Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 6 verk av John Da Costa i vår katalog
Kortfattat
Av alla originalverk som John Da Costa lämnade efter sig är det mest kända Pastoral Scene (1892), i samlingen hos Museum of Fine Arts Ghent (MSK), Gent. Tätt efter följer Idleness (1898) och Marjorie Armstrong (1895). Vår katalog innehåller 6 verk av John Da Costa; galleriet har bevarat de 6 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The quietude of 1892 settles over the canvas in "Pastoral Scene," a work that captures a fleeting moment of stillness. The artist, John Da Costa, brings this scene to life through a lens of naturalism, grounding the viewer in a specific, tranquil reality. Every brushstroke seems to hold its breath, preserving a sense of peace that feels as though it is happening right now, just beyond the frame.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av John Da Costa | Målningar från denna lista |
|---|---|---|---|
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | Pastoral Scene |
 Penlee House |
Penzance | 1 | Marjorie Armstrong |
Från 1892 till 1912 arbetade John Da Costa i 21 år: urvalet följer den långa karriären år för år, genom dess främsta originalverk.
Välj ett år för att se originalen.
The quietude of 1892 settles over the canvas in "Pastoral Scene," a work that captures a fleeting moment of stillness. The artist, John Da Costa, brings this scene to life through a lens of naturalism, grounding the viewer in a specific, tranquil reality. Every brushstroke seems to hold its breath, preserving a sense of peace that feels as though it is happening right now, just beyond the frame.
Pastoral Scene (1892), Museum of Fine Arts Ghent (MSK), Gent. Idleness (1898) och Marjorie Armstrong (1895) följer efter.
25 år gammal: Pastoral Scene är från 1892, och John Da Costa föddes 1867.
Vår katalog innehåller 6 verk av John Da Costa, daterade från 1892 till 1912.
Främst i Museum of Fine Arts Ghent (MSK) (Gent) och Penlee House (Penzance). Museitabellen ovan listar alla.
På den här sidan är det tidigaste Pastoral Scene (1892) och det senaste Miss Vera Butler (1912).
Located in the heart of London, John Wesley’s House stands as a testament to the profound impact of one man's unwavering faith and dedication to social reform. Established in 1790 by George Whitefield and Robert Sykes, this historic building houses a museum dedicated to preserving Wesley’s legacy and showcasing Methodism’s formative years.
Born in São Paulo in 1867, John Wesley’s House – The Museum of Methodism is a cornerstone of Methodist history, offering visitors insights into the movement's origins and enduring values. Its collections include documents, photographs, and artifacts documenting Wesley’s life and ministry.
“The Glen Walker Sisters” exemplifies Da Costa’s mastery of portraiture and his ability to convey emotion through visual representation. The painting portrays three young women—likely sisters—in a serene garden setting, bathed in soft sunlight. Da Costa's meticulous attention to detail captures the delicate textures of fabric and skin, conveying an aura of grace and tranquility.
Symbolism:Da Costa’s involvement in Grupo dos Cinco marked a pivotal moment in Brazilian art history, propelling it toward European modernist trends. The group's members debated artistic approaches and championed innovative techniques—challenging traditional academic conventions.
Key Influences:John Wesley’s House – The Museum of Methodism continues to serve as a beacon of Methodist faith and scholarship, attracting visitors from around the globe. Da Costa's artistic contributions solidified Brazilian Modernism's position within the international art landscape.
