Porträtt av Kareem Abdul Risan

De 2 mest kända målningarna av Kareem Abdul Risan, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 2 verk av Kareem Abdul Risan i vår katalog

Kortfattat

Av alla originalverk som Kareem Abdul Risan lämnade efter sig är det mest kända Baghdad is an Occupied City (2003), i samlingen hos Ibrahimi Collection, Amman. Vår katalog innehåller 2 verk av Kareem Abdul Risan; galleriet har bevarat de 2 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

född 1983, Baghdad Flest verk: Ibrahimi Collection

Kareem Abdul Risans 10 främsta målningar: galleriets utvalda verk

1
Baghdad is an Occupied City (2003) av Kareem Abdul Risan

Baghdad is an Occupied City

2003 · Painting · Ibrahimi Collection, Amman

In the evocative painting "Baghdad is an Occupied City," created in 2003 by the Iraqi artist Kareem Abdul Risan, we are invited to witness a moment of profound historical tension. The canvas serves as more than just a depiction of a landscape; it is a visceral record of a city caught in the crosshairs of conflict. Through a masterful blend of realism and atmospheric depth, Risan captures the heavy stillness…

Museerna som förvarar Kareem Abdul Risans originalverk

Museet som innehar flest av målningarna på denna sida.

Museum Stad Verk av Kareem Abdul Risan Målningar från denna lista
Ibrahimi Collection, AmmanIbrahimi Collection Amman 2 Baghdad is an Occupied City, Improvisation

Kareem Abdul Risan år för år: originalen som definierar varje år

Från 2003 till 2019 arbetade Kareem Abdul Risan i 17 år: urvalet följer den långa karriären år för år, genom dess främsta originalverk.

Verk per år

Välj ett år för att se originalen.

Samlarfrågor om Kareem Abdul Risans målningar

Vilket verk är Kareem Abdul Risan mest känd för?Visa svaret

Baghdad is an Occupied City (2003)

Hur gammal var Kareem Abdul Risan när Baghdad is an Occupied City skapades?Visa svaret

20 år gammal: Baghdad is an Occupied City är från 2003, och Kareem Abdul Risan föddes 1983.

Hur många målningar lämnade Kareem Abdul Risan efter sig?Visa svaret

Vår katalog innehåller 2 verk av Kareem Abdul Risan, daterade från 2003 till 2019.

I vilka museer hänger Kareem Abdul Risans mästerverk?Visa svaret

Främst i Ibrahimi Collection (Amman). Museitabellen ovan listar alla.

Vilka är de första och sista kända originalverken av Kareem Abdul Risan?Visa svaret

På den här sidan är det tidigaste Baghdad is an Occupied City (2003) och det senaste Improvisation (2019).

Vilka verk av Kareem Abdul Risan finns utställda på Ibrahimi Collection?Visa svaret

Baghdad is an Occupied City och Improvisation: Ibrahimi Collection, Amman har 2 av verken på denna sida.

Kareem Abdul Risan: liv och verk

A Voice From Iraq’s Turbulent Landscape

Born in Baghdad, Iraq, in 1983, Kareem Abdul Risan emerged from the shadows of a nation grappling with profound conflict and displacement—a formative experience that would irrevocably shape his artistic vision. While biographical details of his early years remain relatively sparse, Risan's oeuvre speaks volumes about his deep engagement with Iraqi history and culture, particularly its impact on the contemporary soul. His work is characterized by an uncompromising honesty and a willingness to confront difficult truths, mirroring the spirit of resilience found within the very fabric of Iraqi society.

Risan’s artistic journey began with a grounding in traditional craft at Baghdad University, where he focused primarily on ceramics. This early mastery of a tactile, earth-bound medium would become central to his distinctive style, providing him with a unique way to manipulate texture and form. This foundation in ceramic technique, combined with an intellectual curiosity for modern abstraction, allowed him to bridge the gap between ancient heritage and contemporary expression. His work often functions as a visceral record of a city caught in the crosshairs of conflict, using the weight of his materials to mirror the gravity of his subject matter.

The Language of Abstraction and Memory

Risan’s artistic approach defies easy categorization, operating within a realm where the boundaries of medium are constantly pushed. He deliberately rejects conventional aesthetics in favor of an experimental spirit that blends Islamic art motifs with the fluid grace of Arabic calligraphy. In pieces such as Improvisation, he embraces a fragmented visual language reminiscent of modern abstraction, creating a sense of movement and chaos that reflects the instability of his homeland. His work is deeply influenced by the broader context of Iraqi artistic history, drawing inspiration from the pointillism style of artists like Sayid Akert Sukri to capture the complexities of a landscape marked by both scars and renewal.

Beyond the formal elements of his technique, Risan’s paintings and ceramics serve as poignant meditations on memory and loss. His work often examines the chaos and violence in Iraq post-2003, acting as a reminder that the notion of a period "after the war" is rarely the reality experienced by those living through it. Through textured surfaces and muted tones, he creates scenes that feel both intimate and reflective, carrying both personal feeling and collective memory. Whether depicting the heavy atmosphere of an occupied cityscape or the quiet resilience of the human figure, his art captures the traces and remnants of a world in flux.

Legacy and International Recognition

The significance of Kareem Abdul Risan’s contribution to contemporary art lies in his ability to transform historical trauma into a universal language of endurance. His work has garnered recognition on international stages, notably featured in the Fuji Art Museum’s collection in Japan and showcased at the prestigious Katara Art Foundation. These exhibitions have allowed his narrative—one of struggle, identity, and the search for beauty amidst ruin—to resonate far beyond the borders of Iraq.

As his career continues to evolve, Risan remains a vital voice in the dialogue regarding Middle Eastern contemporary art. His ability to weave together the following elements ensures his place in the modern canon:

  • The fusion of traditional Islamic motifs with modern abstract techniques.
  • A profound connection to the socio-political history of Baghdad and Iraq.
  • The use of tactile, ceramic-inspired textures to convey emotional depth.
  • An exploration of the human condition through the lens of urban conflict and resilience.