Kortfattat
The Princess, St. George and St. Louis, after Tintoretto (1892) är den målning av Robert David Gauley som drar till sig flest blickar; originalet finns på Harvard Art Museums, Cambridge. Därefter dras blicken till Three Figures in Procession, after Tintoretto (1896) och Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896). Bland de 15 verk av Robert David Gauley i vår katalog är dessa 15 de mest kända, var och en ett unikt original presenterat med sitt år, sitt museum och anledningen till dess tidlösa betydelse.
Topp 10 målningar av Robert David Gauley, ur galleriets perspektiv
Robert David Gauleys berömda målningar, nummer 11 till 15
Museerna som förvarar Robert David Gauleys originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Robert David Gauley | Målningar från denna lista |
|---|---|---|---|
| Cambridge | 15 | The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca |
Robert David Gauley genom åren: de unika originalen från varje verk
Mellan 1892 och 1898, totalt 7 år, skapade Robert David Gauley varje daterat original som visas här: en kort tidsperiod, år för år.
Verk per år
Välj ett år för att se originalen.
Robert David Gauleys målningar: frågor till galleriet
Vilket är Robert David Gauleys mest kända verk?Visa svaret
The Princess, St. George and St. Louis, after Tintoretto (1892), Harvard Art Museums, Cambridge. Three Figures in Procession, after Tintoretto (1896) och Battista Sforza, Duchess of Urbino, after Piero della Francesca (1896) följer efter.
Vid vilken ålder skapade Robert David Gauley The Princess, St. George and St. Louis, after Tintoretto?Visa svaret
17 år gammal: The Princess, St. George and St. Louis, after Tintoretto är från 1892, och Robert David Gauley föddes 1875.
Vilka tio målningar av Robert David Gauley är de mest kända?Visa svaret
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto, Battista Sforza, Duchess of Urbino, after Piero della Francesca, Wedding Feast at Cana, after Tintoretto, Baptism of Christ, after Verrocchio, St. George Killing the Dragon, after Carpaccio, Mountain Pass, The Nile at Assouan, Moonlight, Buildings, Assouan och Pomegranates, Granada. Rankingen ovan visar varje verks årtal och museum.
Hur många verk av Robert David Gauley är kända?Visa svaret
Vår katalog innehåller 15 verk av Robert David Gauley, daterade från 1892 till 1898.
Var kan de mest kända originalen av Robert David Gauley ses?Visa svaret
Främst i Harvard Art Museums (Cambridge). Museitabellen ovan listar alla.
Under vilken period skapade Robert David Gauley sina mest kända målningar?Visa svaret
Under 1896: 8 av de 15 verk som finns på denna sida skapades då, varav Three Figures in Procession, after Tintoretto.
Vilket av de kända verken av Robert David Gauley är det tidigaste respektive det senaste?Visa svaret
På den här sidan är det tidigaste The Princess, St. George and St. Louis, after Tintoretto (1892) och det senaste St. George Killing the Dragon, after Carpaccio (1898).
Vilka original av Robert David Gauley kan jag se på Harvard Art Museums?Visa svaret
The Princess, St. George and St. Louis, after Tintoretto, Three Figures in Procession, after Tintoretto och Battista Sforza, Duchess of Urbino, after Piero della Francesca: Harvard Art Museums, Cambridge har 15 av verken på denna sida.
Robert David Gauley: ett porträtt av konstnären
A Journey Through Light and Landscape: The Life of Robert David Gauley
Born in the verdant landscapes of Carnaveigh, County Monaghan, Ireland, in 1875, Robert David Gauley possessed a spirit destined for the vastness of the world. Though his roots were Irish, his artistic soul was shaped by the bustling cultural melting pot of Boston, where his family emigrated during his childhood. This early transition from the quietude of Ireland to the vibrant American art scene provided the foundation for a career defined by an insatiable curiosity and a masterful command of both oil and watercolor. Gauley was not merely a painter of scenes; he was a chronicler of light, a traveler who sought to absorb the essence of every horizon he encountered.
His formal education was steeped in the prestigious traditions of the late nineteenth century. In Cambridge, Massachusetts, he began his rigorous training under the guidance of Denman Waldo Ross, before moving to the School of the Museum of Fine Arts in Boston. It was here that he studied under the luminaries Edmund C. Tarbell and Frank W. Benson, masters of the Boston School whose emphasis on light, atmosphere, and delicate impressionistic touches would undoubtedly leave their mark on his developing technique. Seeking to refine his vision even further, Gauley ventured to Paris to study at the Academie Julian, immersing himself in the classical rigor of William Bouguereau and Gabriel Ferrier. This blend of American Impressionism and French Academic excellence created a unique stylistic duality in his work.
The Wanderer’s Eye: Travels and Artistic Evolution
Perhaps the most defining period of Gauley’s life was his extensive period of travel, which saw him traversing Europe, the Mediterranean, and the Near East. In 1893, as a young man driven by an intense desire to witness the world's grandeur, he embarked on a journey that would yield a lifetime of visual treasures. His sketches and paintings from this era serve as a dazzling panorama of a vanishing era; he captured the sweeping landscapes of North Africa, the intricate architectural details of Italian palaces, and the sun-drenched vistas of the Mediterranean coast. Through his eyes, we see the late nineteenth century not just as a historical period, but as a living, breathing tapestry of color and texture.
Gauley’s ability to transition between the broad, emotive strokes of landscape painting and the meticulous precision required for figure and portrait work speaks to his immense versatility. His work often reflects a deep reverence for the Old Masters, frequently making copies of their techniques wherever he encountered them during his travels. This practice allowed him to integrate classical mastery with a modern, observational sensitivity. Whether working in the fluid transparency of watercolor or the rich, layered depths of oil, Gauley sought to capture the "saturation" of experience—the feeling of being completely immersed in a moment of discovery.
Legacy and Recognition
The excellence of Gauley’s talent was recognized on the most prestigious stages of his time. After exhibiting at the Paris Exposition, where he was honored with a medal for his work, he settled in New York City, becoming a prominent figure in the American art community. His contributions were celebrated by several esteemed institutions:
- The American Watercolor Society: Where his skill in the medium allowed him to capture the fleeting qualities of light and atmosphere.
- The New York Watercolor Club: A testament to his standing among his peers in the vibrant New York art scene.
- The National Academy of Design: Where he achieved the distinction of becoming an Associate member.
One of his most significant individual triumphs occurred in 1908, when he was awarded the Clarke Prize at the National Academy's annual exhibition for the best figure painting, a testament to his profound understanding of the human form and its place within a composition. Today, the works of Robert David Gauley reside in esteemed collections such as the Harvard Art Museums and the Kennedy Museum of Art, serving as enduring windows into a world of classical beauty and adventurous spirit. His legacy remains that of a true artist-explorer, whose brush captured the very soul of the landscapes he traversed.





