Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 34 verk av Charles Cottet i vår katalog
Kortfattat
Av alla originalverk som Charles Cottet lämnade efter sig är det mest kända Box at the Opera-Comique (1887), i samlingen hos Musée d'Orsay, Paris. Tätt efter följer In the land of the sea. Pain (1908) och Self-Portrait (1883). Vår katalog innehåller 34 verk av Charles Cottet; galleriet har bevarat de 34 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
This oil portrait presents a man from the chest up, positioned slightly off-center against a warm, reddish-brown background. The subject possesses light skin, reddish-brown hair, and a mustache. He wears a black silk top hat and a dark coat layered over a white high-collared shirt. Light enters from the upper left, casting soft shadows across the contours of his face and creating a sense of volume. The background contains blurred…
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
A man emerges from a heavy, dark atmosphere. He wears a dark beret, the fabric absorbing the dim light of a studio. His beard is thick, catching the pale glow that strikes one side of his face while leaving the other in deep shadow. This is a study of a single presence, captured in 1889. The eyes look directly forward, meeting the viewer with a serious, unblinking expression. There is…
The Three Generations1909 · Columbus Museum of Art
12
Portrait of miss J.L.B.1906 · Museum of Fine Arts Ghent (MSK)
13
Portrait of a Woman1900 · Art Institute of Chicago
14
The Red Sails1894 · Musée des Beaux-Arts
15
Low Mass1895 · Nationalmuseum för västerländsk konst
16
Fellah Women1894 · Musée d'Art Moderne et Contemporain de Strasbourg
17
In the Port1895 · Musée des Beaux-Arts
18
Old Horse in the Wasteland1898 · Ohara Museum of Art
19
The Tagus Seen from Toledo1904 · Musée des Beaux-Arts de Pau
20
View of Pont-en-Royans1905 · Bavarian State Painting Collections
21
Storm Time on the Sea1904 · Musée des Beaux-Arts
22
Fog at Belle Isle1904 · Musée Des Beaux
23
Fog1904 · Musée d'Orsay
24
Low Mass (Brittany)1902 · Petit Palais
25
Marine1903 · Musée des Beaux-Arts de Quimper
26
L1899 · Musée des Beaux-Arts de Quimper
27
God's Festival Day in PlougastelMusée Crozatier
28
Mourning, BrittanyCincinnati Art Museum
29
Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch1911 · Musée des Beaux-Arts de Quimper
30
Belle-Isle1912 · National Gallery of Canada
31
AutoportraitMusée des Beaux-Arts de Quimper
32
Breton Village by The Coast (Camaret)Finnish National Gallery
33
(277 x 65 CM) (1900)
34
Les victimes de la merLe Carton Voyageur - Musée de la carte postale
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Charles Cottet | Målningar från denna lista |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
Quimper | 5 | Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine, L |
 Musée d'Orsay |
Paris | 3 | Box at the Opera-Comique, In the land of the sea. Pain, Fog |
 Petit Palais |
Paris | 3 | Self-portrait, Ouessant People Mourning a Dead Child, Low Mass (Brittany) |
 Musée des Beaux-Arts |
Reims | 3 | The Red Sails, In the Port, Storm Time on the Sea |
 Museum of Fine Arts Ghent (MSK) |
Gent | 2 | Mourning in Ouessant, Portrait of miss J.L.B. |
 Harvard Art Museums |
Cambridge | 1 | Self-Portrait |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Mourning |
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 1 | Breton Women in Mourning |
Välj ett decennium för att se originalverket som definierar det.
The artwork titled Box at the Opera-Comique is an oil on panel painting by the French artist Charles Cottet. Created in 1887, this work captures a specific social setting within a theater. The piece is currently held in the collection of the Musée d'Orsay in Paris, France.
In Mourning, Charles Cottet presents a somber scene set against a coastal backdrop. Created about 1892, the work focuses on two figures positioned in the right foreground. They lean into one another, a gesture of shared grief that anchors the composition. The subjects are rendered in dark browns and blacks, creating a heavy contrast against the pale, desaturated teals and light blues of the sea and sky.
In the land of the sea. Pain is a work by the French painter Charles Cottet. Known also by the titles Les Victimes de la mer or Au pays de la mer. Douleur, the painting was created between 1908 and 1909. It remains a significant example of the artist's engagement with the somber realities of maritime life.
In the hauntingly beautiful masterpiece Lamentation des femmes de Camaret autour de la chapelle brûlée de Roch, created in 1911, Charles Cottet invites the viewer into a moment of profound communal grief. The canvas captures the devastating aftermath of a fire that consumed the chapel of Roch, leaving behind only a skeletal clock tower and charred ruins to pierce the sky. This is not merely a depiction of architectural destruction,…
Box at the Opera-Comique (1887), Musée d'Orsay, Paris. In the land of the sea. Pain (1908) och Self-Portrait (1883) följer efter.
24 år gammal: Box at the Opera-Comique är från 1887, och Charles Cottet föddes 1863.
Box at the Opera-Comique, In the land of the sea. Pain, Self-Portrait, Mourning, Self-portrait, The Corpus Christi Procession in Landudec, Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Mourning in Ouessant, Breton Women in Mourning och Ouessant People Mourning a Dead Child. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 34 verk av Charles Cottet, daterade från 1883 till 1912.
Främst i Musée des Beaux-Arts de Quimper (Quimper), Musée d'Orsay (Paris) och Petit Palais (Paris). Museitabellen ovan listar alla.
Under 1900s: 15 av de 34 verk som finns på denna sida skapades då, varav In the land of the sea. Pain.
På den här sidan är det tidigaste Self-Portrait (1883) och det senaste Belle-Isle (1912).
People (4), Man (3) och Figures (2), fördelat på 34 verk på denna sida.
Oil On Canvas, för 5 av de 34 verk som finns på denna sida.
Post-impressionism, om man dömer efter originalen på denna sida.
Women of Plougastel at the Pardon of Sainte-Anne-la-Palud, Marine och L: Musée des Beaux-Arts de Quimper, Quimper har 5 av verken på denna sida.
