Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 65 verk av Gabriel Von Max i vår katalog
Kortfattat
Av alla originalverk som Gabriel Von Max lämnade efter sig är det mest kända The Court Actor Alois Wohlmuth (1893), i samlingen hos Lenbachhaus, München. Tätt efter följer The Martyrdom of St. Ludmilla (1864) och Saint Julia (Martyr on the Cross) (1865). Vår katalog innehåller 65 verk av Gabriel Von Max; galleriet har bevarat de 60 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The oil painting titled The Court Actor Alois Wohlmuth was executed by the artist Gabriel von Max. This portrait depicts the subject, Alois Wohlmuth, in a bust-length composition. The work was completed in 1893.
The oil on canvas painting titled The Martyrdom of St. Ludmilla was executed by the artist Gabriel von Max in 1864. This work belongs to the religious art genre and focuses on the figure of Saint Ludmila of Bohemia. The composition measures 90.4 x 100.1 cm (35 7/16 x 39 1/4 inches).
The canvas presents Saint Julia (Martyr on the Cross), a work by the artist Gabriel von Max. Created about 1865, the painting captures a moment of profound religious and tragic weight. The central figure is a woman bound to a heavy stone cross, her presence defined by the stillness of sacrifice.
In a monkey reading, Gabriel von Max presents a scene that is both quiet and deeply unsettling. Painted about 1865, this work moves away from traditional animal portraiture to present an anthropomorphized monkey caught in a moment of intense intellectual focus. The subject is not merely an animal, but a figure engaged in the very human act of reading, surrounded by a cluttered collection of books and scattered papers. This…
In "the head of a crowned woman" by Gabriel von Max, a regal female figure emerges from a soft, grayscale atmosphere. This close-up bust-length portrait centers entirely on her face, drawing the viewer into an intimate, eye-level encounter. She wears a jeweled crown that rests atop her head, partially obscured by the delicate folds of a translucent veil. The fabric drapes around her, adding a sense of weightless movement to…
In "a young woman and her vision" by Gabriel von Max, we find ourselves in a quiet, somber space. The composition is intentionally asymmetrical, drawing our attention to the right side of the frame where the subject reclines. She leans against large, soft pillows that occupy much of the lower right foreground, creating an intimate sense of depth. The woman is captured in a state of deep thought or reverie,…
In this intimate portrait, titled "Fabiela" head of a girl, we encounter a young woman presented from the chest up. The work is a creation of Gabriel von Max, an artist whose vision often drifted toward the psychological and the spiritual. Painted about 1865, this piece captures a moment of quietude, focusing entirely on the presence of the subject. The portrait offers a direct, eye-level connection that invites a sense…
In this intimate portrait, titled Ludmilla, the artist Gabriel von Max turns his gaze toward his own family. The work captures his daughter, Ludmilla, who lived from 1874 to 1961. It is a quiet, deeply personal encounter between a father and his child, rendered with a sensitivity that transcends mere likeness.
In the quietude of a twilight landscape, two young women sit together on a wooden bench in Gabriel von Max's Adagio. Created about 1876, this oil painting captures a moment of profound stillness. The air feels heavy with the approaching dusk, casting a soft, diffused light over the scene. On the left, slender birch trees reach upward, their pale bark contrasting against the deepening shadows. To the right, the landscape…
The Sisters, known in its original German as Die Schwestern, is an oil painting by Gabriel von Max. Created in 1876, the work belongs to a category of 19th-century oil paintings of sitting women at full length. It captures a quiet moment of domesticity, rendered with the precision of the era's academic traditions.
A Spring Fairytale1872
12
Tannhäuser1878 · Nationalmuseet i Warszawa
13
The Raising of Jairus' Daughter1878 · Montreal Museum of Fine Arts
14
" Light "1872
15
Saint Elizabeth as a Child1881 · Lenbachhaus
16
Sleeping Monkey, Oblivious to Pain1885
17
Blonde Girl's Head1885
18
The Raising of the Daughter of Jairus1881 · Walters Art Museum
19
Mother with child1885
20
Girl with a child1885
21
"Vizion"1885
22
Head of a girl1885
23
head of a girl1885
24
The Seeress of Prevorst1892 · National Gallery Prague
25
portrait of a praying girl1891
26
Still life (A girl sitting by spinet)1871 · Regional Gallery in Liberec
27
A Girl in the Meadow1915
28
Ernestine von Max, the Wife of the Artist, Peeling Mushrooms1896 · Lenbachhaus
29
Get finished FloweringRegional Gallery in Liberec
30
Katharina Emmerich1885 · Neue Pinakothek
31
The Murderess of a Child (also known as Die Kindsmörderin)1877
32
Monkey with lemon (also known as The Sour Experience)1890
33
Monkeys as Judges of Art1889 · Neue Pinakothek
34
The Artist's Residence in Ammerland1895 · Lenbachhaus
35
Girl PortraitLenbachhaus
36
Study of the Portrait of Clementine SchwayerBavarian State Painting Collections
37
Study Head
38
Thoughtful Woman's Head
39
The Scholars
40
The Mirror
41
The Ghost of Katie King aka Phantom Katie King
42
Monkeys and painting
43
Monkeys dollLenbachhaus
44
The Last Token: A Christian MartyrMetropolitan Museum of Art
45
Dusk
46
In love
47
Faustina
48
Monkey
49
A portrait of a woman in native costume
50
Monkeys at the Piano
51
Model Laura
52
Monkey playing pianoforte
53
Monkey with Pitcher
54
The anatomistBavarian State Painting Collections
55
Last Performance
56
Before the Arena
57
Yearning
58
St. Theresa MorlIwami Art Museum
59
Monkey in front of a Skeleton
60
Monkey with violets.1880 · Nationalmuseet i Warszawa
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Gabriel Von Max | Målningar från denna lista |
|---|---|---|---|
 Lenbachhaus |
München | 6 | The Court Actor Alois Wohlmuth, Saint Elizabeth as a Child, Ernestine von Max, the Wife of the Artist, Peeling Mushrooms |
 Bavarian State Painting Collections |
München | 3 | Ludmilla, Study of the Portrait of Clementine Schwayer, The anatomist |
 National Gallery Prague |
Prag | 2 | Saint Julia (Martyr on the Cross), The Seeress of Prevorst |
 Nationalmuseet i Warszawa |
Warszawa | 2 | Tannhäuser, Monkey with violets. |
 Regional Gallery in Liberec |
Liberec | 2 | Still life (A girl sitting by spinet), Get finished Flowering |
 Neue Pinakothek |
München | 2 | Katharina Emmerich, Monkeys as Judges of Art |
 Philadelphia Museum of Art |
Philadelphia | 1 | The Martyrdom of St. Ludmilla |
 Alte Nationalgalerie |
Berlin | 1 | The Sisters |
Välj ett decennium för att se originalverket som definierar det.
The oil on canvas painting titled The Martyrdom of St. Ludmilla was executed by the artist Gabriel von Max in 1864. This work belongs to the religious art genre and focuses on the figure of Saint Ludmila of Bohemia. The composition measures 90.4 x 100.1 cm (35 7/16 x 39 1/4 inches).
In this intimate portrait, titled Ludmilla, the artist Gabriel von Max turns his gaze toward his own family. The work captures his daughter, Ludmilla, who lived from 1874 to 1961. It is a quiet, deeply personal encounter between a father and his child, rendered with a sensitivity that transcends mere likeness.
Saint Elizabeth as a Child by Gabriel von Max is a formal, highly detailed portrait of a young girl. The composition is a centered, bust-length portrait set against a dark, indistinct background. This lack of environmental detail focuses all attention on the subject. The perspective is straight-on, creating an intimate and direct connection with the viewer. The girl's face is framed by long, wavy hair and a translucent veil topped…
The oil painting titled The Court Actor Alois Wohlmuth was executed by the artist Gabriel von Max. This portrait depicts the subject, Alois Wohlmuth, in a bust-length composition. The work was completed in 1893.
In "A Girl in the Meadow" by Gabriel von Max, the viewer is drawn into an intimate, close-up portrait. The composition focuses specifically on the subject's face and upper torso, creating a sense of quiet proximity. This arrangement allows the viewer to settle into the space alongside the young woman as she reclines. The perspective is slightly elevated, which adds a layer of depth by positioning the subject against a…
The Court Actor Alois Wohlmuth (1893), Lenbachhaus, München. The Martyrdom of St. Ludmilla (1864) och Saint Julia (Martyr on the Cross) (1865) följer efter.
53 år gammal: The Court Actor Alois Wohlmuth är från 1893, och Gabriel Von Max föddes 1840.
The Court Actor Alois Wohlmuth, The Martyrdom of St. Ludmilla, Saint Julia (Martyr on the Cross), a monkey reading, the head of a crowned woman, a young woman and her vision, "Fabiela" head of a girl, Ludmilla, Adagio och The Sisters. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 65 verk av Gabriel Von Max, daterade från 1864 till 1915.
Främst i Lenbachhaus (München), Bavarian State Painting Collections (München) och National Gallery Prague (Prag). Museitabellen ovan listar alla.
Under 1880s: 12 av de 60 verk som finns på denna sida skapades då, varav Saint Elizabeth as a Child.
På den här sidan är det tidigaste The Martyrdom of St. Ludmilla (1864) och det senaste A Girl in the Meadow (1915).
Woman (20), Portrait (6) och Monochrome (6), fördelat på 60 verk på denna sida.
Oil On Canvas, för 17 av de 60 verk som finns på denna sida.
Romanticism, om man dömer efter originalen på denna sida.
The Court Actor Alois Wohlmuth, Saint Elizabeth as a Child och Ernestine von Max, the Wife of the Artist, Peeling Mushrooms: Lenbachhaus, München har 6 av verken på denna sida.
