Porträtt av William Johnstone

De 22 mest kända William Johnstone-målningarna, varje ett unikt konstverk

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 22 verk av William Johnstone i vår katalog

Kortfattat

Summer, Selkirk (1927) är den målning av William Johnstone som drar till sig flest blickar; originalet finns på Scottish National Gallery of Modern Art, Edinburgh. Därefter dras blicken till A Point in Time (1937) och Francis George Scott (1880–1958), Composer (1933). Bland de 22 verk av William Johnstone i vår katalog är dessa 22 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1897 – 1981 Flest verk: Scottish National Gallery of Modern Art

Topp 10 målningar av William Johnstone, ur galleriets perspektiv

William Johnstones berömda målningar, nummer 11 till 22

Museerna som förvarar William Johnstones originalverk

De 6 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av William Johnstone Målningar från denna lista
Scottish National Gallery of Modern Art, EdinburghScottish National Gallery of Modern Art Edinburgh 3 Summer, Selkirk, A Point in Time, Mrs J. E. Winand
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Street Musicians (Post Cubist), Landscape with Trees (verso), Geometric Landscape (recto)
The Fleming Collection, LondonThe Fleming Collection London 2 Self Portrait, Entombment
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Francis George Scott (1880–1958), Composer
Government Art Collection, LondonGovernment Art Collection London 1 Surrey Landscape
Pallant House Gallery, ChichesterPallant House Gallery Chichester 1 Landscape (Scottish Landscape)

William Johnstone genom decennierna: ett unikt original för varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

William Johnstones målningar: frågor till galleriet

Vilket är William Johnstones mest kända verk?Visa svaret

Summer, Selkirk (1927), Scottish National Gallery of Modern Art, Edinburgh. A Point in Time (1937) och Francis George Scott (1880–1958), Composer (1933) följer efter.

Vid vilken ålder skapade William Johnstone Summer, Selkirk?Visa svaret

30 år gammal: Summer, Selkirk är från 1927, och William Johnstone föddes 1897.

Vilka tio målningar av William Johnstone är de mest kända?Visa svaret

Summer, Selkirk, A Point in Time, Francis George Scott (1880–1958), Composer, Self Portrait, Thomas Scott (1854–1927), Artist (after George Fiddes Watt), Street Musicians (Post Cubist), Ode to the North Wind, Francis George Scott, Richard Thomas Church och Border Landscape The Eildon Hills. Rankingen ovan visar varje verks årtal och museum.

Hur många verk av William Johnstone är kända?Visa svaret

Vår katalog innehåller 22 verk av William Johnstone, daterade från 1918 till 1948.

Var kan de mest kända originalen av William Johnstone ses?Visa svaret

Främst i Scottish National Gallery of Modern Art (Edinburgh), Abbot Hall Art Gallery (Kendal) och The Fleming Collection (London). Museitabellen ovan listar alla.

Under vilken period skapade William Johnstone sina mest kända målningar?Visa svaret

Under 1930s: 5 av de 22 verk som finns på denna sida skapades då, varav A Point in Time.

Vilket av de kända verken av William Johnstone är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste Thomas Scott (1854–1927), Artist (after George Fiddes Watt) (1918) och det senaste Golgotha (1948).

Vilka original av William Johnstone kan jag se på Scottish National Gallery of Modern Art?Visa svaret

Summer, Selkirk, A Point in Time och Mrs J. E. Winand: Scottish National Gallery of Modern Art, Edinburgh har 3 av verken på denna sida.

William Johnstone: ett porträtt av konstnären

A Life Bathed in Light: The Poetic Vision of William Johnstone

William Johnstone, born in 1897 and passing in 1981, remains a quietly compelling figure within the landscape of Scottish art. While not a household name, his work possesses a distinctive atmospheric quality that resonates with a deep sensitivity to place and mood. His life story, though somewhat elusive in detail, is inextricably linked to the poetic spirit that infuses his paintings – a spirit often described as Whistlerian in its subtle harmonies and evocative power. He also painted under the pseudonym Sholto Douglas. Johnstone’s artistic journey wasn't one of dramatic shifts or revolutionary pronouncements; rather, it was a gradual unfolding of a personal vision, rooted in observation and refined through dedicated practice.

Early Influences & Artistic Development

The early years of Johnstone’s life undoubtedly shaped his aesthetic inclinations. Scotland itself – its rugged highlands, misty lochs, and ever-changing skies – served as an enduring source of inspiration. While specific details regarding his formal training are scarce, the influence of James McNeill Whistler is readily apparent in his work. Whistler's emphasis on tonalism, a restrained palette, and the creation of atmosphere over precise representation clearly resonated with Johnstone. He wasn’t merely copying Whistler’s style; instead, he absorbed its principles and adapted them to his own unique sensibility, imbuing his landscapes with a distinctly Scottish character. This is not to say that Johnstone was solely beholden to Whistlerian aesthetics. A quiet realism, reminiscent of the Victorian portrait tradition – as exemplified by artists like William Herbert Johnston (a contemporary) – also subtly informs his depictions of figures and interiors.

Themes & Techniques: Capturing Ephemeral Beauty

Johnstone’s oeuvre primarily comprises landscapes and portraits, often interwoven with scenes of domestic life. His landscapes are not grand vistas designed to overwhelm the viewer; they are intimate studies of light and shadow, capturing fleeting moments of beauty in the natural world. He possessed a remarkable ability to convey atmosphere – the damp chill of a Scottish morning, the golden glow of late afternoon sunlight, the soft haze that hangs over rolling hills. His technique is characterized by delicate brushwork, subtle gradations of tone, and a masterful use of color to create mood. The colors are often muted, creating a sense of tranquility and introspection. In his portraits, Johnstone eschews flamboyant displays of virtuosity in favor of capturing the inner character of his sitters. He focuses on conveying personality through nuanced expressions and carefully observed details.

Historical Significance & Legacy

While Johnstone may not have achieved widespread fame during his lifetime, his work holds a significant place within the context of Scottish art history. He represents a continuation of the tonalist tradition, demonstrating its enduring appeal in the 20th century. His paintings offer a valuable glimpse into the social and cultural life of Scotland during this period, particularly through his portraits of local notables. More importantly, however, Johnstone’s legacy lies in his ability to evoke emotion and create atmosphere through subtle yet powerful means. He reminds us that true beauty often resides not in grand gestures but in quiet moments of observation and reflection. His work continues to captivate viewers with its poetic sensibility and masterful use of light, offering a timeless testament to the enduring power of artistic vision.