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Izaäk Schmidts målningar: De 2 mest kända, ur ett galleris perspektiv
Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 2 verk av Izaäk Schmidt i vår katalog
Kortfattat
Ur galleriets perspektiv är Izaäk Schmidts mest kända målning Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784), vars original hänger på Museum Gouda i Gouda. Av de 2 verk av Izaäk Schmidt i vår katalog presenterar galleriet nedan de 2 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
1740 – 1818, Amsterdam
Flest verk: Museum Gouda
Galleriets 10 främsta målningar av Izaäk Schmidt
Museerna som förvarar Izaäk Schmidts originalverk
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Izaäk Schmidt | Målningar från denna lista |
|---|---|---|---|
 Museum Gouda |
Gouda | 2 | Portrait of mr. Adriaan Jacob van der Does, 1756-1830, Portrait of Constantia Catherina Jongbloet |
Izaäk Schmidt, årets signaturmålningar
Varje daterat original av Izaäk Schmidt på denna sida är skapat år 1784: här är de, med de mest kända först.
Verk per år
Välj ett år för att se originalen.
Izaäk Schmidts målningar: galleriets svar
Vilken av Izaäk Schmidts målningar är den mest kända av alla?Visa svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 (1784)
Hur gammal var Izaäk Schmidt när Portrait of mr. Adriaan Jacob van der Does, 1756-1830 färdigställdes?Visa svaret
44 år gammal: Portrait of mr. Adriaan Jacob van der Does, 1756-1830 är från 1784, och Izaäk Schmidt föddes 1740.
Hur många verk skapade Izaäk Schmidt?Visa svaret
Vår katalog innehåller 2 verk av Izaäk Schmidt.
Var hänger Izaäk Schmidts mest kända original?Visa svaret
Främst i Museum Gouda (Gouda). Museitabellen ovan listar alla.
När skapade Izaäk Schmidt sina mest kända målningar?Visa svaret
Under 1784: 2 av de 2 verk som finns på denna sida skapades då, varav Portrait of mr. Adriaan Jacob van der Does, 1756-1830.
Vilka original av Izaäk Schmidt finns i Museum Goudas samlingar?Visa svaret
Portrait of mr. Adriaan Jacob van der Does, 1756-1830 och Portrait of Constantia Catherina Jongbloet: Museum Gouda, Gouda har 2 av verken på denna sida.
Izaäk Schmidt: konstnären
A Life in Amsterdam
Izaäk Schmidt lived his life within the familiar streets of Amsterdam. Born on 11 July 1740, he was a man of many talents, moving between the roles of painter, drawer, art teacher, and writer. His presence in the Dutch art scene was marked by a quiet dedication to his craft and the instruction of others. He remained in his home city until his death on 17 May 1818.
His daily existence was rooted in the rhythms of the Netherlands. As an educator, he shared his knowledge of line and color with students, helping to pass down technical skills through generations. His work often captured the simple, quiet moments of Dutch life, focusing on the landscapes and people that populated the countryside.
The Art of the Everyday
Schmidt found his expression primarily through watercolour and drawing. He had a particular eye for the scenery surrounding the canals and villages, often rendering scenes that felt deeply connected to the local landscape. His hands were skilled at capturing the light on a road along a canal or the movement of figures near a stone bridge.
His repertoire included various subjects that reflected his surroundings:
- Village views featuring figures gathered near inns or stone bridges.
- Portraits of individuals, such as Balthasarina Wilhelmina Pasques de Chavonnes and Jacob Pieter van Braam.
- Landscape studies like country folk at a fence and scenes of rural life.
- Allegorical works including his piece titled Allegory of Painting.
There is a certain stillness in his drawings. He did not seek to complicate the world, but rather to document it with clarity. Whether working on a portrait or a view of an inn, he focused on the tangible details of the people and places he knew.
A Lasting Record
Though much of his work remains in private hands or specific museum collections like the Fitzwilliam Museum, the traces of his skill remain visible. His ability to translate the atmosphere of a Dutch village into watercolour allowed for a lasting record of a period in history that has since changed. He left behind more than just images; he left a window into the way the Dutch landscape and its people appeared at the end of the eighteenth century.