Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 51 verk av Constantin Meunier i vår katalog
Kortfattat
Ur galleriets perspektiv är Constantin Meuniers mest kända målning Holy-Water Font (1854), vars original hänger på Koninklijk Museum voor Schone Kunsten Antwerpen i Antwerpen. Women Working in a Glass Factory (1878) och Return of the Miners (1850) fullbordar trion som alla känner igen. Av de 51 verk av Constantin Meunier i vår katalog presenterar galleriet nedan de 51 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Return of the Miners by Constantin Meunier presents a group of laborers moving through an industrial landscape. The figures are positioned in the foreground, walking toward the right side of the frame. These workers, specifically miners, are depicted amidst a setting characterized by the presence of distant smokestacks and rooftops. The scene captures the physical reality of the working class during the Industrial Revolution, focusing on the specific lives of…
The Pithead is an oil painting by Constantin Meunier, created about 1850. The work depicts a scene of heavy industrial labor, focusing on the physical toil of the working class. A single male figure occupies the foreground, positioned slightly off-center and moving toward the viewer. His expression is strained, and his heavy clothing reflects the grit of his environment. The composition centers on this individual amidst a setting of industrial…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
The oil painting titled Saint Stephen emerges from the shadows of history, a somber creation by the Belgian artist Constantin Meunier. This work, rendered on canvas, captures a moment of profound stillness. It exists as a quiet meditation on sacrifice, appearing to have been produced about 1867. The figure lies caught in a perpetual state of repose, a subject that demands a slow, steady gaze to truly witness.
The canvas holds a heavy, dark air. In the lower left, a group of figures huddles together, their bodies pressed into a tight, desperate knot. They are shadows among shadows. A man’s white shirt catches a stray, pale light, cutting through the gloom like a sharp intake of breath. Above them, the world is breaking. A turbulent landscape stretches toward the upper right, where the sky is bruised and thick…
In this oil painting, Constantin Meunier presents a solitary young man caught in a moment of quiet stillness. The figure sits alone, his posture suggesting a heavy sense of exhaustion or perhaps a deep, inward contemplation. He appears to be an organ grinder, a man whose life is defined by the labor of his trade and the solitude that often accompanies it. The scene feels intimate, pulling the viewer into…
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
The oil painting titled Tobacco Factory, Seville, was created by the Belgian artist Constantin Meunier in 1883. This work captures a specific moment of industry within a vast, stone-arched space. The canvas holds the heavy atmosphere of a working hall, where light falls upon the figures of women engaged in their daily labor.
The Flood of Leuven in 18911896
12
Whaler1902 · Finnish National Gallery
13
Portrait of the Artist Gustave Poirier1900 · Museum of Fine Arts Ghent (MSK)
14
De buildrager, (1898)
15
Steel Foundry1850 · Koninklijk Museum voor Schone Kunsten Antwerpen
16
Unloading a Sailing Ship1878 · Koninklijk Museum voor Schone Kunsten Antwerpen
17
The removal of the cracked melting pot1885 · Kungliga museerna för sköna konster i Belgien
18
Cigar Makers in Sevilla1882 · Koninklijk Museum voor Schone Kunsten Antwerpen
19
Mining Area1882 · Koninklijk Museum voor Schone Kunsten Antwerpen
20
In the Black Country1893 · Musée d'Orsay
21
Calvary1900 · Museum of Fine Arts Ghent (MSK)
22
Collier with Safety LampKoninklijk Museum voor Schone Kunsten Antwerpen
23
Man at the PressKungliga museerna för sköna konster i Belgien
24
The bust of a dockerOldenburg State Museum for Art and Cultural History
25
Buste d'emmanuel chabrier
26
The Porter1887 · Staatliche Kunsthalle Karlsruhe
27
In a Salt Refinery at RupelmondeKungliga museerna för sköna konster i Belgien
28
RupelmondeKoninklijk Museum voor Schone Kunsten Antwerpen
29
Pupil in the SnowKoninklijk Museum voor Schone Kunsten Antwerpen
30
An Old BridgeKoninklijk Museum voor Schone Kunsten Antwerpen
31
The Blue TavernKoninklijk Museum voor Schone Kunsten Antwerpen
32
Abandoned shaftKungliga museerna för sköna konster i Belgien
33
Black Country – BorinageKungliga museerna för sköna konster i Belgien
34
Le faucheur
35
The sower, (1890)
36
Monument Au Travail (Bruxelles)
37
Monument Au Travail (Detail) (2)
38
Monument Au Travail (Detail) (7)
39
Monument Au Travail (Detail)
40
Monument Au Travail (Detail) (5)
41
Monument Au Travail (Detail) (3)
42
Monument Au Travail (Detail) (4)
43
Der huttenarbeiter, (1890)
44
Der hafenarbeiter (2)
45
Der hafenarbeiter
46
Cheval a L'abreuvoir, (1899)
47
The sower, (2) (1890)
48
Monument Au Travail (Detail) (6)
49
Triptych of the Mine1902 · Kungliga museerna för sköna konster i Belgien
50
The hiercheuse1887 · Kungliga museerna för sköna konster i Belgien
51
Removal of a Broken Crucible1884 · Kungliga museerna för sköna konster i Belgien
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 7 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Constantin Meunier | Målningar från denna lista |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 14 | Holy-Water Font, Return of the Miners, The Pithead |
 Kungliga museerna för sköna konster i Belgien |
Bryssel | 10 | Women Working in a Glass Factory, Tobacco Factory, Seville, The removal of the cracked melting pot |
 Museum of Fine Arts Ghent (MSK) |
Gent | 4 | Saint Stephen as a Martyr, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Portrait of the Artist Gustave Poirier |
 Finnish National Gallery |
Helsingfors | 1 | Whaler |
 Musée d'Orsay |
Paris | 1 | In the Black Country |
 Oldenburg State Museum for Art and Cultural History |
Oldenburg | 1 | The bust of a docker |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | The Porter |
Välj ett decennium för att se originalverket som definierar det.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
Constantin Meunier painted The Flood of Leuven in 1891 about 1896. The work captures a catastrophic flood in a town, likely Leuven, under a heavy, storm-laden sky. It focuses on the human struggle against nature, documenting the devastating impact of rising waters on a community.
The heavy atmosphere of manual labor settles over the viewer in Whaler, a work by the Belgian artist Constantin Meunier. Created about 1902, the painting captures a moment of intense physical exertion. The subject focuses on the life of a whaler, a figure defined by the grit and strain of a demanding existence. This piece finds its home within the collection of the Finnish National Gallery.
Holy-Water Font (1854), Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen. Women Working in a Glass Factory (1878) och Return of the Miners (1850) följer efter.
23 år gammal: Holy-Water Font är från 1854, och Constantin Meunier föddes 1831.
Holy-Water Font, Women Working in a Glass Factory, Return of the Miners, The Pithead, Saint Stephen as a Martyr, Saint Stephen, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Organ Grinder, Two women at the Tobacco Factory in Seville och Tobacco Factory, Seville. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 51 verk av Constantin Meunier, daterade från 1850 till 1902.
Främst i Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen), Kungliga museerna för sköna konster i Belgien (Bryssel) och Museum of Fine Arts Ghent (MSK) (Gent). Museitabellen ovan listar alla.
Under 1880s: 8 av de 51 verk som finns på denna sida skapades då, varav Two women at the Tobacco Factory in Seville.
På den här sidan är det tidigaste Return of the Miners (1850) och det senaste Whaler (1902).
Man (7), Shadows (6) och People (5), fördelat på 51 verk på denna sida.
Oil On Canvas, för 9 av de 51 verk som finns på denna sida.
Social realism, om man dömer efter originalen på denna sida.
Holy-Water Font, Return of the Miners och The Pithead: Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen har 14 av verken på denna sida.
