Kortfattat
Ur galleriets perspektiv är William Robertss mest kända målning The Boxing Match (1890). The First German Gas Attack at Ypres (1918) och The Cinema (1920) fullbordar trion som alla känner igen. Av de 59 verk av William Roberts i vår katalog presenterar galleriet nedan de 59 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
Galleriets 10 främsta målningar av William Roberts
William Robertss målningar, rankade 11 till 59
Motiven som fångade William Robertss blick
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
British art 3 verk
Victorian 2 verk
Crowd 2 verk
Museerna som förvarar William Robertss originalverk
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av William Roberts | Målningar från denna lista |
|---|---|---|---|
| London | 3 | The Garden of Eden, The Artist's Son Playing the Recorder, The Rhododendron | |
| Nottingham | 2 | The Return of Ulysses, Professor Janko Lavrin (1885–1986) | |
| Greater Manchester | 2 | The Control Room, Munitions Factory | |
| London | 2 | The Demolition Squad, Sidney James Barton (1909–1986), Chairman of London County Council (1959–1960) | |
| Ottawa | 1 | The First German Gas Attack at Ypres | |
| Wolverhampton | 1 | Kit (Katie Bissett Smith née Knewstub, 1907–2008) | |
| Oxford | 1 | The Crucifixion | |
| London | 1 | The Stockbroker's Clerk |
William Roberts, ett signaturverk per decennium
Verk per decennium
Välj ett decennium för att se originalverket som definierar det.
Study for Kites
William Roberts is a British painter of figure compositions and portraits. He was a pioneer of abstract art before the First World War. Roberts worked outside the mainstream. Later in his career he would describe himself as an English Cubist. In 1914 Roberts joined the short-lived art movement the Vorticists, founded by the artist and writer Wyndam Lewis. The Vorticists believed that British art at this time was in a…
William Robertss målningar: galleriets svar
Vilken av William Robertss målningar är den mest kända av alla?Visa svaret
The Boxing Match (1890). Därefter följer The First German Gas Attack at Ypres (1918) och The Cinema (1920).
Vilka är William Robertss 10 främsta målningar?Visa svaret
The Boxing Match, The First German Gas Attack at Ypres, The Cinema, The Garden of Eden, John Maynard Keynes, Baron Keynes Lydia Lopokova, Kit (Katie Bissett Smith née Knewstub, 1907–2008), The Port of London, The Return of Ulysses, The Red Turban och Portrait of a Young Woman. Rankingen ovan visar varje verks årtal och museum.
Hur många verk skapade William Roberts?Visa svaret
Vår katalog innehåller 59 verk av William Roberts, daterade från 1913 till 1966.
Var hänger William Robertss mest kända original?Visa svaret
Främst i The Ingram Collection of Modern British And Contemporary Art (London), Nottingham Castle Museum And Art Gallery (Nottingham) och Salford Museum - Art Gallery (Greater Manchester). Museitabellen ovan listar alla.
När skapade William Roberts sina mest kända målningar?Visa svaret
Under 1920s: 21 av de 59 verk som finns på denna sida skapades då, varav The Cinema.
Vilka är William Robertss tidigaste och senaste kända verk?Visa svaret
På den här sidan är det tidigaste The Return of Ulysses (1913) och det senaste Study for Kites (1966).
Vilka motiv återkom William Roberts till mest?Visa svaret
British art (3), Victorian (2) och Crowd (2), fördelat på 59 verk på denna sida.
Vilken konstinriktning förknippas William Roberts med?Visa svaret
Cubism, om man dömer efter originalen på denna sida.
Vilka original av William Roberts finns i The Ingram Collection of Modern British And Contemporary Arts samlingar?Visa svaret
The Garden of Eden, The Artist's Son Playing the Recorder och The Rhododendron: The Ingram Collection of Modern British And Contemporary Art, London har 3 av verken på denna sida.
William Roberts: konstnären
The Architect of Fragmented Reality: The Life of William Patrick Roberts
In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.
Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.
A Vision of Modernity and War
The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.
Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.
Legacy and Artistic Significance
The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.
Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.





