Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 112 verk av Samuel Peploe i vår katalog
Kortfattat
Av alla originalverk som Samuel Peploe lämnade efter sig är det mest kända Street Scene, France (1910). Tätt efter följer Margaret Peploe (1911) och The Lobster (1903). Vår katalog innehåller 112 verk av Samuel Peploe; galleriet har bevarat de 100 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
In this 1911 oil on panel, Samuel Peploe turns his attention to Margaret Peploe. The portrait captures a woman in a moment of quiet reflection, her gaze directed away from the viewer toward something unseen to the side. There is a certain stillness in her pensive expression that invites a closer look at the subtle nuances of her character.
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Evening, North Berwick is a work by Samuel Peploe, executed about 1903. The artist, born in Edinburgh, United Kingdom, was a significant figure in early 20th-century British art. Peploe's career spanned several decades until his death in 1935.
In this work, titled Tulips and Fruit, we encounter a significant example of the skill of Samuel Peploe. Painted in 1919, the piece reflects the artist's established presence within the early twentieth-century British art scene. Peploe, a Scottish Master of Colour and Light, brought a specific sensibility to his arrangements, focusing on the way light interacts with form and hue.
In this 1911 work titled Self-Portrait, the artist Samuel Peploe gazes back from the canvas, capturing a moment of quiet introspection. The subject is a man with a mustache, his features emerging from a dark, indistinct background. He holds a pipe in his mouth, a small detail that grounds the figure in a sense of personal habit and stillness. The portrait focuses on the man's face and torso, presenting a…
In this intimate oil portrait, titled Boy Reading (Portrait Of The Artist's Son, Willie), the viewer finds themselves drawn into a private, quiet moment. The subject is Willie, the son of the artist Samuel Peploe. There is a sense of stillness in the way the young boy is captured, lost entirely in the pages of his book. The connection between the painter and the subject feels deeply personal, as if…
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
In Portrait of the Artist's Wife, Samuel Peploe centers the composition on a woman depicted from the waist up. The subject occupies most of the frame, creating an immediate sense of proximity. This frontal view establishes an intimate connection between the sitter and the viewer, as the figure dominates the visual field against a receding, shadowy space.
In Mrs. Peploe, Samuel Peploe captures a quiet moment within an interior setting. The subject sits upon a couch, her presence anchoring the scene. While the composition feels central, the woman is positioned slightly off-center, a choice that introduces a subtle sense of movement to her seated pose. This slight asymmetry draws the eye across the frame, following the soft lines of her figure against the domestic backdrop. The arrangement…
Perthshire landscape (Blair Fettie)1935 · Art Gallery of New South Wales
12
Samuel John Peploe, 1871 - 1935. Artist (Self-portrait)1911 · Scottish National Portrait Gallery
13
Kirkcudbright1919
14
Still life: apples and jar1912 · Art Gallery of New South Wales
15
Still LIfe with Pink and Red Roses in a Chinese Vase1920
16
Étaples1906 · Scottish National Gallery of Modern Art
17
The Green Blouse1904 · Scottish National Gallery of Modern Art
18
Still life with pears and wineglass1915 · Art Gallery of South Australia
19
The Harbor at Cassis
20
Still Life of Red Tulips in a Chinese Vase
21
Peonies1902 · Scottish National Gallery of Modern Art
22
Flowers in a Green Vase1920
23
Tulips1912
24
Tulips and Cup1912
25
Waves1903 · Scottish National Gallery of Modern Art
26
North Berwick1903 · Scottish National Gallery of Modern Art
27
Rocks at Barra1903 · Scottish National Gallery of Modern Art
28
Barra1903 · Scottish National Gallery of Modern Art
29
Barra1903 · Scottish National Gallery of Modern Art
30
Still Life, Painter's Materials1900
31
Souvenir1905
32
Street in Comrie1902
33
The Cart, Comrie1900
34
Comrie1900
35
Jeffrey's Brewery, Edinburgh1900
36
Still LIfe with Coffee Pot1905
37
North Berwick1903
38
Man Laughing (Tom Morris)1902 · Scottish National Gallery of Modern Art
39
Jeannie Blyth1905
40
Roses in a Blue and White Vase, Black Background1904
41
Flowers against a Dark Background1899
42
Boats at Royan1910 · Scottish National Gallery of Modern Art
43
Game of Tennis, Luxembourg Gardens1906 · Scottish National Gallery of Modern Art
44
On the French Coast1907 · Scottish National Gallery of Modern Art
45
Veules-les-Roses1910
46
Paris-Plage1907
47
Girl in White1907
48
Girl in White1907
49
Lady in a White Dress1906
50
Ile de Bréhat1911 · Scottish National Gallery of Modern Art
51
Nannie1908 · University of Dundee
52
The Luxembourg Gardens1910
53
On the Seine1907
54
Ile de Bréhat1911
55
Pink Roses, Chinese Vase1916
56
In Port, Cassis1913
57
A Still LIfe of Roses, Oranges and Lemon1916
58
Laggan Farm Buildings near Dalbeattie1916
59
Kirkcudbright, Street Corner1917
60
Flowers and Fruit (also known as Flowers and Fruit on a Japanese Background)1915
61
Tulips - The Blue Jug1919 · Scottish National Gallery of Modern Art
62![Roses [verso: Portrait of a Woman] (1920) av Samuel Peploe](/media/artworks/images-thumb/76/d0/76d0be6be0ff9ca06190f51d086b5ee1.jpg)
Roses [verso: Portrait of a Woman]1920 · Scottish National Gallery of Modern Art
63
Douglas Hall, Dumfries1918 · Art Gallery of New South Wales
64
Cathedral Rock, Iona1920
65
Still Life with Roses, Oranges and Apples1920
66
Green Sea, Iona1920
67
Dish with Apples (also known as The Ginger Jar)1918
68
Still LIfe, Roses and Book1920
69
Iona1923 · Scottish National Gallery of Modern Art
70
Aspidistra1927
71
Chops1927
72
Still Life With Roses1924
73
Iona, Pink Rocks1927
74
Landscape, Cassis1924
75
Blue Sea, Iona1927
76
Iona, Grey Day1927
77
The Ginger Jar1926
78
Landscape at Cassis1924 · Scottish National Gallery of Modern Art
79
Studio Interior1929
80
Tulips In A Brown Jar1933
81
Landscape1932
82
Stormy Weather, Iona1929
83
River1932
84
Iona Study1929 · Scottish National Gallery of Modern Art
85
Landscape1932
86
The Green Jar1930
87
Interior with Japanese Print1916
88
Still LIfe with Statuette and Books1920
89
Fruit and FlowersIndianapolis konstmuseum
90
Still Life with Melon and Apples
91
Still Life - Roses And Apples
92
Still Life With Tulips And Fan
93
A Perthshire Road
94
Pink Roses
95
The White Strand, Iona
96
Woman with Long Hair
97
Figures on a Beach
98
Kirkcudbright
99
Female Nude with PitcherUniversity of Edinburgh Fine Art Collection
100
Flowers in a Silver Jug
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 7 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Samuel Peploe | Målningar från denna lista |
|---|---|---|---|
 Scottish National Gallery of Modern Art |
Edinburgh | 20 | Self-Portrait, Portrait of the Artist's Wife, Étaples |
 Art Gallery of New South Wales |
Sydney | 3 | Perthshire landscape (Blair Fettie), Still life: apples and jar, Douglas Hall, Dumfries |
 Scottish National Portrait Gallery |
Edinburgh | 1 | Samuel John Peploe, 1871 - 1935. Artist (Self-portrait) |
 Art Gallery of South Australia |
Adelaide | 1 | Still life with pears and wineglass |
 University of Dundee |
Dundee | 1 | Nannie |
 Indianapolis konstmuseum |
Indianapolis | 1 | Fruit and Flowers |
 University of Edinburgh Fine Art Collection |
Edinburgh | 1 | Female Nude with Pitcher |
Välj ett decennium för att se originalverket som definierar det.
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
To gaze upon Samuel John Peploe’s Still Life with Pink and Red Roses in a Chinese Vase is to step directly into the vibrant, sun-drenched palette of early 20th-century Scottish artistry. This painting, executed in 1920, transcends the mere depiction of flowers and fruit; it is a carefully orchestrated meditation on beauty, transience, and the enduring power of color. Peploe, a master who navigated the currents of Post-Impressionism while retaining…
Street Scene, France (1910). Därefter följer Margaret Peploe (1911) och The Lobster (1903).
39 år gammal: Street Scene, France är från 1910, och Samuel Peploe föddes 1871.
Street Scene, France, Margaret Peploe, The Lobster, Evening, North Berwick, Tulips and Fruit, Self-Portrait, Boy Reading (Portrait Of The Artist's Son, Willie), Gypsy, Portrait of the Artist's Wife och Mrs. Peploe. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 112 verk av Samuel Peploe, daterade från 1899 till 1935.
Främst i Scottish National Gallery of Modern Art (Edinburgh), Art Gallery of New South Wales (Sydney) och Scottish National Portrait Gallery (Edinburgh). Museitabellen ovan listar alla.
Under 1900s: 33 av de 100 verk som finns på denna sida skapades då, varav The Lobster.
På den här sidan är det tidigaste Gypsy (1899) och det senaste Perthshire landscape (Blair Fettie) (1935).
Still life (7), Flowers (7) och Woman (4), fördelat på 100 verk på denna sida.
Oil On Canvas, för 14 av de 100 verk som finns på denna sida.
Post-impressionism, om man dömer efter originalen på denna sida.
Self-Portrait, Portrait of the Artist's Wife och Étaples: Scottish National Gallery of Modern Art, Edinburgh har 20 av verken på denna sida.
