Porträtt av Percy Horton

De 18 mest kända målningarna av Percy Horton, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 18 verk av Percy Horton i vår katalog

Kortfattat

Av alla originalverk som Percy Horton lämnade efter sig är det mest kända Unemployed Man (1929). Tätt efter följer House on the Seine (1925) och Flowerpiece (1929). Vår katalog innehåller 18 verk av Percy Horton; galleriet har bevarat de 18 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1897 – 1970, Brighton Flest verk: The Ashmolean Museum of Art and Archaeology

Percy Hortons 10 främsta målningar: galleriets utvalda verk

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Unemployed Man (1929) av Percy Horton

Unemployed Man

1929 · Oil

Percy Horton produced Unemployed Man around 1929. The work emerged during a period of significant economic hardship, functioning as a depiction of an individual affected by the Great Depression. Through this portrait, Horton engages with the social realities of the interwar years, focusing on the human condition amidst widespread financial instability.

Urvalet av Percy Horton fortsätter, 11 till 18

Motiven som fångade Percy Hortons blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Percy Hortons originalverk

De 4 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Percy Horton Målningar från denna lista
The Ashmolean Museum of Art and Archaeology, OxfordThe Ashmolean Museum of Art and Archaeology Oxford 2 Flowerpiece, The Rugmaker
Girton College, CambridgeGirton College Cambridge 1 Helen Marion Wodehouse
Andover Guildhall, AndoverAndover Guildhall Andover 1 Sydney Robert Bell, Mayor of Andover (1939–1943)
Towner, EastbourneTowner Eastbourne 1 Village in Luberon, France

Percy Horton decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Percy Hortons målningar

Vilket verk är Percy Horton mest känd för?Visa svaret

Unemployed Man (1929). Därefter följer House on the Seine (1925) och Flowerpiece (1929).

Hur gammal var Percy Horton när Unemployed Man skapades?Visa svaret

32 år gammal: Unemployed Man är från 1929, och Percy Horton föddes 1897.

Vilka är de tio mest kända målningarna av Percy Horton?Visa svaret

Unemployed Man, House on the Seine, Flowerpiece, Dulwich Trees, Coates Corner, Assington, Suffolk, Untitled A House at Ambleside, Lakeland Landscape, Portrait of the Artist's Mother, The Shepherd och Mrs Simpson. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Percy Horton efter sig?Visa svaret

Vår katalog innehåller 18 verk av Percy Horton, daterade från 1925 till 1946.

I vilka museer hänger Percy Hortons mästerverk?Visa svaret

Främst i The Ashmolean Museum of Art and Archaeology (Oxford), Girton College (Cambridge) och Andover Guildhall (Andover). Museitabellen ovan listar alla.

Under vilka år målade Percy Horton sina mest kända verk?Visa svaret

Under 1940s: 11 av de 18 verk som finns på denna sida skapades då, varav Untitled A House at Ambleside.

Vilka är de första och sista kända originalverken av Percy Horton?Visa svaret

På den här sidan är det tidigaste House on the Seine (1925) och det senaste The Rugmaker (1946).

Vilka motiv valde Percy Horton oftast?Visa svaret

Portrait (2), Vintage art (2) och Rural landscape (2), fördelat på 18 verk på denna sida.

Vilka verk av Percy Horton finns utställda på The Ashmolean Museum of Art and Archaeology?Visa svaret

Flowerpiece och The Rugmaker: The Ashmolean Museum of Art and Archaeology, Oxford har 2 av verken på denna sida.

Percy Horton: liv och verk

The Visionary of Rural England: The Life and Legacy of Percy Frederick Horton

Born in the coastal light of Brighton in 1897, Percy Frederick Horton emerged as a profound voice in the tapestry of twentieth-century British art. His journey was one defined by a deep-seated connection to the natural world and an unwavering commitment to the emotional truth found within observation. Growing up in a working-class family, Horton’s path was paved by talent and scholarship, leading him from the Brighton School of Art to the prestigious Royal College of Art. This formative period was not merely about technical mastery but about developing a soul that could converse with the landscape. His early years were marked by a significant moral stance; as a conscientious objector during the First World War, he faced imprisonment, an experience that undoubtedly deepened his introspective nature and perhaps fueled the psychological depth found in his later, more somber works.

Horton’s artistic evolution is a fascinating study of movement from the structured elegance of Academic Impressionism toward the raw, emotive power of Expressionism. Influenced by the monumental presence of Cézanne and the haunting psychological landscapes of Edvard Munch, he learned to use the brush not just to replicate reality, but to interpret it. His technique became a language of texture; through the deliberate use of impasto and bold, visible brushstrokes, he could convey the weight of a forest or the fleeting softness of a petal. This transition allowed him to move beyond mere depiction, capturing the very atmosphere—the moisture in the air, the brooding shadows of a woodland, and the quiet stillness of an English afternoon.

A Mastery of Light, Landscape, and Still Life

The breadth of Horton’s oeuvre reveals an artist capable of immense versatility, moving seamlessly between the grand scale of the English countryside and the intimate quietude of domestic life. His landscapes are perhaps his most enduring contribution to British art. In works such as ‘Lakeland Landscape’ (1943), one can feel the heavy, atmospheric tension of the Cumbrian forests, where the paint itself seems to hold the dampness of the mist. He possessed a rare ability to imbant a scene with a sense of time and place, whether it was the rugged beauty of the Lakes or the gentle, rolling hills of Suffolk, as seen in his evocative ‘Coates Corner’.

Yet, Horton was equally adept at finding the infinite within the small. His still lifes, such as the delicate ‘Flowerpiece’ (1929), demonstrate a masterful command of light and shadow. In these compositions, pink roses and weathered books are bathed in a soft, ethereal glow, inviting the viewer into a moment of profound tranquility. This duality—the ability to capture both the epic and the intimate—is what defines his unique artistic signature. His work often serves as a bridge between the Victorian sensibilities of his youth and the modern, fractured perspectives of the mid-twentieth century.

The Educator and the Enduring Influence

Beyond the canvas, Horton’s impact on the art world was cemented through his profound dedication to teaching. His career as an educator was as distinguished as his time as a painter. Serving as the Ruskin Master of Drawing at the University of Oxford from 1949 to 1964, he became a custodian of classical principles while encouraging the next generation to explore modern expression. He understood that true art required both a foundation in rigorous observation and the courage to experiment with form and emotion.

The legacy of Percy Frederick Horton resides not only in the museums that house his paintings but in the very way we perceive the British landscape. His life was a testament to the power of staying true to one's convictions, whether through political dissent or artistic innovation. Through his eyes, we continue to see the beauty of rural England—not as a static postcard, but as a living, breathing, and deeply emotional entity. His contributions to the Royal Society of British Artists and his lasting imprint on art education ensure that his vision remains an essential part of the historical narrative of British fine art.