
A Scientist Seated at a Desk by Candlelight (1767) tarafından Anna Dorothea Therbusch

A Scientist Seated at a Desk by Candlelight

1767 · Oil On Canvas · Cleveland Museum of Art, Cleveland

The room is swallowed by a heavy, velvet darkness, leaving only a small circle of warmth around a solitary figure. A young man sits hunched over a desk, his attention entirely consumed by the task before him. A single candle flickers to the right, casting a sharp, golden glow that carves his features out of the gloom. This light catches the crisp white of a ruffled sleeve and the metallic…

4
Portrait of Alexander Friedrich von Woldeck (1781) tarafından Anna Dorothea Therbusch

Portrait of Alexander Friedrich von Woldeck

1781 · Oil · Alte Nationalgalerie, Berlin

The Portrait of Alexander Friedrich von Woldeck presents a formal encounter with a man of high standing. Painted in 1781, this work captures the likeness of Alexander Friedrich von Woldeck through the practiced hand of Anna Dorothea Therbusch. The subject meets the viewer's gaze directly, his presence fixed within the frame as if caught in a moment of quiet, dignified repose.

6
Self Portrait (1740) tarafından Anna Dorothea Therbusch

Self Portrait

1740 · Oil On Canvas · Statens Museum For Kunst, Kopenhag

The artwork titled Self Portrait is a painting by the artist Anna Dorothea Therbusch. This specific work is a bust portrait of a young woman. The subject of the painting is a self-portrait, capturing the artist herself in a close-up view. The composition focuses on the head and shoulders of the subject.

7
A Man, Glass in Hand, Lit by a Candle (1750) tarafından Anna Dorothea Therbusch

A Man, Glass in Hand, Lit by a Candle

1750 · Oil

In A Man, Glass in Hand, Lit by a Candle by Anna Dorothea Therbusch, the world narrows to a single, solitary figure. The composition is tightly focused on a man caught in a moment of quiet contemplation or melancholy. He holds a glass, a small vessel of light amidst the surrounding gloom. A singular, directional light source emanates from a candle, partially obscured or hidden from view, carving the subject…

9
Portrait of Anna von Wartensleben (1760) tarafından Anna Dorothea Therbusch

Portrait of Anna von Wartensleben

1760 · Oil On Canvas · Varşova Ulusal Müzesi, Varşova

In the Portrait of Anna von Wartensleben by Anna Dorothea Therbusch, the sitter is captured in a three-quarter length view. She sits slightly off-center, a placement that lends a sense of poised dignity to her presence. Her expression remains calm and composed, meeting the viewer with a steady, quiet stillness. The composition holds her within an elegant interior, where the weight of the surroundings anchors her figure.

Anna Dorothea Therbusch'in ünlü tabloları, 11. ile 36. arası

11Self-portrait (1773) tarafından Anna Dorothea TherbuschSelf-portrait1773 · Herzog Anton Ulrich Müzesi 12Portrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William (1775) tarafından Anna Dorothea TherbuschPortrait of Friederike Luise von Hessen-Darmstadt and her son Frederick William1775 13Portrait of Frederick II of Prussia (1770) tarafından Anna Dorothea TherbuschPortrait of Frederick II of Prussia1770 14Double portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-1776 (1775) tarafından Anna Dorothea TherbuschDouble portrait of Johann Christian Samuel Gohl and his (future) mother-in-law, the painter Anna Dorothea Therbusch, 1764-17761775 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 15Portrait of Anna Maria Boreel (1738-1781) (1770) tarafından Anna Dorothea TherbuschPortrait of Anna Maria Boreel (1738-1781)1770 16Portrait of an Unknown Man (1768) tarafından Anna Dorothea TherbuschPortrait of an Unknown Man1768 · Gemäldegalerie 17Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector (1771) tarafından Anna Dorothea TherbuschPortrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector1771 · Gemäldegalerie 18Diana mit Nymphen (1772) tarafından Anna Dorothea TherbuschDiana mit Nymphen1772 19Self-portrait with a monocle (1780) tarafından Anna Dorothea TherbuschSelf-portrait with a monocle1780 · Alte Nationalgalerie 20Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)). (1777) tarafından Anna Dorothea TherbuschPortrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).1777 · Varşova Ulusal Müzesi 21Self-Portrait (1782) tarafından Anna Dorothea TherbuschSelf-Portrait1782 · Germanisches Nationalmuseum 22Christian Andreas Cothenius (1777) tarafından Anna Dorothea TherbuschChristian Andreas Cothenius1777 · Gemäldegalerie 23Portrait of Jacob Philipp Hackert (1786) tarafından Anna Dorothea TherbuschPortrait of Jacob Philipp Hackert1786 · Academy of Fine Arts Vienna 24Portrait of Prince Friedrich Heinrich Ludwig of Prussia (1773) tarafından Anna Dorothea TherbuschPortrait of Prince Friedrich Heinrich Ludwig of Prussia1773 · Hermitaj Müzesi 25Self-Portrait (1776) tarafından Anna Dorothea TherbuschSelf-Portrait1776 · Staatliche Museen zu Berlin 26Ernst friedrich therbusch tarafından Anna Dorothea TherbuschErnst friedrich therbusch 27Woman playing a lute tarafından Anna Dorothea TherbuschWoman playing a lute 28Friedrich II tarafından Anna Dorothea TherbuschFriedrich II 29Portrait of a sculptor tarafından Anna Dorothea TherbuschPortrait of a sculptor 30Jupiter and Antiope tarafından Anna Dorothea TherbuschJupiter and Antiope 31Young woman in a negligee tarafından Anna Dorothea TherbuschYoung woman in a negligeeGemäldegalerie 32Apotheosis of Prince Augustus Ferdinand of Prussia. tarafından Anna Dorothea TherbuschApotheosis of Prince Augustus Ferdinand of Prussia. 33Portrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist tarafından Anna Dorothea TherbuschPortrait of the Innkeeper Ernst Friedrich Therbusch, Husband of the Artist 34Portrait of Charles Theodore, Elector of Bavaria tarafından Anna Dorothea TherbuschPortrait of Charles Theodore, Elector of BavariaReiss-Engelhorn Museums 35Bildnis henriette herz tarafından Anna Dorothea TherbuschBildnis henriette herzAlte Nationalgalerie 36Wilhelmine Encke, Countess Lichtenau (1776) tarafından Anna Dorothea TherbuschWilhelmine Encke, Countess Lichtenau1776 · Neues Palais

Anna Dorothea Therbusch'ın ilgisini çeken konular

Bu orijinal eserlerde en sık karşılaşılan ve her biri en seçkin örneğine sahip olan dört konu.

Anna Dorothea Therbusch'in orijinal eserlerinin sergilendiği müzeler

Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.

Müze Şehir Anna Dorothea Therbusch Eserleri Bu listedeki tablolar
Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man, Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector
Hermitaj Müzesi, Saint PetersburgHermitaj Müzesi Saint Petersburg 3 Portrait of Prince Augustus Ferdinand of Prussia, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Portrait of Prince Friedrich Heinrich Ludwig of Prussia
Alte Nationalgalerie, BerlinAlte Nationalgalerie Berlin 3 Portrait of Alexander Friedrich von Woldeck, Self-portrait with a monocle, Bildnis henriette herz
Bavarian State Painting Collections, MünihBavarian State Painting Collections Münih 2 Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt
Varşova Ulusal Müzesi, VarşovaVarşova Ulusal Müzesi Varşova 2 Portrait of Anna von Wartensleben, Portrait of a Princely family (family of Frederick William, Crown Prince of Prussia (1744–1797)).
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 A Scientist Seated at a Desk by Candlelight
Statens Museum For Kunst, KopenhagStatens Museum For Kunst Kopenhag 1 Self Portrait
Herzog Anton Ulrich Müzesi, BrunswickHerzog Anton Ulrich Müzesi Brunswick 1 Self-portrait

On yıllar boyunca Anna Dorothea Therbusch: her biri için eşsiz bir orijinal eser

On yıllara göre eserler

O dönemi tanımlayan orijinal eseri görmek için bir on yıl seçin.

Anna Dorothea Therbusch'in tabloları: galeri için sorular

Anna Dorothea Therbusch tarafından yapılmış en ünlü eser hangisidir?Cevabı göster

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit (1763), Bavarian State Painting Collections, Münih. Ardından Portrait of Prince Augustus Ferdinand of Prussia (1773) ve A Scientist Seated at a Desk by Candlelight (1767) geliyor.

Anna Dorothea Therbusch, Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit eserini kaç yaşında yarattı?Cevabı göster

42 yaşında: Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit 1763 yılına aittir ve Anna Dorothea Therbusch 1721 yılında doğmuştur.

Anna Dorothea Therbusch tarafından yapılmış en ünlü on tablo hangileridir?Cevabı göster

Portrait of Elector Karl Theodor of the Palatinate and Bavaria (1724-1799) in a blue velvet suit, Portrait of Prince Augustus Ferdinand of Prussia, A Scientist Seated at a Desk by Candlelight, Portrait of Alexander Friedrich von Woldeck, Portrait of Anna Elizabeth Louise Ferdinanda of Prussia, Self Portrait, A Man, Glass in Hand, Lit by a Candle, Giovanna Chichiniere von Verschaffelt, Gattin des Münchner Hofbildhauers Peter von Verschaffelt, Portrait of Anna von Wartensleben ve Portrait of Amalie Princess of Prussia (1723-1787). Yukarıdaki sıralama, her birinin yapım yılını ve bulunduğu müzeyi göstermektedir.

Anna Dorothea Therbusch tarafından yapılmış kaç eser bilinmektedir?Cevabı göster

Kataloğumuzda Anna Dorothea Therbusch tarafından 1740 ile 1782 tarihleri arasında üretilmiş 37 eser bulunmaktadır.

En ünlü Anna Dorothea Therbusch orijinalleri nerede görülebilir?Cevabı göster

Çoğunlukla Gemäldegalerie (Berlin), Hermitaj Müzesi (Saint Petersburg) ve Alte Nationalgalerie (Berlin) bünyesinde yer almaktadır. Yukarıdaki müze tablosu tümünü listelemektedir.

Anna Dorothea Therbusch en bilinen tablolarını hangi dönemde yaptı?Cevabı göster

1770s döneminde: Bu sayfadaki 36 eserin 15 tanesi o dönemde yapılmıştır, bunların Portrait of Prince Augustus Ferdinand of Prussia tanesi ise Portrait of Prince Augustus Ferdinand of Prussia arasındadır.

Hangi ünlü Anna Dorothea Therbusch tablosu en eski, hangisi ise en yenidir?Cevabı göster

Bu sayfadaki en eski eser Self Portrait (1740), en yeni eser ise Self-Portrait (1782)'dir.

Anna Dorothea Therbusch hangi konuları tercih ederdi?Cevabı göster

Man (8), Woman (5) ve White lace (3), bu sayfadaki 36 eser genelinde.

Anna Dorothea Therbusch en çok hangi malzemelerle resim yaptı?Cevabı göster

Bu sayfadaki 36 eserin 12 tanesi Oil On Canvas türündedir.

Anna Dorothea Therbusch eserleri hangi akıma aittir?Cevabı göster

bu sayfadaki orijinallerine bakılırsa Rococo,

Gemäldegalerie bünyesinde Anna Dorothea Therbusch imzalı hangi orijinal eserleri görebilirim?Cevabı göster

Portrait of Amalie Princess of Prussia (1723-1787), Portrait of an Unknown Man ve Portrait of Johann Julius von Vieth und Golßenau (1713-1784), Saxonian politician and art collector: Gemäldegalerie, Berlin, bu sayfadaki eserlerden 5 tanesine ev sahipliği yapmaktadır.

Anna Dorothea Therbusch: sanatçının bir portresi

Anna Dorothea Therbusch: A Pioneer of Female Artistic Expression

Anna Dorothea Therbusch (1721-1782) stands as a remarkable figure in the annals of Rococo art history—a woman artist who defied societal expectations and achieved considerable renown during the Enlightenment. Born into a family steeped in artistic tradition, her father, Georg Lisiewski, was himself a celebrated Berlin portrait painter, establishing a lineage dedicated to visual representation. This upbringing instilled in Anna Dorothea a profound appreciation for painting from an early age, fostering a talent that would blossom into one of Prussia’s most prolific and admired artists.
  • Early Life & Family: Anna Dorothea Lisiewski married Ernst Friedrich Therbusch, an innkeeper, forging a domestic life alongside her husband and raising five children. Despite the responsibilities of motherhood, she relentlessly pursued her artistic passions, demonstrating an unwavering commitment to her craft.
  • Training & Artistic Development: Her father recognized her exceptional abilities and actively encouraged her artistic pursuits, providing her with invaluable instruction in painting techniques. Notably, her elder sister Anna Rosina was equally gifted, earning the moniker “Wunderkinder” – child prodigy – cementing their family’s reputation for artistic excellence.

A Rococo Visionary: Style and Technique

Therbusch's artistic style epitomized the elegance and refinement characteristic of Rococo art—a movement that prioritized ornamentation, pastel hues, and graceful asymmetry. Her canvases frequently depicted mythological scenes infused with allegorical symbolism, reflecting the intellectual currents of her time. She skillfully employed delicate brushstrokes and meticulous attention to detail, capturing ethereal beauty and conveying nuanced emotions through expressive poses and gestures. Her masterful handling of light and shadow contributed significantly to the atmospheric depth of her paintings, creating immersive experiences for viewers.
  • Notable Works: Among her impressive oeuvre are iconic pieces like “Diana mit Nymphen,” a breathtaking depiction of the goddess Diana surrounded by nymphs—a testament to Therbusch’s ability to convey grandeur and serenity through visual artistry.

Recognition & Patronage: Parisian Influence

Therbusch's artistic journey took an extraordinary turn when she relocated to Paris in 1765, seeking opportunities for advancement within the vibrant artistic landscape of the French capital. Recognizing her talent and advocating for female artists—a radical stance at the time—Denis Diderot, a prominent philosopher and art critic, championed Therbusch’s cause, even posing nude for her portrait. Her acceptance into the Académie royale de peinture et de sculpture marked a pivotal moment in her career, affording her access to influential mentors and fostering collaborations with fellow artists like Philippe Hackert. Despite facing financial hardships and navigating the complexities of Parisian society, Therbusch persevered, producing some of her most celebrated works during this period—particularly those imbued with the spirit of Diderot’s intellectual fervor.

Legacy & Historical Significance

Anna Dorothea Therbusch's contribution to art history transcends mere stylistic innovation; she represents a courageous assertion of female autonomy within a patriarchal society. Her success as a painter challenged conventional notions of gender roles and paved the way for future generations of women artists. Today, her paintings reside in prestigious museums across Germany—including the Gemäldegalerie Berlin and Alte Nationalgalerie—serving as enduring reminders of Therbusch’s artistic brilliance and her unwavering determination to pursue her passion despite societal obstacles. She remains a symbol of perseverance, creativity, and the transformative power of artistic expression.