Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 33 verk av Robert Walter Weir i vår katalog
Kortfattat
Av alla originalverk som Robert Walter Weir lämnade efter sig är det mest kända Embarkation of the Pilgrims (1837), i samlingen hos Brooklyn Museum, Brooklyn. Tätt efter följer The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527 (1834) och The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly (1830). Vår katalog innehåller 33 verk av Robert Walter Weir; galleriet har bevarat de 32 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The air feels heavy with the salt spray of the sea and the weight of an uncertain future. On the deck of the ship Speedwell, a group of travelers gathers, their faces etched with a mixture of solemnity and quiet determination. They stand at the threshold of the unknown, poised between the lives they are leaving behind and the vast, Atlantic expanse that awaits them. The scene captures a pause…
The painting titled The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527 was executed by the artist Robert Walter Weir. Created in 1834, this oil on wood work depicts a specific moment during a military movement. The subject matter focuses on the Duke of Bourbon's halt during his march toward the Assau in Rome.
The scene unfolds within the dramatic world of Shakespeare, specifically capturing a moment from The Merry Wives of Windsor. This oil on canvas painting, titled The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly, brings a theatrical tension to life. The figures appear caught in a sudden, startling encounter that feels as though it is happening right before our eyes. It is a work that breathes with the…
The portrait titled Mrs. Bradford Ripley Alden and her Children was painted by Robert Walter Weir. This work, dating to about 1852, captures a quiet domestic scene within an elegantly appointed interior. The subject of the painting is Mrs. Bradford Ripley Alden and her Children, presented in a moment of familial stillness.
The oil painting titled General Winfield Scott features the likeness of the military leader Winfield Scott. Painted by Robert Walter Weir about 1855, the work captures a man defined by his service. Scott’s history is etched into the fabric of American conflict, having served in the War of 1812 and the Indian Wars. He held the rank of brevetted major general in 1814 and eventually rose to the position of…
Robert Walter Weir (1803-1889)1862 · New York Historical Society
12
Nathaniel Platt Bailey (1809-1892)1859 · New York Historical Society
13
General Winfield Scott1855 · Metropolitan Museum of Art
14
St. Nicholas1837 · Smithsonian American Art Museum
15
Bay of Naples1830 · Museum of Fine Arts
16
Lady in Red Bodice1830
17
The Fountain of Cicero1829
18
Greenwich Boat Club1833
19
Saint Nicholas1837 · New York Historical Society
20
The Landing of Henry Hudson1838
21
Niagara Falls1858
22
A View of the Hudson from West Point1863
23
John Ferguson Weir1864
24
Picnic along the Hudson1881
25
The Hudson River from Hoboken1878 · Detroit Institute of Arts
26
The Microscope1849 · Yale University Art Gallery
27
Taking the Veil1863 · Yale University Art Gallery
28
LandscapeDetroit Institute of Arts
29
Venice
30
Hudson River, Looking South from West Point
31
Katterskill Falls, New York
32
Self Portrait
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Robert Walter Weir | Målningar från denna lista |
|---|---|---|---|
 New York Historical Society |
New York City | 5 | Sagoyewatha, or "Red Jacket" (ca. 1758–1830), Self-Portrait, Robert Walter Weir (1803-1889) |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly, (Moses Viewing the Promised Land), St. Nicholas |
 Detroit Institute of Arts |
Detroit | 3 | Mrs. Bradford Ripley Alden and her Children, The Hudson River from Hoboken, Landscape |
 Museum of Fine Arts |
Boston | 2 | Bianca, Bay of Naples |
 Yale University Art Gallery |
Hartford | 2 | The Microscope, Taking the Veil |
 Brooklyn Museum |
Brooklyn | 1 | Embarkation of the Pilgrims |
 Los Angeles County Museum of Art |
Los Angeles | 1 | The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527 |
 National Portrait Gallery |
Washington, D.C. | 1 | Winfield Scott |
Välj ett decennium för att se originalverket som definierar det.
The air feels heavy with the salt spray of the sea and the weight of an uncertain future. On the deck of the ship Speedwell, a group of travelers gathers, their faces etched with a mixture of solemnity and quiet determination. They stand at the threshold of the unknown, poised between the lives they are leaving behind and the vast, Atlantic expanse that awaits them. The scene captures a pause…
The portrait titled Mrs. Bradford Ripley Alden and her Children was painted by Robert Walter Weir. This work, dating to about 1852, captures a quiet domestic scene within an elegantly appointed interior. The subject of the painting is Mrs. Bradford Ripley Alden and her Children, presented in a moment of familial stillness.
In the quiet majesty of Robert Walter Weir’s 1878 masterpiece, The Hudson River from Hoboken, we are invited to step back into a vanished era of American maritime life. This evocative scene captures more than just a geographical vista; it serves as a living tableau of the bustling vitality that once defined the Hudson Valley harbor. As the eye wanders across the canvas, one encounters a rhythmic dance of movement…
Embarkation of the Pilgrims (1837), Brooklyn Museum, Brooklyn. The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527 (1834) och The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly (1830) följer efter.
34 år gammal: Embarkation of the Pilgrims är från 1837, och Robert Walter Weir föddes 1803.
Embarkation of the Pilgrims, The Duke of Bourbon's Halt at La Riccia, on His March to the Assau Rome, May 3d, 1527, The Merry Wives of Windsor: Dr. Caius, Simple and Dame Quickly, Mrs. Bradford Ripley Alden and her Children, Sagoyewatha, or "Red Jacket" (ca. 1758–1830), Self-Portrait, Bianca, Winfield Scott, Robed Man in an Archway och (Moses Viewing the Promised Land). Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 33 verk av Robert Walter Weir, daterade från 1824 till 1881.
Främst i New York Historical Society (New York City), Smithsonian American Art Museum (Washington, D.C.) och Detroit Institute of Arts (Detroit). Museitabellen ovan listar alla.
Under 1830s: 10 av de 32 verk som finns på denna sida skapades då, varav Embarkation of the Pilgrims.
På den här sidan är det tidigaste Self-Portrait (1824) och det senaste Picnic along the Hudson (1881).
Sky (3), Man (3) och Woman (2), fördelat på 32 verk på denna sida.
Oil On Canvas, för 5 av de 32 verk som finns på denna sida.
Hudson river school, om man dömer efter originalen på denna sida.
Sagoyewatha, or "Red Jacket" (ca. 1758–1830), Self-Portrait och Robert Walter Weir (1803-1889): New York Historical Society, New York City har 5 av verken på denna sida.
