Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 16 verk av Cornelis Ketel i vår katalog
Kortfattat
Portrait of a Woman aged Fifty-six (1594) är den målning av Cornelis Ketel som drar till sig flest blickar; originalet finns på Thyssen-Bornemisza-museet, Madrid. Därefter dras blicken till Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam (1605) och Portrait of a Man (1596). Bland de 16 verk av Cornelis Ketel i vår katalog är dessa 16 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
This work is the Portrait of a Woman aged Fifty-six by Cornelis Ketel. Painted in 1594, the portrait presents a seated woman who is fifty-six years of age. It is a formal depiction that captures the subject in a moment of quiet repose, looking toward the viewer with a steady, direct gaze.
Step closer and observe the quiet authority of this man. We are looking at Jacob Cornelisz Banjaert, known as van Neck, a figure of significant weight in the history of Amsterdam. He sits in a three-quarter length pose, his body turned slightly away while his gaze meets yours with a steady, unblinking composure. There is a certain gravity in his expression, the look of a man accustomed to the heavy…
The man sits in a quiet, heavy stillness, his presence filling the space with a sense of solemn authority. He is positioned slightly off-center, his body turned while his eyes seek a point just beyond the viewer's right shoulder, as if caught in a moment of profound introspection. A sharp, directional light descends from the upper left, carving the contours of his face out of the surrounding shadows. This light…
A single, sharp glint of gold catches the eye against a sea of charcoal. Griete Jacobsdr van Rhijn sits in the quiet gravity of 1605, her presence defined by the architecture of her attire. The light, descending from the upper left, carves the contours of her face and the heavy folds of her dark garments. She does not look through the viewer, but meets the gaze with a steady, composed…
A dense, theatrical assembly of figures occupies a shallow, dark space, creating a sense of compressed urgency. The composition is structured through a series of overlapping layers, where gestures and sightlines direct the viewer toward a central reclining figure. This figure, surrounded by a crowd of onlookers, is the focal point of a complex social and narrative arrangement. The lighting is highly directional, appearing to strike from the upper left…
The oil on canvas work titled Portrait of a 78-Year-Old Man, Probably Jan de Marez was executed by the artist Cornelis Ketel. This bust-length portrait was created in 1594. The subject is a single male figure characterized by balding grey hair and a prominent white beard.
The young nobleman sits in a quiet, poised stillness, his body turned slightly toward the right while his eyes lock onto the observer with a calm, aristocratic composure. He exists in a space of muted elegance, where the light falls softly from the upper left to trace the subtle modeling of his cheekbones and the sharp line of his jaw. There is a profound sense of dignity in his posture,…
The air in the room feels still, held in a quiet suspension as Maria Claesdr Gaeff meets the viewer's gaze. She sits in a three-quarter length pose, her presence commanding a certain gravity that transcends the simple act of sitting for a likeness. The light, descending softly from the upper left, carves out the contours of her face, casting gentle shadows that lend a sculptural depth to her features. There…
is a painting by the Dutch Mannerist painter Cornelis Ketel. Created about 1580, the work depicts the subject known as A Giant Porter. The figure is presented in a full-length portrait, positioned centrally against a dark, nondescript background. This composition focuses the viewer's attention entirely on the physical presence and attire of the man.
Portrait of a man (Hendrik Goltzius?) is a work by Cornelis Ketel, executed in 1601. Originating from the Northern Netherlands, the painting captures a single male figure in a formal, classical manner. The subject is presented in a close-up bust portrait, looking toward the viewer with a calm and dignified expression.
Richard Goodricke of Ribston, Yorkshire1578 · Art Gallery of South Australia
12
The Company of Captain Dirck Jacobsz Rosecrans and Lieutenant Pauw, Cornelis Ketel, 15881588 · Rijksmuseum
13
Portrait of Hendrick de Keyser (1565-1621), Cornelis Ketel, c. 1575 - c. 16131613
14
The Mirror of Virtue1595 · Rijksmuseum
15
Portrait of Adam Wachendorff, with a Putto Blowing Bubbles, Cornelis Ketel, 15741574 · Rijksmuseum
16
Double Portrait of a Brother and SisterMuseum Mayer van den Bergh
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
#4 Portrait of Griete Jacobsdr van Rhijn (1585-1652). Wife of Jacob Cornelisz Banjaert, called van Neck
#10 Portrait of a man (Hendrik Goltzius?)
#2 Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam
#6 Portrait of a 78-Year-Old Man, Probably Jan de Marez
#2 Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam
#4 Portrait of Griete Jacobsdr van Rhijn (1585-1652). Wife of Jacob Cornelisz Banjaert, called van Neck
#10 Portrait of a man (Hendrik Goltzius?)
#13 Portrait of Hendrick de Keyser (1565-1621), Cornelis Ketel, c. 1575 - c. 1613
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Cornelis Ketel | Målningar från denna lista |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 5 | Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam, Portrait of Griete Jacobsdr van Rhijn (1585-1652). Wife of Jacob Cornelisz Banjaert, called van Neck, The Company of Captain Dirck Jacobsz Rosecrans and Lieutenant Pauw, Cornelis Ketel, 1588 |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | Portrait of a 78-Year-Old Man, Probably Jan de Marez, Portrait of a man (Hendrik Goltzius?) |
 Thyssen-Bornemisza-museet |
Madrid | 1 | Portrait of a Woman aged Fifty-six |
 Kunsthistorisches Museum |
Wien | 1 | Portrait of a Man |
 Museum Het Valkhof |
Nijmegen | 1 | The Riddle of Nijmegen |
 Yale Center for British Art |
New Haven | 1 | Sir John Smythe of Westenhanger, Kent (1557–1608) |
 Royal Collection |
London | 1 | A Giant Porter |
 Art Gallery of South Australia |
Adelaide | 1 | Richard Goodricke of Ribston, Yorkshire |
Välj ett decennium för att se originalverket som definierar det.
A dense, theatrical assembly of figures occupies a shallow, dark space, creating a sense of compressed urgency. The composition is structured through a series of overlapping layers, where gestures and sightlines direct the viewer toward a central reclining figure. This figure, surrounded by a crowd of onlookers, is the focal point of a complex social and narrative arrangement. The lighting is highly directional, appearing to strike from the upper left…
is a painting by the Dutch Mannerist painter Cornelis Ketel. Created about 1580, the work depicts the subject known as A Giant Porter. The figure is presented in a full-length portrait, positioned centrally against a dark, nondescript background. This composition focuses the viewer's attention entirely on the physical presence and attire of the man.
This work is the Portrait of a Woman aged Fifty-six by Cornelis Ketel. Painted in 1594, the portrait presents a seated woman who is fifty-six years of age. It is a formal depiction that captures the subject in a moment of quiet repose, looking toward the viewer with a steady, direct gaze.
Step closer and observe the quiet authority of this man. We are looking at Jacob Cornelisz Banjaert, known as van Neck, a figure of significant weight in the history of Amsterdam. He sits in a three-quarter length pose, his body turned slightly away while his gaze meets yours with a steady, unblinking composure. There is a certain gravity in his expression, the look of a man accustomed to the heavy…
A man sits in the quiet gravity of a studio, his attention anchored to a small, pale figure held in his hand. This is Hendrick de Keyser, the architect and sculptor, caught in a moment of silent contemplation. He wears a crisp, ruffled collar that catches the light, a sharp white contrast against the dark weight of his clothing. His fingers cradle a figurine, a miniature version of the stone…
Portrait of a Woman aged Fifty-six (1594), Thyssen-Bornemisza-museet, Madrid. Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam (1605) och Portrait of a Man (1596) följer efter.
46 år gammal: Portrait of a Woman aged Fifty-six är från 1594, och Cornelis Ketel föddes 1548.
Portrait of a Woman aged Fifty-six, Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam, Portrait of a Man, Portrait of Griete Jacobsdr van Rhijn (1585-1652). Wife of Jacob Cornelisz Banjaert, called van Neck, The Riddle of Nijmegen, Portrait of a 78-Year-Old Man, Probably Jan de Marez, Sir John Smythe of Westenhanger, Kent (1557–1608), Portrait of Maria Claesdr Gaeff (1549-1633), A Giant Porter och Portrait of a man (Hendrik Goltzius?). Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 16 verk av Cornelis Ketel, daterade från 1574 till 1613.
Främst i Rijksmuseum (Amsterdam), Museum Boijmans Van Beuningen (Rotterdam) och Thyssen-Bornemisza-museet (Madrid). Museitabellen ovan listar alla.
Under 1590s: 5 av de 16 verk som finns på denna sida skapades då, varav Portrait of a Woman aged Fifty-six.
På den här sidan är det tidigaste Portrait of Adam Wachendorff, with a Putto Blowing Bubbles, Cornelis Ketel, 1574 (1574) och det senaste Portrait of Hendrick de Keyser (1565-1621), Cornelis Ketel, c. 1575 - c. 1613 (1613).
Man (8), Ruff (5) och Ruff collar (4), fördelat på 16 verk på denna sida.
Oil On Canvas, för 5 av de 16 verk som finns på denna sida.
Mannerism, om man dömer efter originalen på denna sida.
Portrait of Jacob Cornelisz Banjaert, called van Neck (1564-1638). Admiral & mayor of Amsterdam, Portrait of Griete Jacobsdr van Rhijn (1585-1652). Wife of Jacob Cornelisz Banjaert, called van Neck och The Company of Captain Dirck Jacobsz Rosecrans and Lieutenant Pauw, Cornelis Ketel, 1588: Rijksmuseum, Amsterdam har 5 av verken på denna sida.
