Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 141 verk av Léon Bonnat i vår katalog
Kortfattat
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876) är den målning av Léon Bonnat som drar till sig flest blickar. Därefter dras blicken till Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) och Self-portrait (1918) (1918). Bland de 141 verk av Léon Bonnat i vår katalog är dessa 100 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single light source carves the face of Isaac Dignus Fransen van de Putte from a heavy, ink-black void. He sits with a rigid, vertical posture, his presence defined by the sharp contrast between a pale, starched collar and the deep shadows of his frock coat. The light catches the high ridge of his forehead and the steady gaze of a man accustomed to the gravity of statecraft. There is…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
This painting, titled ADAM ET EVE TROUVANT LE CORPS D'ABEL, was executed by the French artist Léon Bonnat. Created about 1861, the work belongs to the Moderne period. It is a significant example of the Académisme style, reflecting the rigorous training and technical precision characteristic of that movement.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
The room holds its breath as an elderly gentleman sits anchored in his chair. He is John Taylor Johnston, and the weight of his years settles around him in soft, muted tones. Light drifts in from the left, a gentle illumination that carves his features out of the surrounding shadows. It catches the silver of his beard and the subtle folds of his dark suit, lending a tangible volume to…
The Portrait of the count of Montalivet is an oil on canvas work by the French painter Léon Bonnat. It captures the likeness of Camille Bachasson, comte de Montalivet, a man who lived from 1801 to 1880. The painting was executed in 1878.
Léon Bonnat executed this oil on canvas in 1883, capturing the likeness of Levi Parsons Morton. The portrait presents the sitter in a formal, three-quarter length pose, establishing a sense of authority through a structured silhouette and a dark, atmospheric background. The composition focuses entirely on the subject, utilizing a directional light source from the upper left to define the facial features and hands against deep shadows.
The Martyrdom of Saint Denis (also known as Martyr de Saint Denis) by Léon Bonnat captures a moment of profound spiritual transition. This large-scale work was created specifically for the Pantheon in Paris. It depicts the execution of the saint, a scene centered on the heavy weight of faith and the physical reality of sacrifice. The composition focuses on the immediate aftermath of the act, where the earthly realm meets…
The painter Ceferino Araujo Sánchez1864 · Museo del Prado
12
Self-Portrait1896 · National Gallery Prague
13
Self-portrait / Portrait of a young Man1855 · Musée d'Orsay
14
Portrait of Louise Lienhard1850
15
Self-portrait at the age of 171850 · Musée Bonnat-Helleu
16
Portrait of Marie Bonnat, the artist's sister1851 · Musée Bonnat-Helleu
17
Young woman doing charity at the entrance to the chapel of San Sebastián Hospital in Cordoba1863 · Goya Museum
18
Portrait of Jean Léglise, Merchant, Mayor of Saint-Martin-de-Seignanx1868 · Cleveland Museum of Art
19
The victim1870 · National Museum of Fine Arts
20
An Arab Sheik1870 · Walters Art Museum
21
Begging scene1865 · Musée Bonnat-Helleu
22
Portrait of an unidentified woman1868 · Musée Carnavalet
23
Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice1869 · Petit Palais
24
Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak1866 · Petit Palais
25
An oriental barbershop1872 · Pushkin State Museum
26
Adolphe Thiers1876
27
Portrait of Marguerite Franchetti1875 · Musée Bonnat-Helleu
28
Victor Hugo on his deathbed1885 · Musée Victor Hugo
29
Louisa Lee Schuyler1879 · New York Historical Society
30
Precious Moments1880 · Museum of Fine Arts, St. Petersburg, Florida, USA
31
Portrait of George Aloysius Lucas1885 · Walters Art Museum
32
Portrait de Monseigneur Félix-Arsène Billard1883
33
Italian Girl1880 · Munson-Williams-Proctor Arts Institute
34
Don't cry1879 · Musée des Beaux-Arts
35
George Lee Schuyler (1811-1890)1883 · New York Historical Society
36
Portrait of Madame Georges Ehrler1880 · Petit Palais
37
John Taylor Johnston (1820 1893)1880 · Metropolitan Museum of Art
38
Interior of the Sistine Chapel1880
39
Ernest Renan1892
40
Anna L. R. S. Morton1884 · National Portrait Gallery
41
Portrait of Henry Field1896 · Art Institute of Chicago
42
Portrait of Auguste Cain1889 · Petit Palais
43
Portrait of Henri Harpignies1889 · Petit Palais
44
Job1888
45
Portrait of Aimilia Salvagou1894 · National Gallery
46
Henry Lillie Pierce1895 · Museum of Fine Arts
47
George Martin Lane (1823-1897)1894 · Harvard Art Museums
48
Portrait of Prince Viacheslav Tenishev1896 · Ermitaget
49
The broken pitcher (version with ciocie)1900
50
The broken pitcher (barefoot version)1900
51
A little accident1900
52
Portrait de Madame Dubernet by Léon Bonnat1899 · Petit Palais
53
An Egyptian Peasant Woman and Her Child1869 · Metropolitan Museum of Art
54
Portrait of Charles Ephrussi1906
55
Portrait of Georges Cain (1853-1919), painter and literary man1909 · Musée Carnavalet
56
Christ on the CrossPetit Palais
57
Jules Grévy1880
58
Head of a White Horse1850 · Scottish National Gallery
59
Kneeling girl in prayer (study for ^quot;Pilgrims at the Foot of the Statue of Saint Peter in Saint Peter's Church in Rome^quot;)1864
60
Fountain by the Cathedral of St. Peter in Rome1868 · Ermitaget
61
Madame Pasca1874 · Musée d'Orsay
62
Italian Woman with Child1872 · Musée Bonnat-Helleu
63
Léon Gambetta1875 · Musée d'Orsay
64
Mary Sears (later Mrs. Francis Shaw)1878 · Museum of Fine Arts
65
Henry White1882 · National Gallery of Art
66
Jean Gigoux1880 · Musée des Beaux-Arts et d'Archéologie
67
In the Mountains1879 · Ermitaget
68
Sketch for the Salon des Arts at the Hôtel de Ville in Paris: The glorification of Art1888 · Petit Palais
69
French priest Pierre Bienvenu Noailles1889
70
Joseph Dreyfus1890
71
Idylle1890 · Musée Bonnat-Helleu
72
Pasteur and his granddaughter Camille Vallery-Radot1886 · Musée Pasteur
73
The Hand of Antoine-Louis Barye1897 · Walters Art Museum
74
Eagle and Rabbit1897
75
Portrait du docteur Adrien Doyon
76
Portrait de Joseph Reinach (1856 1921)Musée d'Art Moderne et Contemporain de Strasbourg
77
JULES GREVY, PRESIDENT DE LA REPUBLIQUE (1807 1891)
78
LEON GAMBETTA (1838 1892)
79
ALEXANDRE DUMAS FILS (1824 1895)Musée d'Orsay
80
LOUIS ADOLPHE THIERS, PRESIDENT DE LA REPUBLIQUE (1797 1877)
81
MADAME PASCA
82
ISAAC PEREIRE (1806 1880)
83
Victor Hugo (1802 1885)Musée Victor Hugo
84
Le cardinal Charles Lavigerie, archevêque d'Alger (1825 1892)Musée d'Orsay
85
BERNIER LOUISMusée Condé
86
Autoportrait
87
JOSEPH DREYFUSMusée d'Orsay
88
Portrait de Monsieur CernuschiMusée Cernuschi
89
Maître Edouard Pascal
90
PORTRAIT DE L'ARTISTEMusée d'Orsay
91
LA MARQUISE FEYDEAU DE BROUMusée d'Orsay
92
Portrait de Louis Hector Leroux
93
Portrait de M. Daniel Guestier
94
Portrait du Vicomte Both de Tauzia
95
Madame Maurice Pascal et son chien Tiny
96
PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880)Musée Condé
97
MADAME BONNAT
98
PORTRAIT DE L'ARTISTE AU CHAPEAUMusée d'Orsay
99
PORTRAIT DU PRESIDENT DE LA REPUBLIQUE ARMAND FALLIERESMusée d'Orsay
100
Portrait of Jules Grévy
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Léon Bonnat | Målningar från denna lista |
|---|---|---|---|
 Musée d'Orsay |
Paris | 15 | Portrait of a woman, Portrait of the count of Montalivet, Self-portrait / Portrait of a young Man |
 Petit Palais |
Paris | 8 | Sketch for the ceiling of the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice, Sketch for the courtroom of the Cour des Assises of the Palais de Justice in Paris: Justice protecting the weak, Portrait of Madame Georges Ehrler |
 Musée Bonnat-Helleu |
Bayonne | 7 | Self-portrait at the age of 17, Portrait of Marie Bonnat, the artist's sister, Begging scene |
 Walters Art Museum |
Baltimore | 6 | An Arab Sheik, Portrait of George Aloysius Lucas, The Hand of Antoine-Louis Barye |
 Ermitaget |
Sankt Petersburg | 4 | Portrait of Prince Viacheslav Tenishev, Fountain by the Cathedral of St. Peter in Rome, In the Mountains |
 Museo del Prado |
Madrid | 3 | Self-portrait (1918), Fruela II of Asturias (king of Asturias from 910 to 925), The painter Ceferino Araujo Sánchez |
 Metropolitan Museum of Art |
New York | 3 | John Taylor Johnston (1820 1893), An Egyptian Peasant Woman and Her Child |
 Musée Condé |
Chantilly | 3 | BERNIER LOUIS, PORTRAIT DU GENERAL HENRI D'ORLEANS, DUC D'AUMALE (1880) |
Välj ett decennium för att se originalverket som definierar det.
The air in the chamber feels heavy, thick with the weight of a crown and the silence of a long-passed era. Standing before us, King Fruela II of Asturias commands the space with a stillness that feels almost monumental. He is draped in a mantle of deep, saturated crimson, a color so intense it seems to pulse against the dark, shadowy void behind him. This red is not merely a…
This oil on canvas portrait, executed in 1864, presents a close-up view of Ceferino Araujo Sánchez. The subject is a man with a dark beard and mustache, positioned centrally within the frame. His gaze is directed slightly downward, creating a sense of quiet introspection. The lighting is directional, originating from the upper left, which casts the right side of his face and the background into deep shadow. This technique produces…
The work before us is titled Jacob Wrestling with the Angel, though it is frequently referred to by its French name, La Lutte de Jacob. This piece was painted by Léon Joseph Florentin Bonnat in 1876. It is a significant example of the artist's engagement with religious narratives, rendered with a focus on the physical reality of the struggle depicted.
A single figure stands in profile, caught in a moment of quiet stillness. The woman is draped in a gown of cool, light blue satin that catches the directional light from the upper left. This luminous fabric flows downward in heavy, sweeping folds, ending in delicate ruffles at the hem. Against the deep, warm umber and sienna tones of the background, the blue of her dress pulls the eye forward.…
This oil on canvas portrait, executed in 1896, presents a bust-length view of an elderly man positioned slightly off-center. The subject looks directly toward the viewer with a weary and contemplative expression. His face is marked by the textures of age, with light originating from the upper left to cast shadows across the right side of his features, defining the forehead, cheekbone, and skin texture. A stark white beard and…
An elderly man sits within a frame of shadow and light. His face, etched with the textures of many years, turns toward the right while his eyes lock onto the viewer. A white beard descends in soft, defined strokes, catching the pale light that enters from the upper left. The background is a quiet expanse of ochre, burnt sienna, and deep umber, pressing close to the subject. He wears a…
Jacob Wrestling with the Angel (also known as La Lutte de Jacob) (1876). Därefter följer Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74) (1879) och Self-portrait (1918) (1918).
43 år gammal: Jacob Wrestling with the Angel (also known as La Lutte de Jacob) är från 1876, och Léon Bonnat föddes 1833.
Jacob Wrestling with the Angel (also known as La Lutte de Jacob), Portrait of Isaac Dignus Fransen van de Putte (1822-1902). Colonial Minister (1863-66, 1872-74), Self-portrait (1918), ADAM ET EVE TROUVANT LE CORPS D'ABEL, Portrait of a woman, Fruela II of Asturias (king of Asturias from 910 to 925), John Taylor Johnston (1820–1893), Portrait of the count of Montalivet, Levi Parsons Morton och The Martyrdom of Saint Denis (also known as Martyr de Saint Denis). Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 141 verk av Léon Bonnat, daterade från 1850 till 1918.
Främst i Musée d'Orsay (Paris), Petit Palais (Paris) och Musée Bonnat-Helleu (Bayonne). Museitabellen ovan listar alla.
Under 1880s: 22 av de 100 verk som finns på denna sida skapades då, varav Portrait of a woman.
På den här sidan är det tidigaste Portrait of Louise Lienhard (1850) och det senaste Self-portrait (1918) (1918).
Man (12), Portrait (9) och Dark background (6), fördelat på 100 verk på denna sida.
Oil On Canvas, för 16 av de 100 verk som finns på denna sida.
Academic realism och Realism, om man dömer efter originalen på denna sida.
Portrait of a woman, Portrait of the count of Montalivet och Self-portrait / Portrait of a young Man: Musée d'Orsay, Paris har 12 av verken på denna sida.
Léon Bonnat föddes i Bayonne, Frankrike, år 1833 och gick bort 1922. Hans tidiga liv tog en fascinerande vändning när familjen flyttade till Madrid 1846, där hans far grundade en bokhandel. Denna flytt visade sig vara avgörande för den unge Bonnats konstnärliga utveckling. Medan han hjälpte till i butiken kopierade han flitigt gravyrer av gamla mästares verk, vilket födde en djup passion för teckning och lade grunden för hans framtida karriär. Han fick sin formella utbildning under Madrazo i Madrid innan han återvände till Paris.
I Paris sökte Bonnat ytterligare förfining av sina färdigheter genom att studera under de framstående historiemålarna Paul Delaroche och Léon Cogniet. Trots flera försök blev han inte omedelbart antagen till den prestigefyllda École des Beaux-Arts genom Prix de Rome-tävlingen. Ett stipendium från Bayonne gjorde dock det möjligt för honom att tillbringa tre år i Rom (1858–60), en erfarenhet som i grunden formade hans konstnärliga vision. Under denna period knöt han vänskapsband med andra konstnärer som Edgar Degas, Gustave Moreau och skulptören Henri Chapu. Bonnats stil var djupt influerad av de spanska mästarna – i synnerhet Velázquez och Jusepe de Ribera – såväl som konstnärer som Titian och Van Dyck, vars verk han studerade med största noggrannhet på Prado-museet.
Bonnat etablerade sig snabbt som en ledande porträttmålare i Paris och fick ständigt nya uppdrag. Hans porträtt speglar inflytandet från hans beundrade spanska föregångare och kännetecknas av realism, dramatisk ljussättning och psykologiskt djup. Han utforskade även religiösa teman och genremåleri som skildrade italienska bönder, och gav sig då och då i kast med orientalistiska scener. Bonnats arbete präglas av en sträng naturalism och en avsaknad av överdriven ytfinish, egenskaper som hyllades av kritiker som Théophile Gautier, som kontrasterade honom positivt mot den mer polerade stilen hos Bouguereau.
Genom sin karriär uppnådde Bonnat betydande erkännande. Han tilldelades en förtjänstmedalj i Paris 1869 och utnämndes till Grand Officer av Légion d'honneur. År 1882 blev han professor vid École des Beaux-Arts, där han undervisade ett flertal framtida stjärnor, däribland John Singer Sargent, Toulouse-Lautrec och Gustave Caillebotte. Han efterträdde slutligen Paul Dubois som direktör för skolan 1905. Bonnats pedagogik betonade enkelhet, helhetsverkan och en rigorös teckningsskicklighet. Bland hans mest betydelsefulla verk återfinns religiösa målningar som Kristus på korset, Job och Sankt Vincent som tar två galärslavars plats.
Bonnat intog en unik position i sin tids konstvärld genom att överbrygga klyftan mellan det akademiska måleriet och den framväxande impressionismen. Som medlem i Institutet innehade han administrativ makt över både Akademin och École des Beaux-Arts. Trots denna koppling till traditionella institutioner stödde han oberoende konstnärer som Edgar Degas och Auguste Rodin, och försvarade till och med Gustave Courbets bidrag till Salongen. Som ett tack till det stöd han fått tidigt i livet, grundade Bonnat Musée Bonnat i sin födelsestad Bayonne, som idag rymmer en exceptionell samling av gamla mästares teckningar tillsammans med hans egna verk. Hans arv lever vidare genom hans målningar, hans inflytelserika lärarskap och det museum han etablerade, vilket bevarar det konstnärliga arvet för kommande generationer.
