Porträtt av Marcantonio Franceschini

De 25 mest kända målningarna av Marcantonio Franceschini, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 25 verk av Marcantonio Franceschini i vår katalog

Kortfattat

Av alla originalverk som Marcantonio Franceschini lämnade efter sig är det mest kända Penitent Mary Magdalene (1702), i samlingen hos Kunsthistorisches Museum, Wien. Tätt efter följer La Samaritaine (1700) och The Last Communion of Saint Mary of Egypt (1680). Vår katalog innehåller 25 verk av Marcantonio Franceschini; galleriet har bevarat de 25 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1648 – 1729, Bologna Baroque Flest verk: Bavarian State Painting Collections

Marcantonio Franceschinis 10 främsta målningar: galleriets utvalda verk

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Penitent Mary Magdalene (1702) av Marcantonio Franceschini

Penitent Mary Magdalene

1702 · Oil On Canvas · Kunsthistorisches Museum, Wien

The composition follows a diagonal movement, guiding the eye from the reclining figure in the lower left toward a descending cherub in the upper right. Draped in ochre, gold, and sienna, the woman’s form is defined by fluid, organic lines that suggest both movement and texture. A strong light source illuminates her face and torso, casting soft shadows across the rocky terrain to create a sense of three-dimensionality. This use…

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La Samaritaine (1700) av Marcantonio Franceschini

La Samaritaine

1700 · Oil On Canvas · Musée Fabre, Montpellier

The stone well sits as a heavy, silent anchor between two souls. On the left, a man draped in blue and orange robes meets the gaze of a woman in white and gold. They exist in a pocket of natural seclusion, framed by the deep greens and browns of a dense forest. Sunlight filters through a leafy canopy, casting soft highlights upon their skin and the folds of their heavy…

3
The Last Communion of Saint Mary of Egypt (1680) av Marcantonio Franceschini

The Last Communion of Saint Mary of Egypt

1680 · Metropolitan Museum of Art, New York

A fifth-century ascetic, Mary of Egypt is shown receiving her Last Communion from the hands of the priest Zosimus, following forty-seven years of isolation in the wilderness of Palestine. The picture has a pendant showing the ecstasy of Saint Mary Magdalen (Molinari Pradelli collection, Bologna). It was given in 1709 to Pope Clement XI as a gift of the Senate of Bologna in anticipation of his support for the founding…

Urvalet av Marcantonio Franceschini fortsätter, 11 till 25

Motiven som fångade Marcantonio Franceschinis blick

De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.

Museerna som förvarar Marcantonio Franceschinis originalverk

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Marcantonio Franceschini Målningar från denna lista
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 Holy Family, Adornment of Venus
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 2 Christ and the Woman of Samaria, Noli me tangere
Dulwich Picture Gallery, LondonDulwich Picture Gallery London 2 The guardian angel, Lot and his Daughters
Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 1 Penitent Mary Magdalene
Musée Fabre, MontpellierMusée Fabre Montpellier 1 La Samaritaine
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Last Communion of Saint Mary of Egypt
Royal Collection, LondonRoyal Collection London 1 The Virgin and Child with Saint Elizabeth and Saint John the Baptist
Accademia di Belle Arti di Bologna, BolognaAccademia di Belle Arti di Bologna Bologna 1 Fame

Marcantonio Franceschini decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Marcantonio Franceschinis målningar

Vilket verk är Marcantonio Franceschini mest känd för?Visa svaret

Penitent Mary Magdalene (1702), Kunsthistorisches Museum, Wien. La Samaritaine (1700) och The Last Communion of Saint Mary of Egypt (1680) följer efter.

Hur gammal var Marcantonio Franceschini när Penitent Mary Magdalene skapades?Visa svaret

54 år gammal: Penitent Mary Magdalene är från 1702, och Marcantonio Franceschini föddes 1648.

Vilka är de tio mest kända målningarna av Marcantonio Franceschini?Visa svaret

Penitent Mary Magdalene, La Samaritaine, The Last Communion of Saint Mary of Egypt, Holy Family, Adornment of Venus, The Virgin and Child with Saint Elizabeth and Saint John the Baptist, Christ and the Woman of Samaria, Mercury reminds Aeneas of his destiny, The guardian angel och Noli me tangere. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Marcantonio Franceschini efter sig?Visa svaret

Vår katalog innehåller 25 verk av Marcantonio Franceschini, daterade från 1680 till 1714.

I vilka museer hänger Marcantonio Franceschinis mästerverk?Visa svaret

Främst i Bavarian State Painting Collections (München), Museum of Fine Arts, Houston (Houston) och Dulwich Picture Gallery (London). Museitabellen ovan listar alla.

Under vilka år målade Marcantonio Franceschini sina mest kända verk?Visa svaret

Under 1680s: 3 av de 25 verk som finns på denna sida skapades då, varav The Last Communion of Saint Mary of Egypt.

Vilka är de första och sista kända originalverken av Marcantonio Franceschini?Visa svaret

På den här sidan är det tidigaste The Last Communion of Saint Mary of Egypt (1680) och det senaste Mercury reminds Aeneas of his destiny (1714).

Vilka motiv valde Marcantonio Franceschini oftast?Visa svaret

Woman (2), Myths (2) och Virgin mary (2), fördelat på 25 verk på denna sida.

Vilken teknik använde Marcantonio Franceschini mest?Visa svaret

Oil On Canvas, för 2 av de 25 verk som finns på denna sida.

Vilken konstinriktning tillhör Marcantonio Franceschini?Visa svaret

Baroque, om man dömer efter originalen på denna sida.

Vilka verk av Marcantonio Franceschini finns utställda på Bavarian State Painting Collections?Visa svaret

Holy Family och Adornment of Venus: Bavarian State Painting Collections, München har 2 av verken på denna sida.

Marcantonio Franceschini: liv och verk

Marcantonio Franceschini: Bridging Baroque Splendor and Bolognese Tradition

Marcantonio Franceschini (1648-1729) stands as a pivotal figure in the artistic landscape of Bologna and wider Italy during the Baroque period. Born in Bologna, he inherited a legacy of artistic excellence from his father, Giovanni Francesco Franceschini, who himself was a respected painter. This familial connection instilled within Marcantonio a profound understanding of Bolognese artistic conventions—a style characterized by dramatic chiaroscuro, opulent ornamentation, and an unwavering devotion to religious themes. His formative years were spent under the tutelage of Carlo Cignani, arguably Bologna’s most celebrated Baroque artist, fostering a collaborative spirit that would define much of his subsequent career. Together they embarked on ambitious fresco commissions for Parma's Palazzo del Giardino (1678–1681), showcasing Cignani’s masterful handling of color and Franceschini’s meticulous attention to detail—a partnership that cemented their reputations as innovators within the Bolognese school.
  • Early Influences & Training: Franceschini's artistic journey began with a rigorous grounding in classical principles, mirroring the broader humanist revival shaping European thought at the time. However, it was Cignani’s influence—particularly his embrace of Caravaggio’s tenebrism—that profoundly impacted Franceschini’s stylistic approach.
  • Collaborative Projects & Patronage: Recognizing the importance of artistic alliances, Franceschini forged enduring relationships with fellow artists like Luigi Quaini (Cignani's cousin) and collaborated extensively on prestigious commissions throughout Europe. These projects included elaborate ceiling decorations in Palazzo Ranuzzi and Palazzo Marescotti Brazzetti in Bologna, demonstrating his versatility and ability to adapt to diverse aesthetic sensibilities.

A Flourishing Career: Frescoes, Paintings & Venetian Connections Franceschini’s prolific output spanned a remarkable range of subjects—primarily religious iconography and mythological narratives—appealing to wealthy patrons eager to adorn their residences with symbols of piety and grandeur. His frescoes in San Bartolomeo Porta Ravegnana (1690) exemplify his mastery of illusionistic painting techniques, creating immersive environments that captivated viewers. Notably, he undertook the monumental task of decorating the Sala d'onore ("Hall of Honor") in Modena’s Ducal Palace (1696), collaborating with Tommaso Aldrovandini and Antonio Meloni to depict scenes from Roman history—a testament to his ambition and artistic prowess. Furthermore, Franceschini secured commissions for churches across Liguria, culminating in the altarpiece at Catedral de Finale Ligure and the canvas of San Carlo in Modena.
  • Venetian Patronage & Artistic Innovation: His association with Prince Johann Adam I of Liechtenstein brought him into contact with Venetian artistic circles, influencing his style and expanding his creative horizons. The celebrated “Seduzioni e Amori di Diana e Venere” cycle (1692-1700) commissioned by Liechtenstein—a monumental undertaking featuring 26 canvases—represents a pinnacle of Baroque painting, characterized by dramatic compositions and luminous color palettes.

Legacy & Historical Significance Despite the tragic destruction of his Genoa murals in 1777 during a devastating fire—resulting from ambitious projects undertaken with Quaini and Meloni—Franceschini’s artistic legacy endured. His contributions to Bolognese art solidified his place as one of the foremost painters of his era, bridging the stylistic gap between Baroque exuberance and Neoclassical restraint. The canvases depicting the four seasons housed in Pinacoteca di Bologna stand as enduring reminders of his artistic vision and technical skill. Moreover, Franceschini’s involvement in decorating the Piazza Ducale of Genoa—particularly the pendentives and lunettes of the Catedral—demonstrates his commitment to shaping cultural landmarks. His influence extended beyond Bologna, impacting artists across Europe and securing his reputation as a master craftsman who elevated Baroque art to new heights.