Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 86 verk av Joseph DeCamp i vår katalog
Kortfattat
Ur galleriets perspektiv är Joseph DeCamps mest kända målning Frederick Cheever Shattuck (1847-1929) (1912), vars original hänger på Harvard Art Museums i Cambridge. Frederic Bayard Winthrop (1868-1932) (1909) och The Seamstress (1916) fullbordar trion som alla känner igen. Av de 86 verk av Joseph DeCamp i vår katalog presenterar galleriet nedan de 69 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
In the quietude of a sun-drenched room, Joseph Rodefer DeCamp captures a scene of profound serenity in his 1916 masterpiece, The Seamstress. The painting invites the viewer into an intimate, private world where time seems to slow to the rhythm of a needle passing through fabric. A young woman, her red hair catching the soft glow of the afternoon, sits in profile, her attention entirely consumed by her craft. Bathed…
A dignified, somber portrait of an elderly man, rendered in monochromatic tones. The subject is positioned in a three-quarter length view, facing toward the left while his gaze meets the viewer directly. His expression conveys wisdom and quiet contemplation. He wears heavy, dark academic or judicial robes that fall in organic, fluid folds, creating a sense of substantial volume. The lighting, originating from the upper left, casts one side of…
Portrait of a Boy (Ted) is an oil on canvas painting executed by the American artist Joseph DeCamp. The work was created in 1902. This portrait depicts a young boy positioned against a background containing visible trees. The subject is shown wearing a black shirt and has brown hair.
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
A young woman sits centered against a mottled blue expanse. Her skin carries the warmth of peaches and pinks, a soft glow that pushes against the cool, textured background. She wears a gown of pale yellow or cream, the fabric suggesting the light weight of silk or chiffon. Her dark eyes meet the viewer with a calm, poised expression. The light enters from the front-left, carving the shape of her…
The oil portrait titled Our Nanny was executed by the American artist Joseph DeCamp. Dating to 1895, the work presents a single female figure positioned within a quiet, interior setting. The subject is a woman shown from the chest up, looking toward the left side of the frame. Her presence occupies the central space of the composition, appearing as a solitary figure against a dark, muted background.
There is a profound stillness in this 1904 oil portrait, a moment of suspended animation that feels almost private, as if we have stumbled upon a quiet thought in a crowded room. The subject, a young woman, is rendered with a soft-focus quality that blurs the boundary between her physical form and the surrounding atmosphere. She is positioned in a close-up composition, her head and shoulders emerging from a dark,…
Portrait of Frank Duveneck1911 · Cincinnati Art Museum
12
Sir General Arthur William Currie1920 · Smithsonian American Art Museum
13
Pauline
14
Woman Drying Her HairCincinnati Art Museum
15
Josiah Dwight Whitney (1819-1896)Harvard Art Museums
16
Roses
17
Street Scene, in Venice1881 · Cincinnati Art Museum
18
Moorland Path, Cape Ann, Massachusetts1886
19
Magdalen1896 · Cincinnati Art Museum
20
Summer Landscape (also known as Summertime)1893
21
untitled (8353)
22
untitled (9989)
23
SallyWorcester Art Museum
24
Portrait of the Artist's Daughter
25
untitled (4947)
26
Mrs. Ernest MajorCincinnati Art Museum
27
Lambert Decamp
28
The Blue CupMuseum of Fine Arts
29
Portrait of the Artist's Wive Edity
30
The Blue Mandarin Coat (Aka The Blue Kimono)High Museum of Art
31
The Pink Feather (Aka The Brown Veil)
32
The Cellist1908
33
The Guitar Player1913
34
Portrait in Red and Gold of Miss Pearson1921
35
Red Comunion1919
36
The Guitar Player1908 · Museum of Fine Arts
37
Girl With A Green Shawl
38
Jetty at Low Tide (also known as The Water Pier)1901
39
untitled (6833)Cincinnati Art Museum
40
De camp joseph sally
41
The Steward (Aka Lewis Of The Porcellian)
42
untitled (5568)
43
The Fur Jacket
44
In The Studio
45
Venice (Aka Becalmed)
46
At Gloucester (Aka Gloucester Harbor)
47
Summer In The Country
48
A Murky Day
49
Miss Alice BoitNew Britain Museum of American Art
50
Blue Bird
51
June Sunlight
52
The Violinist (Aka The Violin. Girl With A Violin Iii)
53
Reflections (Aka Arrangement In Pink And Blue)
54
phlox
55
Portrait of Albert H. Chatfield, Sr
56
The Heliotrope Gown
57
Red And Gold (Aka Portrait Of Miss Pearson)
58
Seascape
59
The Pear Orchard
60
The Music Lesson
61
The Little Hotel
62
La Penserosa
63
The Hammock
64
R woman drying her hair
65
The Kreutzer Sonata (Aka Violinist Ii)
66
Trees Along The Coast (Aka Road To The Sea)
67
The Guitar Player
68
September Afternoon
69
The Window Blind
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Joseph DeCamp | Målningar från denna lista |
|---|---|---|---|
 Cincinnati Art Museum |
Cincinnati | 6 | Portrait of Frank Duveneck, Woman Drying Her Hair, Street Scene, in Venice |
 Harvard Art Museums |
Cambridge | 4 | Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), Nathaniel Southgate Shaler (1841-1906) |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Sir Robert Laird Borden, Sir General Arthur William Currie |
 Museum of Fine Arts |
Boston | 2 | The Blue Cup, The Guitar Player |
 National Gallery of Art |
Washington | 1 | The Seamstress |
 Currier Gallery of Art |
Manchester | 1 | Carnation and Black |
 Worcester Art Museum |
Worcester | 1 | Sally |
 High Museum of Art |
Atlanta | 1 | The Blue Mandarin Coat (Aka The Blue Kimono) |
Välj ett decennium för att se originalverket som definierar det.
In this 1892 portrait, we find ourselves in a quiet, intimate space, observing a woman captured in a moment of serene composure. She is presented in profile, facing left, her silhouette defined against a textured, deep ochre background that suggests the heavy folds of a draped fabric. The composition is deliberate, focusing our attention on the interplay between the warmth of her skin and the dark, structured elements of her…
In this 1909 oil painting, we encounter Frederic Bayard Winthrop, a man whose presence commands a quiet, steady respect. The portrait is a study in academic realism, where the artist has focused intently on the weight of character and the subtle nuances of a human gaze. Winthrop is positioned in a classic three-quarter length pose, his body angled slightly away while his eyes meet the viewer with a direct, unblinking…
The year 1912 finds the subject in a moment of profound stillness. There is no movement here, only the quiet gravity of a life lived. The composition relies on the tension between the dark, heavy clothing and the luminous, pale skin of the face. It is a study of permanence. The eye finds rest in the steady, unblinking stare of the sitter. The light fades into the shadows of the…
In this formal portrait of Sir Robert Laird Borden, Joseph DeCamp places the subject in a centered, three-quarter length pose. Seated within a chair, the man occupies the heart of the frame, meeting the viewer through an eye-level perspective that establishes an immediate, direct connection. The atmosphere feels heavy and scholarly, anchored by a somber color palette. Deep blues, blacks, and dark browns dominate the scene, wrapping the subject in…
Frederick Cheever Shattuck (1847-1929) (1912), Harvard Art Museums, Cambridge. Frederic Bayard Winthrop (1868-1932) (1909) och The Seamstress (1916) följer efter.
54 år gammal: Frederick Cheever Shattuck (1847-1929) är från 1912, och Joseph DeCamp föddes 1858.
Frederick Cheever Shattuck (1847-1929), Frederic Bayard Winthrop (1868-1932), The Seamstress, Nathaniel Southgate Shaler (1841-1906), Portrait of a Boy (Ted), Sir Robert Laird Borden, Carnation and Black, Portrait of a Young Lady, Our Nanny och The Listener (Woman at the Theatre). Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 86 verk av Joseph DeCamp, daterade från 1881 till 1921.
Främst i Cincinnati Art Museum (Cincinnati), Harvard Art Museums (Cambridge) och Smithsonian American Art Museum (Washington, D.C.). Museitabellen ovan listar alla.
Under 1900s: 7 av de 69 verk som finns på denna sida skapades då, varav Frederic Bayard Winthrop (1868-1932).
På den här sidan är det tidigaste Street Scene, in Venice (1881) och det senaste Portrait in Red and Gold of Miss Pearson (1921).
Portrait (11), Girls (10) och Man (7), fördelat på 69 verk på denna sida.
Oil On Canvas, för 14 av de 69 verk som finns på denna sida.
Impressionism och American impressionism, om man dömer efter originalen på denna sida.
Portrait of Frank Duveneck, Woman Drying Her Hair och Street Scene, in Venice: Cincinnati Art Museum, Cincinnati har 6 av verken på denna sida.
