Porträtt av James Herring

De 6 mest kända målningarna av James Herring, ett galleriselektion

Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 6 verk av James Herring i vår katalog

Kortfattat

Av alla originalverk som James Herring lämnade efter sig är det mest kända James Monroe (1834), i samlingen hos National Portrait Gallery, Washington, D.C.. Tätt efter följer Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) och Jacob Jennings Brown (1775-1828) (1835). Vår katalog innehåller 6 verk av James Herring; galleriet har bevarat de 6 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.

1794 – 1867, London Flest verk: New York Historical Society

James Herrings 10 främsta målningar: galleriets utvalda verk

Museerna som förvarar James Herrings originalverk

De 2 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av James Herring Målningar från denna lista
New York Historical Society, New York CityNew York Historical Society New York City 5 Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 James Monroe

James Herring år för år: originalen som definierar varje år

Urvalet sträcker sig över 12 år med James Herring, från 1834 till 1845, och omfattar de främsta originalverken från varje år.

Verk per år

Välj ett år för att se originalen.

Samlarfrågor om James Herrings målningar

Vilket verk är James Herring mest känd för?Visa svaret

James Monroe (1834), National Portrait Gallery, Washington, D.C.. Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) och Jacob Jennings Brown (1775-1828) (1835) följer efter.

Hur gammal var James Herring när James Monroe skapades?Visa svaret

40 år gammal: James Monroe är från 1834, och James Herring föddes 1794.

Hur många målningar lämnade James Herring efter sig?Visa svaret

Vår katalog innehåller 6 verk av James Herring, daterade från 1834 till 1845.

I vilka museer hänger James Herrings mästerverk?Visa svaret

Främst i New York Historical Society (New York City) och National Portrait Gallery (Washington, D.C.). Museitabellen ovan listar alla.

Under vilka år målade James Herring sina mest kända verk?Visa svaret

Under 1845: 2 av de 6 verk som finns på denna sida skapades då, varav William Lintz (ca. 1815-1874).

Vilka är de första och sista kända originalverken av James Herring?Visa svaret

På den här sidan är det tidigaste James Monroe (1834) och det senaste William Lintz (ca. 1815-1874) (1845).

Vilka verk av James Herring finns utställda på New York Historical Society?Visa svaret

Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) och William Lintz (ca. 1815-1874): New York Historical Society, New York City har 5 av verken på denna sida.

James Herring: liv och verk

The Life and Legacy of James Herring

Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.

Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.

Artistic Style and Contributions

The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.

Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.

Historical Significance

Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:

  • The Morris Museum of Art
  • The Mattatuck Museum
  • Oolite Arts, 924 & 928 Gallery

As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.