Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 17 verk av James Edward Freeman i vår katalog
Kortfattat
Ur galleriets perspektiv är James Edward Freemans mest kända målning Cupid Disguised as a Roman Shepherd Boy (1842). Horatio Seymour (1810-1886) (1835) och Portrait of Horatio Seymour (1835) fullbordar trion som alla känner igen. Av de 17 verk av James Edward Freeman i vår katalog presenterar galleriet nedan de 17 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
A young boy occupies the center of the composition, positioned against a solid blue background. He is dressed in a costume designed to resemble a Roman shepherd, featuring a jacket, a cape, and a hat that resembles a wizard's headpiece. His gaze is directed downward toward his hands. In his grasp, he holds a bow and a single arrow. The fabric of his attire and the contours of his limbs…
A man emerges from a void of near-blackness, his presence defined by a sudden, sharp illumination that carves his features out of the gloom. This is a portrait of Horatio Seymour, captured in 1835, where the darkness feels heavy and absolute. The light clings to the planes of his face, highlighting the subtle textures of his skin and the quiet intensity in his gaze. He sits in a three-quarter view,…
The Portrait of Horatio Seymour is a formal depiction of a man by the artist James Edward Freeman. Created about 1835, the work captures the likeness of Horatio Seymour. The subject faces the viewer with a steady, serious gaze. He is presented from the torso up, wearing a dark suit and tie that suggest a life of status and responsibility.
Italian Beggars is an oil painting by James Edward Freeman, executed in 1844. The work emerged during a period when the artist was establishing his presence within the international art community, following his move from North America to Europe.
In Costume PIcture by James Edward Freeman, a lively moment in an Italian village unfolds across a series of stone steps. These stairs create a sense of depth, drawing the eye upward toward an arched doorway. The scene is crowded with life, as villagers gather in the open air to socialize and pass the time. Men lean into one another, drinking and conversing, while the weight of daily chores is…
The painting Masaniello by James Edward Freeman captures a moment of historical weight. Created about 1837, the work focuses on the Neapolitan folk hero Tommaso Aniello. He was known to history as Masaniello, the man who led a successful uprising against Spanish rule in Naples during 1647. Freeman, an artist born in New Brunswick, Canada, sought to render the essence of this figure through the medium of oil on canvas.
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av James Edward Freeman | Målningar från denna lista |
|---|---|---|---|
 New York Historical Society |
New York City | 1 | Horatio Seymour (1810-1886) |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Savoyard Boy in London |
Välj ett decennium för att se originalverket som definierar det.
A man emerges from a void of near-blackness, his presence defined by a sudden, sharp illumination that carves his features out of the gloom. This is a portrait of Horatio Seymour, captured in 1835, where the darkness feels heavy and absolute. The light clings to the planes of his face, highlighting the subtle textures of his skin and the quiet intensity in his gaze. He sits in a three-quarter view,…
A young boy occupies the center of the composition, positioned against a solid blue background. He is dressed in a costume designed to resemble a Roman shepherd, featuring a jacket, a cape, and a hat that resembles a wizard's headpiece. His gaze is directed downward toward his hands. In his grasp, he holds a bow and a single arrow. The fabric of his attire and the contours of his limbs…
In Costume PIcture by James Edward Freeman, a lively moment in an Italian village unfolds across a series of stone steps. These stairs create a sense of depth, drawing the eye upward toward an arched doorway. The scene is crowded with life, as villagers gather in the open air to socialize and pass the time. Men lean into one another, drinking and conversing, while the weight of daily chores is…
Cupid Disguised as a Roman Shepherd Boy (1842). Därefter följer Horatio Seymour (1810-1886) (1835) och Portrait of Horatio Seymour (1835).
34 år gammal: Cupid Disguised as a Roman Shepherd Boy är från 1842, och James Edward Freeman föddes 1808.
Cupid Disguised as a Roman Shepherd Boy, Horatio Seymour (1810-1886), Portrait of Horatio Seymour, Italian Beggars, Costume PIcture, Masaniello, Head of St. John, Indian Girl, Poor Jacob'' the Last of the Yoncers'' och The Crusader's Return. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 17 verk av James Edward Freeman, daterade från 1835 till 1871.
Främst i New York Historical Society (New York City) och Smithsonian American Art Museum (Washington, D.C.). Museitabellen ovan listar alla.
Under 1830s: 6 av de 17 verk som finns på denna sida skapades då, varav Horatio Seymour (1810-1886).
På den här sidan är det tidigaste Horatio Seymour (1810-1886) (1835) och det senaste The Princess Prattles to Her Parrot (1871).
Girls (4), Man (3) och Jacket (2), fördelat på 17 verk på denna sida.
Oil, för 3 av de 17 verk som finns på denna sida.
