Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 43 verk av Nicolas Bertin i vår katalog
Kortfattat
Av alla originalverk som Nicolas Bertin lämnade efter sig är det mest kända The Good Samaritan (1701), i samlingen hos Bavarian State Painting Collections, München. Tätt efter följer Christ and the Canaanite Woman (1701) och Christ and the Samaritan Woman (1701). Vår katalog innehåller 43 verk av Nicolas Bertin; galleriet har bevarat de 42 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
This monochromatic painting, dated 1701, depicts a scene from the biblical parable of the Good Samaritan. The composition centers on a man assisting an injured individual onto a horse. To the left, a stone archway provides a structured architectural element, while the background is filled with the dense, detailed textures of foliage and trees. The entire work is rendered in a grayscale palette, utilizing a wide range of tonal values…
The oil painting titled Christ and the Canaanite Woman was executed by the French painter Nicolas Bertin. This work dates to 1701. The artist, who was born in Paris in 1667, lived until 1736. His hand is evident in the specific handling of the figures and the narrative structure presented in this composition.
In this 1701 oil painting, two figures are positioned within a wooded landscape near a stone well. Christ is depicted with an outstretched arm, a gesture directed toward the Samaritan woman. She reacts to his presence with a specific hand gesture, creating a diagonal tension between their bodies. The composition follows a triangular arrangement, guiding the eye from the seated or leaning figure of Christ toward the woman and then…
A heavy, muscular tension pulls at the center of the canvas. Hercules moves with a sudden, diagonal force, his body a study in strained anatomy and heroic intent. He reaches toward Prometheus, whose torso is pale against the encroaching shadows of the rocky landscape. The scene is a collision of flesh and stone, a moment of violent rescue frozen in oil. Red drapery cuts through the earthy browns of the…
In this intimate oil painting, we encounter Saint Gregory the Great, a figure of profound spiritual weight. The portrait, executed by the French painter Nicolas Bertin, captures the subject in a moment of quiet, upward contemplation. It is a work that invites a closer look at the individual's character and the divine connection suggested by his expression.
The scene unfolds within a rugged, outdoor workshop or grotto, where heavy textures define the rocky background and the foliage of large trees. In the center-left, Venus is depicted as a luminous, seated figure, her body angled as she gestures toward Vulcan. Vulcan is positioned with his back to the viewer, his muscular frame leaning over an anvil as he engages in his craft. The arrangement of the figures follows…
The canvas captures a violent collision between the hero Hercules and the river god Achelous. Two muscular male figures dominate the foreground, locked in a physical struggle that defines the composition. Their limbs form energetic, diagonal lines, guiding the eye through the chaos of the combat. Above the fray, a winged female figure floats amidst the clouds, holding a laurel wreath as a symbol of divine oversight or impending triumph.…
Nicolas Bertin’s Bacchanalia. presents a scene of exuberant revelry set within a dark, cavernous environment. The composition is dynamic, centering on a group of figures engaged in celebration. On the left, a male figure is captured in mid-motion, his back partially turned to the viewer as he raises a golden goblet toward the others. To the right, three figures—two women and a man—recline together upon a draped surface. The arrangement…
A heavy, muscular tension pulls the eye upward. Hercules moves in a powerful diagonal, his body a study of strained anatomy and light. He reaches toward the suffering figure of Prometheus, whose flesh is pale against the dark, craggy shadows of the rock. The air feels thick with the scent of dust and the heat of a struggle. Every muscle is a knot of effort, carved by light that strikes…
The Infant Zeus among Nymphs by Nicolas Bertin depicts a mythological scene set within a lush, pastoral landscape. The composition is organized in a dynamic, pyramidal structure that directs the viewer's eye toward the center of the grouping. At this focal point, an infant Zeus is surrounded by a group of nymphs. These figures are positioned in various poses of movement and service, creating a sense of activity within the…
Bacchus with Four Putti1716 · Bavarian State Painting Collections
12
Saturn Clipping the Wings of Eros1716 · Bavarian State Painting Collections
13
Amor Leaves Psyche1716 · Bavarian State Painting Collections
14
Prophets and Kings of the Old Testament Adoring the Name of Jehovah1718 · Museum of Fine Arts, Houston
15
The Resurrection of Christ1730 · Musée Carnavalet
16
Christ Washing the Feet of His Disciples1725 · Art Institute of Chicago
17
Daniel in the Lions' Den1736 · Musée Des Beaux
18
Susanna and the Elders1699 · Rijksmuseum
19
Fåfängan på Apollos vagn1720 · Louvre
20
PROMETHEE DELIVRE PAR HERCULELouvre
21
Saint Philippe baptisant l'eunuque de la reine CandaceLouvre
22
Vertumnus and Pomona1706 · Opera House
23
Joseph and Potiphar"s Wife, Nicolas Bertin, 1690 - 17101710 · Rijksmuseum
24
Jupiter and DanaëMusée National du Château de Compiègne
25
The Finding of the Money in Benjamin's SackNational Gallery of Ireland
26
Bacchus and AriadneNationalmuseum
27
Nicolas Bertin - Apollon et les Muses
28
La Lapidation de saint Etienne
29
Hercule délivrant Prométhée
30
Jupiter et LédaMusée National du Château de Compiègne
31
Acis et GalathéeMusée National du Château de Compiègne
32
Moïse et les filles de Jethro
33
Persée délivrant AndromèdeMusée National du Château de Compiègne
34
LE TRIOMPHE DE DAVID
35
Jupiter et Danaë
36
Vénus et l'Amour
37
Anacréon et l'Amour
38
PHAETON CONDUISANT LE CHAR DU SOLEILLouvre
39
La résurrection de Lazare
40
Moïse et les filles de Jéthro
41
Psyché abandonnée par l'AmourMusée National du Château de Compiègne
42
Hercule assommant les soldats de Busiris Hercule et les Nymphes (Titre ancien) Hercule et les filles de Stymphalos (Titre ancien)
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Nicolas Bertin | Målningar från denna lista |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 6 | The Good Samaritan, Christ and the Canaanite Woman, Christ and the Samaritan Woman |
 Musée National du Château de Compiègne |
Compiègne | 5 | Jupiter and Danaë, Jupiter et Léda, Acis et Galathée |
 Louvre |
Paris | 4 | Fåfängan på Apollos vagn, PROMETHEE DELIVRE PAR HERCULE, Saint Philippe baptisant l'eunuque de la reine Candace |
 Opera House |
Versailles | 2 | Venus Orders Vulcan to Make Arms for Aeneas, Vertumnus and Pomona |
 Nationalmuseet i Warszawa |
Warszawa | 2 | Hercules fighting Achelous., Bacchanalia. |
 Rijksmuseum |
Amsterdam | 2 | Susanna and the Elders, Joseph and Potiphar"s Wife, Nicolas Bertin, 1690 - 1710 |
 Birmingham Museum of Art |
Birmingham | 1 | Hercules Delivering Prometheus |
 Nationalmuseet i Oslo |
Oslo | 1 | The Infant Zeus among Nymphs |
Välj ett decennium för att se originalverket som definierar det.
This work, titled Susanna and the Elders, was painted by Nicolas Bertin in 1699. It is a significant example of the artist's ability to handle complex narrative themes through a Baroque lens. The painting captures a specific biblical scene, focusing on the tension between the central female figure and the men who have intruded upon her privacy.
This monochromatic painting, dated 1701, depicts a scene from the biblical parable of the Good Samaritan. The composition centers on a man assisting an injured individual onto a horse. To the left, a stone archway provides a structured architectural element, while the background is filled with the dense, detailed textures of foliage and trees. The entire work is rendered in a grayscale palette, utilizing a wide range of tonal values…
The canvas captures a violent collision between the hero Hercules and the river god Achelous. Two muscular male figures dominate the foreground, locked in a physical struggle that defines the composition. Their limbs form energetic, diagonal lines, guiding the eye through the chaos of the combat. Above the fray, a winged female figure floats amidst the clouds, holding a laurel wreath as a symbol of divine oversight or impending triumph.…
In this Baroque oil painting, Christ Washing the Feet of His Disciples, Nicolas Bertin captures a moment of profound spiritual intimacy. Painted about 1725, the work focuses on the biblical scene of Christ performing the humble task of washing the feet of His followers. The artist, Nicolas Bertin, moves beyond simple illustration to explore the weight of the act itself. Through the physical postures of the gathered men, the painting…
The air vibrates with a sudden, celestial energy as the figure of Jesus Christ ascends toward the heavens. He dominates the upper half of the frame, his body rendered with soft, muscular definition and draped in flowing white cloth that catches a light from an unseen source. In his left hand, he holds a slender staff topped with a cross, while his right arm reaches upward, grasping at the divine…
The Good Samaritan (1701), Bavarian State Painting Collections, München. Christ and the Canaanite Woman (1701) och Christ and the Samaritan Woman (1701) följer efter.
34 år gammal: The Good Samaritan är från 1701, och Nicolas Bertin föddes 1667.
The Good Samaritan, Christ and the Canaanite Woman, Christ and the Samaritan Woman, Hercules Delivering Prometheus, Saint Gregory the Great, Venus Orders Vulcan to Make Arms for Aeneas, Hercules fighting Achelous., Bacchanalia., Hercules Delivering Prometheus och The Infant Zeus among Nymphs. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 43 verk av Nicolas Bertin, daterade från 1699 till 1736.
Främst i Bavarian State Painting Collections (München), Musée National du Château de Compiègne (Compiègne) och Louvre (Paris). Museitabellen ovan listar alla.
Under 1700s: 8 av de 42 verk som finns på denna sida skapades då, varav The Good Samaritan.
På den här sidan är det tidigaste Susanna and the Elders (1699) och det senaste Daniel in the Lions' Den (1736).
Man (12), Drapery (8) och Woman (6), fördelat på 42 verk på denna sida.
Oil, för 10 av de 42 verk som finns på denna sida.
Baroque, om man dömer efter originalen på denna sida.
The Good Samaritan, Christ and the Canaanite Woman och Christ and the Samaritan Woman: Bavarian State Painting Collections, München har 6 av verken på denna sida.
