Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 11 verk av Ni Zan i vår katalog
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Twin Trees by the South Bank (Annan shuangshu) (1353) är den målning av Ni Zan som drar till sig flest blickar; originalet finns på Princeton University Art Museum, Princeton. Därefter dras blicken till Enjoying the Wilderness in an Autumn Grove (1339) och Bamboo, Rock, and Tall Tree (1349). Bland de 11 verk av Ni Zan i vår katalog är dessa 11 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
To gaze upon Twin Trees by the South Bank is not merely to observe a painting; it is to step into a moment of profound, contemplative stillness. This masterpiece by the Yuan dynasty master, Ni Zan, transports the viewer to a secluded corner of nature where time seems to slow its breath. The composition centers around two gracefully rendered trees, their branches reaching out like elegant calligraphy against a luminous…
We are looking at Enjoying the Wilderness in an Autumn Grove, a work created by Ni Zan in 1339. This piece originates from a period when the artist was establishing his presence within the literati tradition. Ni Zan was born in 1301 in Wuxi, People's Republic of China, and his life would continue until his death in 1374. This specific painting captures a moment from his earlier years, predating the…
We are looking at Bamboo, Rock, and Tall Tree, a work created by the artist Ni Zan. This piece dates to about 1349, a period during which the artist was refining a highly personal approach to the landscape tradition. It is a quiet, contemplative work that reflects the specific sensibilities of the Yuan dynasty.
Twin Trees by the South Bank (Annan shuangshu) is an ink painting by the artist Ni Zan. Created in 1353, this work belongs to the Yuan Dynasty Art period. It is a Chinese landscape painting originating from the Late Medieval period. The composition focuses on two trees situated by a riverbank, a subject matter that reflects the artist's specific approach to landscape representation during this era.
Poetic Thoughts in a Forest Pavilion is a work by Ni Zan. The artist was born in 1301 in Wuxi, People's Republic of China, and lived until 1374. This specific piece dates from about 1366-1376.
The artwork titled The Distant Cold Flow Pine was created by the artist Ni Zan. This specific piece dates to about 1370. The artist, Ni Zan, was born in 1301 in Wuxi, People's Republic of China, and he died in 1374.
In this ink-monochrome landscape, we find ourselves looking upon a scene of profound stillness. The composition is defined by a sense of distance, where two prominent hills rise in the background, their forms softened by the passage of time. Scattered throughout the midground and foreground are trees and rocks, placed with a deliberate, sparse intention. There is a certain weight to the stones near the base of the hills, grounding…
Ni Zan, a native of Wuxi, Jiangsu, was one of the four leading painters of the Yuan dynasty. He was also an avid collector of ancient paintings and calligraphy and had the repository Qingbi Hall purpose-built for housing his collection.There are eight sheets to this scroll, of which the second, third, sixth and seventh are unquestionably authentic. The second is a set of poems written for the painter Chen Zhi…
In 1366, Ni Zan abandoned his home to escape marauding soldiers. Even after the establishment of the Ming dynasty in 1368, Ni continued the life of a wanderer, visiting old haunts that he had not seen for twenty or thirty years. According to his epitaph writer, Zhou Nanlao (1308–1383), "in his late years, he became quieter and more withdrawn than ever. Having lost or given away everything he ever owned,…
This painting was created by Ni Zan, one of the
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 6 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Ni Zan | Målningar från denna lista |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 3 | Enjoying the Wilderness in an Autumn Grove, Untitled (D2XA3N), Woods and Valleys of Mount Yu |
 Princeton University Art Museum |
Princeton | 1 | Twin Trees by the South Bank (Annan shuangshu) |
 Cleveland Museum of Art |
Cleveland | 1 | Bamboo, Rock, and Tall Tree |
 Art Institute of Chicago |
Chicago | 1 | Poetic Thoughts in a Forest Pavilion |
 The Palace Museum |
Peking | 1 | The Distant Cold Flow Pine |
 China Modern and Contemporary Art Document Research Center |
Peking | 1 | Fishing Village in an Autumn Clear Day |
Välj ett decennium för att se originalverket som definierar det.
We are looking at Enjoying the Wilderness in an Autumn Grove, a work created by Ni Zan in 1339. This piece originates from a period when the artist was establishing his presence within the literati tradition. Ni Zan was born in 1301 in Wuxi, People's Republic of China, and his life would continue until his death in 1374. This specific painting captures a moment from his earlier years, predating the…
We are looking at Bamboo, Rock, and Tall Tree, a work created by the artist Ni Zan. This piece dates to about 1349, a period during which the artist was refining a highly personal approach to the landscape tradition. It is a quiet, contemplative work that reflects the specific sensibilities of the Yuan dynasty.
To gaze upon Twin Trees by the South Bank is not merely to observe a painting; it is to step into a moment of profound, contemplative stillness. This masterpiece by the Yuan dynasty master, Ni Zan, transports the viewer to a secluded corner of nature where time seems to slow its breath. The composition centers around two gracefully rendered trees, their branches reaching out like elegant calligraphy against a luminous…
In this ink-monochrome landscape, we find ourselves looking upon a scene of profound stillness. The composition is defined by a sense of distance, where two prominent hills rise in the background, their forms softened by the passage of time. Scattered throughout the midground and foreground are trees and rocks, placed with a deliberate, sparse intention. There is a certain weight to the stones near the base of the hills, grounding…
Poetic Thoughts in a Forest Pavilion is a work by Ni Zan. The artist was born in 1301 in Wuxi, People's Republic of China, and lived until 1374. This specific piece dates from about 1366-1376.
Twin Trees by the South Bank (Annan shuangshu) (1353), Princeton University Art Museum, Princeton. Enjoying the Wilderness in an Autumn Grove (1339) och Bamboo, Rock, and Tall Tree (1349) följer efter.
52 år gammal: Twin Trees by the South Bank (Annan shuangshu) är från 1353, och Ni Zan föddes 1301.
Twin Trees by the South Bank (Annan shuangshu), Enjoying the Wilderness in an Autumn Grove, Bamboo, Rock, and Tall Tree, Twin Trees by the South Bank (Annan shuangshu), Poetic Thoughts in a Forest Pavilion, The Distant Cold Flow Pine, Untitled (D2XA3N), Poems and Letters in Running Script\n\nImage 1, Woods and Valleys of Mount Yu och Fishing Village in an Autumn Clear Day. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 11 verk av Ni Zan, daterade från 1339 till 1372.
Främst i Metropolitan Museum of Art (New York), Princeton University Art Museum (Princeton) och Cleveland Museum of Art (Cleveland). Museitabellen ovan listar alla.
Under 1370s: 4 av de 11 verk som finns på denna sida skapades då, varav Poetic Thoughts in a Forest Pavilion.
På den här sidan är det tidigaste Enjoying the Wilderness in an Autumn Grove (1339) och det senaste Poems and Letters in Running Script\n\nImage 1 (1372).
Trees (5), Rocks (4) och Mountains (3), fördelat på 11 verk på denna sida.
Ink On Paper, för 7 av de 11 verk som finns på denna sida.
Enjoying the Wilderness in an Autumn Grove, Untitled (D2XA3N) och Woods and Valleys of Mount Yu: Metropolitan Museum of Art, New York har 3 av verken på denna sida.
