Kortfattat
Ur galleriets perspektiv är Lawrence Weiners mest kända målning Turf, Stake and String from S.M.S. No. 5 (1968). Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) och A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968) fullbordar trion som alla känner igen. Av de 11 verk av Lawrence Weiner i vår katalog presenterar galleriet nedan de 11 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
Galleriets 10 främsta målningar av Lawrence Weiner
A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall
A Study in Texture: Lawrence Weiner's "Removal" Lawrence Weiner’s 1968 work, “A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall,” is far more than its seemingly straightforward title suggests. It represents a pivotal moment in Conceptual Art, moving away from traditional artistic creation and focusing instead on the idea itself. This piece isn't about what *is* present, but rather what has…
Lawrence Weiners målningar, rankade 11 till 11
Museerna som förvarar Lawrence Weiners originalverk
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Lawrence Weiner | Målningar från denna lista |
|---|---|---|---|
| Porto | 1 | The Level of Water | |
| Chicago | 1 | TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM | |
| Barcelona | 1 | Some Objects of Desire |
Lawrence Weiner, ett signaturverk per decennium
Verk per decennium
Välj ett decennium för att se originalverket som definierar det.
Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand
Lawrence Weiners målningar: galleriets svar
Vilken av Lawrence Weiners målningar är den mest kända av alla?Visa svaret
Turf, Stake and String from S.M.S. No. 5 (1968). Därefter följer Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand (1985) och A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall (1968).
Hur gammal var Lawrence Weiner när Turf, Stake and String from S.M.S. No. 5 färdigställdes?Visa svaret
26 år gammal: Turf, Stake and String from S.M.S. No. 5 är från 1968, och Lawrence Weiner föddes 1942.
Vilka är Lawrence Weiners 10 främsta målningar?Visa svaret
Turf, Stake and String from S.M.S. No. 5, Slow Corrosion Leading to a Loss of Inherent Diginity of the Object at Hand, A 36 x 36 removal to the lathing or support wall of plaster or wallboard from a wall, The Level of Water, With a Relation to the Various Manners of Placement and or Location, TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, Altered to Suit A Film of Lawrence Weiner, CRUSHED BETWEEN COBBLESTONES, As Time Goes By och Wind and the Willows What's Our Hero To Do. Rankingen ovan visar varje verks årtal och museum.
Hur många verk skapade Lawrence Weiner?Visa svaret
Vår katalog innehåller 11 verk av Lawrence Weiner, daterade från 1968 till 2004.
Var hänger Lawrence Weiners mest kända original?Visa svaret
Främst i Serralves Foundation (Porto), Art Institute of Chicago (Chicago) och Museu d'Art Contemporani (Barcelona). Museitabellen ovan listar alla.
När skapade Lawrence Weiner sina mest kända målningar?Visa svaret
Under 1970s: 3 av de 11 verk som finns på denna sida skapades då, varav The Level of Water.
Vilka är Lawrence Weiners tidigaste och senaste kända verk?Visa svaret
På den här sidan är det tidigaste Turf, Stake and String from S.M.S. No. 5 (1968) och det senaste Some Objects of Desire (2004).
Lawrence Weiner: konstnären
The Language of Materiality
Lawrence Weiner was an American conceptual artist born in Manhattan, United States. His practice centered on the use of language as a sculptural medium, often utilizing wall texts and statements to describe sculptural processes and materials. He developed a framework known as the Declaration of Intent, which established that a piece may be constructed, fabricated, or may not need to be built at all, leaving the final condition to the receiver. His work explored the relationship between language, materials, and space, often focusing on the inherent properties of substances like wood, stone, and metal.
Throughout his career, Weiner's work was presented in various formats, including:
Exhibitions and Recognition
Weiner's work has been showcased in numerous international institutions, including the Stedelijk Museum Amsterdam, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and the Tate Gallery in London. His exhibitions spanned various locations, such as the San Francisco Museum of Modern Art and the Museum Ludwig in Cologne. He participated in several Documenta exhibitions and the Venice Biennale.
His professional recognition included several honors, such as: