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De 1 mest kända Theodor van Pee-målningarna, varje ett unikt konstverk
Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 1 verk av Theodor van Pee i vår katalog
Kortfattat
A painter and his muse in a workshop (1719) är den målning av Theodor van Pee som drar till sig flest blickar; originalet finns på Staatliche Kunsthalle Karlsruhe, Karlsruhe. Bland de 1 verk av Theodor van Pee i vår katalog är dessa 1 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
1668 – 1746, Amsterdam
Flest verk: Staatliche Kunsthalle Karlsruhe
Topp 10 målningar av Theodor van Pee, ur galleriets perspektiv
Museerna som förvarar Theodor van Pees originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Theodor van Pee | Målningar från denna lista |
|---|---|---|---|
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee genom åren: de unika originalen från varje verk
Samtliga daterade original av Theodor van Pee som visas här tillhör ett och samma år, 1719: de är sorterade efter kändisskap.
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Theodor van Pees målningar: frågor till galleriet
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A painter and his muse in a workshop (1719)
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51 år gammal: A painter and his muse in a workshop är från 1719, och Theodor van Pee föddes 1668.
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Vår katalog innehåller 1 verk av Theodor van Pee.
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Främst i Staatliche Kunsthalle Karlsruhe (Karlsruhe). Museitabellen ovan listar alla.
Theodor van Pee: ett porträtt av konstnären
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.