Porträtt av Wilhelm Morgner

De 39 mest kända Wilhelm Morgner-målningarna, varje ett unikt konstverk

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 39 verk av Wilhelm Morgner i vår katalog

Kortfattat

Goats (1911) är den målning av Wilhelm Morgner som drar till sig flest blickar. Därefter dras blicken till The Lumberjack (1911) och Soest Farmer (1912). Bland de 39 verk av Wilhelm Morgner i vår katalog är dessa 39 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1891 – 1917, Soest Expressionism Flest verk: Museum Ostwall

Topp 10 målningar av Wilhelm Morgner, ur galleriets perspektiv

Wilhelm Morgners berömda målningar, nummer 11 till 39

Museerna som förvarar Wilhelm Morgners originalverk

De 2 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Wilhelm Morgner Målningar från denna lista
Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

Wilhelm Morgner genom åren: de unika originalen från varje verk

Mellan 1909 och 1913, totalt 5 år, skapade Wilhelm Morgner varje daterat original som visas här: en kort tidsperiod, år för år.

Wilhelm Morgners målningar: frågor till galleriet

Vilket är Wilhelm Morgners mest kända verk?Visa svaret

Goats (1911). Därefter följer The Lumberjack (1911) och Soest Farmer (1912).

Vid vilken ålder skapade Wilhelm Morgner Goats?Visa svaret

20 år gammal: Goats är från 1911, och Wilhelm Morgner föddes 1891.

Vilka tio målningar av Wilhelm Morgner är de mest kända?Visa svaret

Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape och The Porter. Rankingen ovan visar varje verks årtal och museum.

Hur många verk av Wilhelm Morgner är kända?Visa svaret

Vår katalog innehåller 39 verk av Wilhelm Morgner, daterade från 1909 till 1913.

Var kan de mest kända originalen av Wilhelm Morgner ses?Visa svaret

Främst i Museum Ostwall (Dortmund) och Städel Museum (Frankfurt). Museitabellen ovan listar alla.

Under vilken period skapade Wilhelm Morgner sina mest kända målningar?Visa svaret

Under 1911: 15 av de 39 verk som finns på denna sida skapades då, varav Goats.

Vilket av de kända verken av Wilhelm Morgner är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste Schulte Stands at Open Door (1909) och det senaste Ascension (1913).

Vilken konstinriktning tillhör Wilhelm Morgners verk?Visa svaret

Expressionism, om man dömer efter originalen på denna sida.

Var kan jag beställa en handmålad Wilhelm Morgner-reproduktion?Visa svaret

Ja, som en reproduktion: originalet stannar i sitt museum, men varje målning på denna sida kan målas för hand åt dig, beställningsgjord ett i taget, från målningens egen sida.

Wilhelm Morgner: ett porträtt av konstnären

The Brief, Radiant Life of Wilhelm Morgner

In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

A Symphony of Color and Abstraction

As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

  • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
  • Die Aktion: A platform for the most provocative voices of German Expressionism.
  • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
  • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

A Legacy Forged in Fire and Memory

The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

Alla 39 verk av Wilhelm Morgner →