Porträtt av Jean Benner

De 18 mest kända målningarna av Jean Benner, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 18 verk av Jean Benner i vår katalog

Kortfattat

Av alla originalverk som Jean Benner lämnade efter sig är det mest kända The Woman with the Tambourine (1867), i samlingen hos Musée des Beaux-Arts, Mulhouse. Tätt efter följer La petite folle de Capri (1868) och Athéniennes surprises par des Pélages de Lemnos (1876). Vår katalog innehåller 18 verk av Jean Benner; galleriet har bevarat de 18 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1836 – 1906, Mulhouse Flest verk: Musée des Beaux-Arts

Jean Benners 10 främsta målningar: galleriets utvalda verk

Urvalet av Jean Benner fortsätter, 11 till 18

Museerna som förvarar Jean Benners originalverk

De 8 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Jean Benner Målningar från denna lista
Musée des Beaux-Arts, MulhouseMusée des Beaux-Arts Mulhouse 3 The Woman with the Tambourine, Untitled (ARCRXK), À la France, toujours
musée Bartholdi, Colmarmusée Bartholdi Colmar 2 La petite folle de Capri, Frédéric Auguste Bartholdi
Musée d'Arts de Nantes, NantesMusée d'Arts de Nantes Nantes 2 Salomé, Jeune fille de Capri
musée Petiet de Limoux, Limouxmusée Petiet de Limoux Limoux 1 The Wreck or The Italian
Musée d'Art Moderne et Contemporain de Strasbourg, StrasbourgMusée d'Art Moderne et Contemporain de Strasbourg Strasbourg 1 Ecstasy
Château de Nemours, NemoursChâteau de Nemours Nemours 1 Briseïs pleurant sur le corps de Patrocle
Musée des Beaux-Arts, ReimsMusée des Beaux-Arts Reims 1 Portrait of a Little Girl
Musée National Jean-jacques Henner, ParisMusée National Jean-jacques Henner Paris 1 Vue de Capri

Jean Benner decennium för decennium: originalen som definierar varje era

Verk per decennium

Välj ett decennium för att se originalverket som definierar det.

Samlarfrågor om Jean Benners målningar

Vilket verk är Jean Benner mest känd för?Visa svaret

The Woman with the Tambourine (1867), Musée des Beaux-Arts, Mulhouse. La petite folle de Capri (1868) och Athéniennes surprises par des Pélages de Lemnos (1876) följer efter.

Hur gammal var Jean Benner när The Woman with the Tambourine skapades?Visa svaret

31 år gammal: The Woman with the Tambourine är från 1867, och Jean Benner föddes 1836.

Vilka är de tio mest kända målningarna av Jean Benner?Visa svaret

The Woman with the Tambourine, La petite folle de Capri, Athéniennes surprises par des Pélages de Lemnos, The Wreck or The Italian, Ecstasy, Frédéric Auguste Bartholdi, Untitled (ARCRXK), Salomé, À la France, toujours och Briseïs pleurant sur le corps de Patrocle. Rankingen ovan visar varje verks årtal och museum.

Hur många målningar lämnade Jean Benner efter sig?Visa svaret

Vår katalog innehåller 18 verk av Jean Benner, daterade från 1867 till 1906.

I vilka museer hänger Jean Benners mästerverk?Visa svaret

Främst i Musée des Beaux-Arts (Mulhouse), musée Bartholdi (Colmar) och Musée d'Arts de Nantes (Nantes). Museitabellen ovan listar alla.

Under vilka år målade Jean Benner sina mest kända verk?Visa svaret

Under 1870s: 3 av de 18 verk som finns på denna sida skapades då, varav Athéniennes surprises par des Pélages de Lemnos.

Vilka är de första och sista kända originalverken av Jean Benner?Visa svaret

På den här sidan är det tidigaste The Woman with the Tambourine (1867) och det senaste À la France, toujours (1906).

Vilka verk av Jean Benner finns utställda på Musée des Beaux-Arts?Visa svaret

The Woman with the Tambourine, Untitled (ARCRXK) och À la France, toujours: Musée des Beaux-Arts, Mulhouse har 3 av verken på denna sida.

Jean Benner: liv och verk

A Legacy of Light and Lineage: The Life of Jean Benner

The story of Jean Benner is one deeply woven into the very fabric of nineteenth-century French artistry, a narrative defined by familial bonds and a profound connection to the landscape. Born in 1836 in Mulhouse, Alsace, Jean entered the world as a twin alongside his brother, Emmanuel Benner. Their shared beginnings were rooted in the industrious spirit of their father, Jean Benner-Fries, whose work as a textile designer provided the brothers with an early education in pattern and precision. Before they were masters of the brush, the Benner brothers served as designers in the prominent mills and factories of Mulhoause, a period that undoubtedly instilled in them a meticulous eye for detail and a deep appreciation for the interplay of color and form that would later define their fine art.

As his innate talent blossomed, Jean sought to transcend the industrial design of his youth, embarking on a rigorous academic journey. He immersed himself in the prestigious traditions of French Academic painting, studying under luminaries such as Léon Bonnat, Eck, and the ethereal master Jean-Jacques Henner. This period of intense mentorship was transformative; from Henner, he inherited a sensitivity to light and shadow, while his exposure to the classical principles of his instructors allowed him to master the idealized beauty and technical precision required for the grand stages of the era. His official debut at the Paris Salon in 1868 served as a triumphant announcement of his arrival, marking the moment when his personal vision began to merge with the broader movements of European art.

The Spirit of Capri and Artistic Evolution

While his training was rooted in the rigorous academies of France, Benner’s soul found a profound resonance in the sun-drenched landscapes of the Mediterranean. His fascination with the island of Capri became a cornerstone of his creative identity. During an era when Capri served as a vibrant colony for the world's most celebrated painters, Benner was not merely a visitor but an active participant in its artistic community. He moved within the same circles as Frederic Leighton, John Singer Sargent, and Walter McLaren, finding in the island’s exotic flora and dramatic vistas a perfect subject for his evolving style.

This Mediterranean influence breathed a new vitality into his work, allowing him to expand his repertoire far beyond the confines of traditional portraiture. His output became a rich tapestry of diverse genres:

  • Still Lifes: Brimming with vibrant color palettes that mirrored the exotic flora of Capri, these works showcased his ability to capture the fleeting beauty of nature.
  • Portraits: Evocative studies that sought to capture the subtle nuances of human emotion and character.
  • Genre Scenes: Captivating depictions of everyday life, often imbued with a sense of melancholic contemplation or quiet romanticism.

His technical achievements were recognized by his peers and institutions alike; notably, in 1881, he was awarded a medal at the Paris Salon for his painting Le Repos. This period of his career saw him producing works of significant scale and emotional depth, such as A House in Capri and Women of Capri, which demonstrated his ability to marry the grandiosity of Academic technique with the intimate, atmospheric qualities of the landscape.

Historical Significance and Artistic Enduring Presence

The historical significance of Jean Benner lies not only in his individual mastery but in his role as a bridge between the industrial precision of the mid-nineteenth century and the evocative, atmospheric sensibilities of the late century. He carried forward a family dynasty of creativity; as the father of the artist Emmanuel Michel Benner (known as Many Benner), he ensured that the Benner name remained synonymous with artistic excellence for another generation. His life was a testament to the idea that art is both a learned discipline and an inherited passion.

Though he passed away in Paris in 1906, his legacy remains preserved in the quiet beauty of his canvases. Through his ability to capture the light of Capri and the dignity of his subjects, Benner left behind a body of work that continues to resonate with those seeking the intersection of classical grace and natural splendor. His paintings remain enduring windows into a lost era of European elegance, reminding us of a time when the boundaries between the designer's hand and the painter's soul were beautifully blurred.