Porträtt av Ottilie Roederstein

Ottilie Roedersteins målningar: De 10 mest kända, ur ett galleris perspektiv

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 10 verk av Ottilie Roederstein i vår katalog

Kortfattat

Ur galleriets perspektiv är Ottilie Roedersteins mest kända målning Portrait of a Painter in a Parisian Studio (1887), vars original hänger på Städel Museum i Frankfurt. Self-Portrait with a Hat (1904) och Le Mois de Marie (1905) fullbordar trion som alla känner igen. Av de 10 verk av Ottilie Roederstein i vår katalog presenterar galleriet nedan de 10 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.

1859 – 1937, Zurich Flest verk: Städel Museum

Galleriets 10 främsta målningar av Ottilie Roederstein

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Albert Clifford Barney (1900) av Ottilie Roederstein

Albert Clifford Barney

1900 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

This oil on canvas portrait depicts Albert Clifford Barney, a male subject presented in a waist-length composition. The work was executed by the German-Swiss painter Ottilie Wilhelmina Roederstein about 1900. The subject is positioned centrally, facing the viewer with a steady gaze. He is dressed in a heavy, dark coat featuring a thick fur trim and a white formal shirt visible at the collar.

Motiven som fångade Ottilie Roedersteins blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Ottilie Roedersteins originalverk

De 3 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Ottilie Roederstein Målningar från denna lista
Städel Museum, FrankfurtStädel Museum Frankfurt 5 Portrait of a Painter in a Parisian Studio, Self-Portrait with a Hat, Portrait of the Painter Jakob Nussbaum
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Old Man with Pipe, Albert Clifford Barney
Kunsthaus Zürich, ZürichKunsthaus Zürich Zürich 1 Self-Portrait with Brushes

Ottilie Roederstein, ett signaturverk per decennium

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Ottilie Roedersteins målningar: galleriets svar

Vilken av Ottilie Roedersteins målningar är den mest kända av alla?Visa svaret

Portrait of a Painter in a Parisian Studio (1887), Städel Museum, Frankfurt. Self-Portrait with a Hat (1904) och Le Mois de Marie (1905) följer efter.

Hur gammal var Ottilie Roederstein när Portrait of a Painter in a Parisian Studio färdigställdes?Visa svaret

28 år gammal: Portrait of a Painter in a Parisian Studio är från 1887, och Ottilie Roederstein föddes 1859.

Vilka är Ottilie Roedersteins 10 främsta målningar?Visa svaret

Portrait of a Painter in a Parisian Studio, Self-Portrait with a Hat, Le Mois de Marie, Their Daily Bread, Portrait of the Painter Jakob Nussbaum, Self-portrait with Folded Arms, Old Man with Pipe, Self-portrait with keys, Albert Clifford Barney och Self-Portrait with Brushes. Rankingen ovan visar varje verks årtal och museum.

Hur många verk skapade Ottilie Roederstein?Visa svaret

Vår katalog innehåller 10 verk av Ottilie Roederstein, daterade från 1887 till 1936.

Var hänger Ottilie Roedersteins mest kända original?Visa svaret

Främst i Städel Museum (Frankfurt), Smithsonian American Art Museum (Washington, D.C.) och Kunsthaus Zürich (Zürich). Museitabellen ovan listar alla.

När skapade Ottilie Roederstein sina mest kända målningar?Visa svaret

Under 1900s: 5 av de 10 verk som finns på denna sida skapades då, varav Self-Portrait with a Hat.

Vilka är Ottilie Roedersteins tidigaste och senaste kända verk?Visa svaret

På den här sidan är det tidigaste Portrait of a Painter in a Parisian Studio (1887) och det senaste Self-portrait with keys (1936).

Vilka motiv återkom Ottilie Roederstein till mest?Visa svaret

Portrait (3) och Man (2), fördelat på 10 verk på denna sida.

Vilket medium arbetade Ottilie Roederstein främst med?Visa svaret

Oil On Canvas, för 3 av de 10 verk som finns på denna sida.

Vilka original av Ottilie Roederstein finns i Städel Museums samlingar?Visa svaret

Portrait of a Painter in a Parisian Studio, Self-Portrait with a Hat och Portrait of the Painter Jakob Nussbaum: Städel Museum, Frankfurt har 5 av verken på denna sida.

Ottilie Roederstein: konstnären

A Pioneer of the Canvas: The Life and Legacy of Ottilie Roederstein

In the grand, often male-dominated tapestry of nineteenth-century European art, few threads shine with as much quiet resilience and technical brilliance as that of Ottilie Wilhelmine Roederstein. Born in Frankfurt, Germany, in 1859, Roederstein emerged during an era when the path for female artists was fraught with systemic barriers. Yet, through an unwavering dedication to her craft, she transcended these limitations to become a celebrated German-Swiss painter whose work continues to resonate with profound emotional depth and technical mastery. Her journey was not merely one of personal ambition, but a pioneering voyage that helped redefine the presence of women in the fine arts of Germany and Switzerland.

Roederstein’s artistic development was characterized by a sophisticated command of oil on canvas, a medium she utilized to explore the nuances of light, texture, and human character. Her style, often noted for its evocative nature, moved beyond simple representation to capture the psychological essence of her subjects. Whether through delicate portraiture or more complex figurative compositions, her brushwork possessed a unique ability to convey depth and nuance, inviting the viewer into a contemplative dialogue with the painted image. This mastery allowed her to navigate the transition between traditional academic styles and the burgeoning expressive movements of her time.

Personal Connections and Artistic Vision

The life of Roederstein was as rich and complex as the paintings she produced. Beyond the studio, her personal history played a significant role in shaping her worldview and artistic perspective. She shared a long-term, profound companionship with Elisabeth Winterhalter, a figure of great importance as one of the first female doctors in Germany. This relationship provided Roederstein with a stable emotional foundation and a connection to the progressive intellectual circles of her day. Such intimacy and support likely nurtured the introspective qualities found within her work, allowing her to approach portraiture with a level of empathy and insight that was rare among her contemporaries.

Her legacy is not only found in the pigments on canvas but in the historical significance of her role as a trailblazer. By establishing a successful professional career during a period of intense social transition, she served as a vital precursor for future generations of women artists. Her ability to command respect within the European art scene ensured that her voice—and the voices of those who followed—could be heard in the prestigious galleries and museums of Germany and Switzerland.

Preserving the Masterpiece

Today, the works of Ottilie Roederstein serve as a window into a bygone era of artistic refinement. While her paintings are held within various esteemed museum collections, such as the Gemäldegalerie Alte Meister in Germany, her influence extends far beyond the gallery walls. For those seeking to connect with her enduring spirit, high-quality reproductions offer a way to bring her evocative mastery into the modern home.

The appreciation of her art involves recognizing several key elements of her contribution to history:

  • Pioneering Spirit: Her status as one of the first women to achieve professional success in Germany and Switzerland.
  • Technical Excellence: The profound depth and nuanced application of oil paint that defines her signature style.
  • Historical Resonance: A life lived at the intersection of personal passion and social progress, reflected in her enduring portraits.

Through the careful preservation and reproduction of her works, the legacy of Roederstein remains vibrant, ensuring that her contribution to the history of European painting is never forgotten.