Porträtt av Olof Johan Södermark

De 11 mest kända målningarna av Olof Johan Södermark, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 11 verk av Olof Johan Södermark i vår katalog

Kortfattat

Av alla originalverk som Olof Johan Södermark lämnade efter sig är det mest kända Peder Anker (1830), i samlingen hos Bogstad, Oslo. Tätt efter följer The German Artist Franz Riepenhausen (1828) och Presumed Self Portrait (1827). Vår katalog innehåller 11 verk av Olof Johan Södermark; galleriet har bevarat de 11 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1790 – 1848, Landskrona Parish Flest verk: Nationalmuseum

Olof Johan Södermarks 10 främsta målningar: galleriets utvalda verk

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Portrait of Signora Vincensa av Olof Johan Södermark

Portrait of Signora Vincensa

Oil · Nationalmuseum, Stockholm

In the mid-1820s, while living in Rome, Olof Johan Södermark turned his attention away from the rigid structures of sculpture toward the intimate realities of daily existence. This oil portrait captures an employee in a Roman café, a woman caught in a moment of quiet, unposed labor. Unlike the idealized portraiture common to the era, this work rejects the polished perfection often demanded by high-society commissions. Instead, it offers a…

Urvalet av Olof Johan Södermark fortsätter, 11 till 11

Motiven som fångade Olof Johan Södermarks blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Olof Johan Södermarks originalverk

De 3 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Olof Johan Södermark Målningar från denna lista
Nationalmuseum, StockholmNationalmuseum Stockholm 8 The German Artist Franz Riepenhausen, Presumed Self Portrait, Regina. Roman Girl with Choral Necklace and Earrings
Bogstad, OsloBogstad Oslo 1 Peder Anker
Statens porträttsamling, SträngnäsStatens porträttsamling Strängnäs 1 Porträtt av president Jacob August von Hartmansdorff

Olof Johan Södermark decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Olof Johan Södermarks målningar

Vilket verk är Olof Johan Södermark mest känd för?Visa svaret

Peder Anker (1830), Bogstad, Oslo. The German Artist Franz Riepenhausen (1828) och Presumed Self Portrait (1827) följer efter.

Hur gammal var Olof Johan Södermark när Peder Anker skapades?Visa svaret

40 år gammal: Peder Anker är från 1830, och Olof Johan Södermark föddes 1790.

Vilka är de tio mest kända målningarna av Olof Johan Södermark?Visa svaret

Peder Anker, The German Artist Franz Riepenhausen, Presumed Self Portrait, King Karl XIV Johan, Regina. Roman Girl with Choral Necklace and Earrings, Karolina Bygler. Model to the Sculptor Johan Niclas Byström, Gatumusikanter vid Pantheon, Porträtt av president Jacob August von Hartmansdorff, Grazia, Roman Model och Portrait of Signora Vincensa. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Olof Johan Södermark efter sig?Visa svaret

Vår katalog innehåller 11 verk av Olof Johan Södermark, daterade från 1827 till 1845.

I vilka museer hänger Olof Johan Södermarks mästerverk?Visa svaret

Främst i Nationalmuseum (Stockholm), Bogstad (Oslo) och Statens porträttsamling (Strängnäs). Museitabellen ovan listar alla.

Under vilka år målade Olof Johan Södermark sina mest kända verk?Visa svaret

Under 1830s: 4 av de 11 verk som finns på denna sida skapades då, varav Peder Anker.

Vilka är de första och sista kända originalverken av Olof Johan Södermark?Visa svaret

På den här sidan är det tidigaste Presumed Self Portrait (1827) och det senaste Grazia, Roman Model (1845).

Vilka verk av Olof Johan Södermark finns utställda på Nationalmuseum?Visa svaret

The German Artist Franz Riepenhausen, Presumed Self Portrait och Regina. Roman Girl with Choral Necklace and Earrings: Nationalmuseum, Stockholm har 8 av verken på denna sida.

Olof Johan Södermark: liv och verk

The Precision of the Cartographer’s Eye

Olof Johan Södermark was a man whose life was defined by the striking duality of the sword and the brush. Born in Landskrona, Sweden, in 1790, his early years were shaped by the rigorous discipline of military service, a path that began when he entered the fortification corps at the tender age of thirteen. This formative period as a cadet instilled in him a profound respect for accuracy and observation—traits that would later become the hallmark of his artistic style. As he ascended through the ranks to become a lieutenant within the Field Measurement Corps, Södermark dedicated himself to the science of cartography. The meticulous nature of mapping landscapes and recording topographical details provided him with a unique visual vocabulary; the same eye that traced the contours of the Swedish terrain would eventually be used to trace the delicate nuances of the human face.

From the Battlefield to the Roman Studio

The trajectory of Södermark’s life was irrevocably altered by the tremors of the Napoleonic Wars. His service took him to the heart of Europe's most pivotal conflicts, including the intense battles of Grossbeeren and Leipzig in 1813. These experiences of chaos and courage, alongside his time serving as an adjutant to Lieutenant General Sixtance David Sparre, infused his character with a certain Romanticist intensity. However, it was his transition from the battlefield to the artistic studio that would define his historical significance. Seeking to expand his creative horizons, Södermark traveled to Rome, where he immersed himself in the classical traditions of the era. Under the guidance of renowned sculptors such as Johan Niclas Byström and Bengt Erland Fogelberg, he initially sought to master the permanence of stone. Yet, as his travels took him through the cultural epicenters of Paris, Munich, and London, he found that his true passion lay not in the static weight of sculpture, but in the fluid, expressive potential of portrait painting.

A Legacy of Neoclassical Grandeur

As Södermark matured as an artist, his work became a sophisticated bridge between Neoclassical discipline and the burgeoning emotional depth of Romanticism. His ability to marry scientific precision with an evocative sense of character allowed him to ascend to the highest levels of Swedish society. By the early 1830s, he had earned the prestigious opportunity to paint members of the Royal Family, creating portraits that captured both their sovereign authority and their individual humanity. One of his most notable achievements remains his depiction of King Karl XIV Johan, a work that exemplifies his ability to render texture, light, and royal dignity with unparalleled clarity. Though his life was cut short in 1848, Södermark left behind a legacy of profound influence, passing his artistic torch to his son, Per Södermark, and ensuring that the meticulous, soulful vision of the soldier-artist would endure within the annals of Swedish art history.