Porträtt av Aubrey Beardsley

De 100 mest kända Aubrey Beardsley-målningarna, varje ett unikt konstverk

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 242 verk av Aubrey Beardsley i vår katalog

Kortfattat

Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894) är den målning av Aubrey Beardsley som drar till sig flest blickar; originalet finns på Yale Center for British Art, New Haven. Därefter dras blicken till La Beale Isoud at Joyous Gard (1894) och The Climax. Bland de 242 verk av Aubrey Beardsley i vår katalog är dessa 100 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.

1872 – 1898, Brighton Art nouveau Flest verk: British Library

Topp 10 målningar av Aubrey Beardsley, ur galleriets perspektiv

1
Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894) av Aubrey Beardsley

Frontispiece for 'The Yellow Book: An Illustrated Quarterly'

1894 · Ink · Yale Center for British Art, New Haven

In the twilight of the Victorian era, a singular voice emerged from the shadows of Brighton to redefine the boundaries of graphic art. Aubrey Vincent Beardsley’s 'Frontispiece for The Yellow Book' is not merely an illustration; it is a profound manifesto of the Decadent movement, captured in a breathtaking dance of ink and void. Created in 1894, this work serves as a gateway into a world where elegance meets the…

2
La Beale Isoud at Joyous Gard (1894) av Aubrey Beardsley

La Beale Isoud at Joyous Gard

1894 · Engraving

La Beale Isoud at Joyous Gard is an illustration created by the artist Aubrey Beardsley in 1894. This work originated from a commission to illuminate a new edition of Le Morte d’Arthur by Thomas Malory. The edition was released by the publisher J.M. Dent. The piece functions as a visual accompaniment to the medieval narrative, specifically focusing on the character of La Beale Isoud. She is identified in the text…

3
The Climax av Aubrey Beardsley

The Climax

Ink On Paper

The Climax emerges from the ink of Aubrey Beardsley, a figure who arrived in the artistic landscape with a sudden, sharp intensity. Born on August 21, 1872, in Brighton, United Kingdom, Beardsley carries the weight of a life cut short; he dies at the age of 25 from tuberculosis. This specific illustration, created in 1893, exists as one of sixteen pieces commissioned for the publication of the play Salome. It…

4
The Scarlet Pastorale av Aubrey Beardsley

The Scarlet Pastorale

Ink On Paper

In this monochrome illustration, we find ourselves drawn into a staged moment of high drama. The scene is set upon a darkened stage, where a central figure—a man dressed in a diamond-patterned costume—appears caught in a mid-performance gesture. He is a harlequinned pierrot, a figure of both comedy and melancholy, surrounded by other masked characters who linger in the shadows of the background. The composition is vertically oriented, pulling the…

5
The cover of The Yellow Book (1894) av Aubrey Beardsley

The cover of The Yellow Book

1894 · Oil

The image presents a woman with long hair, positioned at a dining table within a room. She wears a black dress and sits in a posture that directs her gaze downward, toward the surface of the table. The scene is populated by several chairs and two vases, one situated on the left side of the table and another toward the right. A potted plant occupies the far left corner of…

6
The Black Cape (1894) av Aubrey Beardsley

The Black Cape

1894 · Ink On Paper

In the evocative realm of 1894, Aubrey Vincent Beardsley captured a moment of profound theatricality with his ink drawing, The Black Cape. This masterpiece of the Art Nouveau movement presents a captivating study of a woman caught in a dynamic, almost breathless pose. As she lifts her skirt, there is an undeniable sense of movement and mystery, as if the viewer has stumbled upon a private, fleeting instant of revelation.…

7
The Yellow Book (1894) av Aubrey Beardsley

The Yellow Book

1894 · Ink

We find ourselves before The Yellow Book, a work produced by Aubrey Beardsley in 1894. This piece emerged during a period of significant stylistic shift, aligning itself closely with the Art Nouveau movement. It represents a specific moment in the late 19th century when the boundaries of graphic illustration were being quietly redefined through a focus on organic forms and sinuous lines.

8
Sir Launcelot and the Witch Hellawes av Aubrey Beardsley

Sir Launcelot and the Witch Hellawes

Ink On Paper

The ink settles upon the paper in Sir Launcelot and the Witch Hellawes, a work by the artist Aubrey Beardsley. Created between 1893 and 1894, the image captures a singular moment of tension. It is a fragment of Arthurian legend rendered in stark, deliberate strokes. The scene finds the knight Sir Launcelot within the shadows of a dense forest. He stands facing the witch Hellawes. Their encounter is a quiet…

9
Ali Baba in the Woods (1897) av Aubrey Beardsley

Ali Baba in the Woods

1897 · Lithography

In this lithograph from 1897, we find ourselves drawn into a theatrical, almost unsettling moment from the tale of Ali Baba. The scene is stripped of color, relying entirely on a monochrome palette of black, white, and grey to establish its mood. A central figure dominates the left side of the composition, his body elongated and his arms outstretched in a gesture that feels both summoning and desperate. His expression…

10
Caprice. Verso: Masked Woman with a White Mouse (1894) av Aubrey Beardsley

Caprice. Verso: Masked Woman with a White Mouse

1894 · Oil

The air feels heavy and still in this dimly lit interior. A woman sits in the gloom, her presence defined by the stark contrast of her pale skin against a dark, voluminous gown. She wears a black face mask that obscures her identity, leaving only the sharp detail of her red lips and a dark beauty spot to catch the light. Her black hair falls around her face, framing a…

Aubrey Beardsleys berömda målningar, nummer 11 till 100

11Adulterer (1897) av Aubrey BeardsleyAdulterer1897 12Mrs Winifred Emery (1894) av Aubrey BeardsleyMrs Winifred Emery1894 13The Toilet of Lampito (1896) av Aubrey BeardsleyThe Toilet of Lampito1896 14The Woman in the Moon (1894) av Aubrey BeardsleyThe Woman in the Moon1894 15Portrait of himself in bed (1894) av Aubrey BeardsleyPortrait of himself in bed1894 16Ex-Libris by John Lumsden Propert (1894) av Aubrey BeardsleyEx-Libris by John Lumsden Propert1894 17Waiting (1893) av Aubrey BeardsleyWaiting1893 18The Lacedaemonian Ambassadors (1896) av Aubrey BeardsleyThe Lacedaemonian Ambassadors1896 19Garcons de Cafe (1894) av Aubrey BeardsleyGarcons de Cafe1894 20The Toilet of Salome (1894) av Aubrey BeardsleyThe Toilet of Salome1894 21Count Valmont (1896) av Aubrey BeardsleyCount Valmont1896 22The Examination of the Herald (1896) av Aubrey BeardsleyThe Examination of the Herald1896 23The Battle of the Beaux and the Belles (1896) av Aubrey BeardsleyThe Battle of the Beaux and the Belles1896 24The Peacock Skirt (1893) av Aubrey BeardsleyThe Peacock Skirt1893 25Title page (1896) av Aubrey BeardsleyTitle page1896 26Lysistrata Defending the Acropolis (1896) av Aubrey BeardsleyLysistrata Defending the Acropolis1896 27Design for end paper of 'Pierrot' (1896) av Aubrey BeardsleyDesign for end paper of 'Pierrot'1896 28Design for the front cover of 'The Savoy: Complete in Three Volumes' (1896) av Aubrey BeardsleyDesign for the front cover of 'The Savoy: Complete in Three Volumes'1896 29A large Christmas Card (1895) av Aubrey BeardsleyA large Christmas Card1895 30Black Coffee (1895) av Aubrey BeardsleyBlack Coffee1895 31The Lady of the Lake Telleth Arthur of the Sword Excalibur (1893) av Aubrey BeardsleyThe Lady of the Lake Telleth Arthur of the Sword Excalibur1893 32The Dancer's Reward (1894) av Aubrey BeardsleyThe Dancer's Reward1894 33Madame Rejane (1894) av Aubrey BeardsleyMadame Rejane1894 34Et in Arcadio Ego (1896) av Aubrey BeardsleyEt in Arcadio Ego1896 35The Climax (1893) av Aubrey BeardsleyThe Climax1893 36The Stomach Dance (1893) av Aubrey BeardsleyThe Stomach Dance1893 37The Eyes of Herod (1894) av Aubrey BeardsleyThe Eyes of Herod1894 38Lysistrata Shielding Her Coynte (1896) av Aubrey BeardsleyLysistrata Shielding Her Coynte1896 39The Platonic Lament (1894) av Aubrey BeardsleyThe Platonic Lament1894 40Salome with her mother (1894) av Aubrey BeardsleySalome with her mother1894 41Lady Gold's Escort (1894) av Aubrey BeardsleyLady Gold's Escort1894 42Third tableau (1896) av Aubrey BeardsleyThird tableau1896 43Cover Design for Ali Baba (1897) av Aubrey BeardsleyCover Design for Ali Baba1897 44Apollo pursuing Daphne (1896) av Aubrey BeardsleyApollo pursuing Daphne1896 45Cover design to 'The Pierrot of the Minute' (1897) av Aubrey BeardsleyCover design to 'The Pierrot of the Minute'1897 46Salomé, Plate 9 (1906) av Aubrey BeardsleySalomé, Plate 91906 · British Library 47Of a Neophyte and how the Black Art was revealed unto him av Aubrey BeardsleyOf a Neophyte and how the Black Art was revealed unto him 48How Queen Guenever rode on Maying II av Aubrey BeardsleyHow Queen Guenever rode on Maying II 49A Nocturne of Chopin av Aubrey BeardsleyA Nocturne of Chopin 50Incipit Vita Nova av Aubrey BeardsleyIncipit Vita Nova 51Advertisement for Children's Books (1894) av Aubrey BeardsleyAdvertisement for Children's Books1894 52Salomé, Plate 3 (1906) av Aubrey BeardsleySalomé, Plate 31906 · British Library 53Cover 1894 (1894) av Aubrey BeardsleyCover 18941894 · Bratislava City Gallery 54Cover and spine 1893 (1893) av Aubrey BeardsleyCover and spine 18931893 55Front Cover (1897) av Aubrey BeardsleyFront Cover1897 56Pierrot of the Minute (1897) av Aubrey BeardsleyPierrot of the Minute1897 57The Coiffing (1896) av Aubrey BeardsleyThe Coiffing1896 58Don Juan, Sganarelle and the Beggar (1896) av Aubrey BeardsleyDon Juan, Sganarelle and the Beggar1896 59Merlin and Nimue (1894) av Aubrey BeardsleyMerlin and Nimue1894 60The Mysterious Rose Garden (1895) av Aubrey BeardsleyThe Mysterious Rose Garden1895 61Albert in search of his ideals (1897) av Aubrey BeardsleyAlbert in search of his ideals1897 62Initial Letter 'V' to Volpone (1898) av Aubrey BeardsleyInitial Letter 'V' to Volpone1898 63Front Cover (1896) av Aubrey BeardsleyFront Cover1896 64Chopin av Aubrey BeardsleyChopin 65Roseoflima av Aubrey BeardsleyRoseoflima 66Front Cover av Aubrey BeardsleyFront Cover 67Flosshilde av Aubrey BeardsleyFlosshilde 68A Child at its Mother's Bed av Aubrey BeardsleyA Child at its Mother's Bed 69Self-portait av Aubrey BeardsleySelf-portait 70Scarlet_Pastorale av Aubrey BeardsleyScarlet_Pastorale 71Hail and farewell av Aubrey BeardsleyHail and farewell 72Caricature of Felix Mendelssohn av Aubrey BeardsleyCaricature of Felix Mendelssohn 73Poster of Girl and a Bookshop av Aubrey BeardsleyPoster of Girl and a Bookshop 74Caricature of a figure in a sunflower dress av Aubrey BeardsleyCaricature of a figure in a sunflower dress 75Ballet of Marionettes I av Aubrey BeardsleyBallet of Marionettes I 76By Edgar Allan Poe av Aubrey BeardsleyBy Edgar Allan Poe 77How Sir Launcelot was Known by Dame Elaine II av Aubrey BeardsleyHow Sir Launcelot was Known by Dame Elaine II 78Self-portait av Aubrey BeardsleySelf-portait 79Bathyllus taking the pose av Aubrey BeardsleyBathyllus taking the pose 80Woman in a Bookshop av Aubrey BeardsleyWoman in a Bookshop 81Withered Spring av Aubrey BeardsleyWithered Spring 82The Kiss of Judas av Aubrey BeardsleyThe Kiss of Judas 83A Snare of Vintage av Aubrey BeardsleyA Snare of Vintage 84How King Mark and Sir Dinadan Heard Sir Palomides I av Aubrey BeardsleyHow King Mark and Sir Dinadan Heard Sir Palomides I 85Cinesias Entreating Myrrhina to Coition av Aubrey BeardsleyCinesias Entreating Myrrhina to Coition 86A Snare of Vintage av Aubrey BeardsleyA Snare of Vintage 87Cover design for 'The Yellow Book' av Aubrey BeardsleyCover design for 'The Yellow Book' 88Pierrot av Aubrey BeardsleyPierrot 89Seated Lady av Aubrey BeardsleySeated Lady 90Ballet of Marionettes II av Aubrey BeardsleyBallet of Marionettes II 91The Artist' Bookplate av Aubrey BeardsleyThe Artist' Bookplate 92Pierrot av Aubrey BeardsleyPierrot 93Hail Mary (pencil) av Aubrey BeardsleyHail Mary (pencil) 94The Litany of Mary Magdalen av Aubrey BeardsleyThe Litany of Mary Magdalen 95Lady with Cello av Aubrey BeardsleyLady with Cello 96Juvenal Scourging Woman av Aubrey BeardsleyJuvenal Scourging Woman 97Mrs Pinchwife Country Wife by Wycherley av Aubrey BeardsleyMrs Pinchwife Country Wife by Wycherley 98Mademoiselle de Maupin av Aubrey BeardsleyMademoiselle de Maupin 99Frontispiece av Aubrey BeardsleyFrontispiece 100Madame Rejane av Aubrey BeardsleyMadame Rejane

Aubrey Beardsleys berömda målningar, period för period

Motiven som fångade Aubrey Beardsleys blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Aubrey Beardsleys originalverk

De 3 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Aubrey Beardsley Målningar från denna lista
British Library, LondonBritish Library London 2 Salomé, Plate 9, Salomé, Plate 3
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Frontispiece for 'The Yellow Book: An Illustrated Quarterly'
Bratislava City Gallery, BratislavaBratislava City Gallery Bratislava 1 Cover 1894

Aubrey Beardsley genom åren: de unika originalen från varje verk

Mellan 1893 och 1898, totalt 6 år, skapade Aubrey Beardsley varje daterat original som visas här: en kort tidsperiod, år för år.

Verk per år

Välj ett år för att se originalen.

Aubrey Beardsleys målningar: frågor till galleriet

Vilket är Aubrey Beardsleys mest kända verk?Visa svaret

Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894), Yale Center for British Art, New Haven. La Beale Isoud at Joyous Gard (1894) och The Climax följer efter.

Vid vilken ålder skapade Aubrey Beardsley Frontispiece for 'The Yellow Book: An Illustrated Quarterly'?Visa svaret

22 år gammal: Frontispiece for 'The Yellow Book: An Illustrated Quarterly' är från 1894, och Aubrey Beardsley föddes 1872.

Vilka tio målningar av Aubrey Beardsley är de mest kända?Visa svaret

Frontispiece for 'The Yellow Book: An Illustrated Quarterly', La Beale Isoud at Joyous Gard, The Climax, The Scarlet Pastorale, The cover of The Yellow Book, The Black Cape, The Yellow Book, Sir Launcelot and the Witch Hellawes, Ali Baba in the Woods och Caprice. Verso: Masked Woman with a White Mouse. Rankingen ovan visar varje verks årtal och museum.

Hur många verk av Aubrey Beardsley är kända?Visa svaret

Vår katalog innehåller 242 verk av Aubrey Beardsley, daterade från 1893 till 1898.

Var kan de mest kända originalen av Aubrey Beardsley ses?Visa svaret

Främst i British Library (London), Yale Center for British Art (New Haven) och Bratislava City Gallery (Bratislava). Museitabellen ovan listar alla.

Under vilken period skapade Aubrey Beardsley sina mest kända målningar?Visa svaret

Under 1894: 21 av de 100 verk som finns på denna sida skapades då, varav Frontispiece for 'The Yellow Book: An Illustrated Quarterly'.

Vilket av de kända verken av Aubrey Beardsley är det tidigaste respektive det senaste?Visa svaret

På den här sidan är det tidigaste Waiting (1893) och det senaste Initial Letter 'V' to Volpone (1898).

Vilka motiv föredrog Aubrey Beardsley?Visa svaret

Black and white (40), Woman (32) och Man (12), fördelat på 100 verk på denna sida.

Vilka material använde Aubrey Beardsley mest av när hen målade?Visa svaret

Ink On Paper, för 28 av de 100 verk som finns på denna sida.

Vilken konstinriktning tillhör Aubrey Beardsleys verk?Visa svaret

Art nouveau, om man dömer efter originalen på denna sida.

Vilka original av Aubrey Beardsley kan jag se på British Library?Visa svaret

Salomé, Plate 9 och Salomé, Plate 3: British Library, London har 2 av verken på denna sida.

Aubrey Beardsley: ett porträtt av konstnären

Early Life and Artistic Beginnings

Aubrey Vincent Beardsley, a name synonymous with decadent beauty and unsettling eroticism, was born on August 21st, 1872, in the seaside town of Brighton, England. His early life was marked by both privilege and profound fragility; his father, Vincent Paul Beardsley, a man who had lost his fortune and standing in society, provided for the family through insurance work, while his mother, Ellen Agnus Pitt, possessed musical talent and artistic inclinations. From a young age, Aubrey displayed a remarkable aptitude for music, performing as a pianist at various events, but it was his burgeoning passion for drawing that truly captured his imagination. Despite a childhood shadowed by tuberculosis – a disease that would tragically claim his life at the tender age of 25 – Beardsley’s mother recognized and nurtured his artistic talent, encouraging him to pursue his creative endeavors. He spent his formative years immersed in literature and art, developing a keen eye for detail and an appreciation for diverse influences, including the Pre-Raphaelites, Japanese woodcuts, and the burgeoning Art Nouveau movement.

The Rise of a Unique Style

Beardsley’s artistic style emerged as a potent blend of these disparate inspirations. Rejecting traditional illustration techniques, he embraced the stark contrast between black ink and white space – a deliberate choice that created an atmosphere of both drama and unsettling beauty. His drawings were characterized by intricate linework, often rendered with a delicate precision, juxtaposed against areas of bold darkness. This technique, heavily influenced by Japanese woodblock prints, allowed him to depict scenes of exquisite detail while simultaneously conveying a sense of underlying tension and eroticism. He wasn’t simply illustrating; he was constructing worlds—worlds filled with mythological figures, decadent courtesans, and unsettlingly beautiful landscapes. His work quickly gained notoriety for its provocative subject matter and unconventional aesthetic, challenging the prevailing norms of Victorian society.

Collaboration and Controversy: The Yellow Book

Beardsley's career truly took flight in 1894 when he became an art editor for *The Yellow Book*, a prestigious literary magazine that championed Aestheticism – a movement emphasizing beauty and sensory experience over moral or social concerns. This collaboration proved to be transformative, providing him with a platform to showcase his distinctive style and establish himself as a leading figure in the artistic community. He created stunning cover designs and numerous illustrations for the magazine, often depicting scenes of lavish parties, seductive encounters, and fantastical landscapes. However, Beardsley’s provocative imagery also attracted considerable controversy. His depictions of sexuality were deemed scandalous by some critics and members of the public, leading to censorship attempts and a significant amount of negative publicity. Despite this opposition, *The Yellow Book* continued to publish his work, solidifying Beardsley's reputation as a daring and innovative artist.

Notable Works and Lasting Influence

Beyond *The Yellow Book*, Beardsley produced a remarkable body of work that continues to captivate audiences today. His illustrations for Oscar Wilde’s play *Salomé* are perhaps his most famous, capturing the tragic beauty and unsettling sensuality of the protagonist. He also created stunning images for Thomas Malory's *Le Morte d'Arthur*, illustrating scenes of chivalry, romance, and adventure with a distinctly Beardsley twist. His work extended to other projects, including illustrations for Alexander Pope’s *The Rape of the Lock* and a series of erotic drawings based on Aristophanes’ *Lysistrata*. His influence can be seen throughout the Art Nouveau movement, inspiring artists such as Aubrey Beardsley, and his distinctive style continues to resonate with contemporary audiences. His legacy is not simply one of beautiful images; it's a testament to an artist who defied convention and pushed the boundaries of artistic expression.

A Tragic Legacy

Aubrey Beardsley’s life was tragically cut short by tuberculosis in 1898, at the age of just 25. Despite his untimely death, his work continued to circulate and gain recognition throughout the early 20th century. His illustrations were reproduced in books, magazines, and posters, cementing his place as a pivotal figure in the history of art. Today, Beardsley’s legacy endures as a symbol of artistic rebellion, decadent beauty, and unsettling eroticism—a testament to the enduring power of a truly unique and visionary artist.