Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 30 verk av Hermann Struck i vår katalog
Kortfattat
Ur galleriets perspektiv är Hermann Strucks mest kända målning Moroccan Jew, Jerusalem (1900), vars original hänger på Leo Baeck Institute i New York City. Haifa V (1900) och Jerusalem, Russian Building II (1900) fullbordar trion som alla känner igen. Av de 30 verk av Hermann Struck i vår katalog presenterar galleriet nedan de 30 mest kända, var och en som ett original med sitt år, sitt museum och vad som gör det unikt.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
In the delicate, monochromatic strokes of Haifa V, we are transported back to the dawn of the twentieth century, specifically to the year 1900. This evocative drawing serves as more than just a mere depiction of a street; it is a temporal bridge that allows the viewer to step into the rhythmic, unfolding life of Haifa, Israel, at the turn of the century. Through the masterful hand of Hermann Struck,…
In the delicate, monochromatic strokes of Jerusalem, Russian Building II, we are transported back to the turn of the twentieth century, specifically to the year 1900. This evocative drawing by the esteemed German-Jewish artist Hermann Struck serves as more than just a topographical record; it is a soulful meditation on the pulse of a city in transition. Through his masterful command of line and shadow, Struck captures a moment where…
In this evocative black and white etching, titled The Pyramids at Giza in the Distance, the viewer is transported back to the turn of the twentieth century, standing amidst the sands of Egypt. The composition is anchored by the majestic silhouettes of the Great Pyramities, rising from the horizon like silent sentinels of a lost era. Two slender palm trees frame the scene, their organic, swaying forms providing a delicate…
Aus Holland II1907 · Leo Baeck Institute
12
Palm Beach, Florida I1913 · Leo Baeck Institute
13
Central Park, New York1913 · Leo Baeck Institute
14
Fruit Trees in Odenwald1919 · Leo Baeck Institute
15
Jerthe United States1926 · Leo Baeck Institute
16
Stepped Pyramid at Saqqara1939 · Leo Baeck Institute
17
Engadine Lakes1900 · Leo Baeck Institute
18
Patriath1935 · Leo Baeck Institute
19
Duomo and Baptistery, Florence, plate from Hesse1923 · Leo Baeck Institute
20
Jerusalem, Mosque of Omar1900 · Leo Baeck Institute
21
Havana III1913 · Leo Baeck Institute
22
Jerusalem X1916 · Leo Baeck Institute
23
Nablus (Palestine)1900 · Leo Baeck Institute
24
Lake Tiberias II1934 · Leo Baeck Institute
25
Tomb of Giovanni Segantini (1858-1899)1907 · Leo Baeck Institute
26
Jewish Chimney Sweep1915 · Leo Baeck Institute
27
Palestine Sunset1939 · Leo Baeck Institute
28
Two palm trees, plate from Hesse1923 · Leo Baeck Institute
29
Jerusalem, Chapel of the Ascension1905 · Leo Baeck Institute
30
Shabbat KiddushJewish Museum of São Paulo
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Hermann Struck | Målningar från denna lista |
|---|---|---|---|
 Leo Baeck Institute |
New York City | 29 | Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II |
 Jewish Museum of São Paulo |
Sao Paulo | 1 | Shabbat Kiddush |
Välj ett decennium för att se originalverket som definierar det.
In the delicate, monochromatic world of Hermann Struck’s Moroccan Jew, Jerusalem, time seems to suspend itself within the fine strokes of a pen. Created in 1900, this exquisite drawing serves as more than just a portrait; it is a profound window into a vanishing era and a specific cultural identity. The subject, captured in a dignified profile, wears the traditional turban and head coverings characteristic of North African Jewish heritage,…
Moroccan Jew, Jerusalem (1900), Leo Baeck Institute, New York City. Haifa V (1900) och Jerusalem, Russian Building II (1900) följer efter.
24 år gammal: Moroccan Jew, Jerusalem är från 1900, och Hermann Struck föddes 1876.
Moroccan Jew, Jerusalem, Haifa V, Jerusalem, Russian Building II, The Pyramids at Giza in the Distance, Aus dem Spreewalde II, Portrait of Rabbi Samson Raphael Hirsch (1808-1888), Talmudic Scholar, Fuerstenhaus-Karlshorst, Cactus och The Blind Beggar. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 30 verk av Hermann Struck, daterade från 1900 till 1939.
Främst i Leo Baeck Institute (New York City) och Jewish Museum of São Paulo (Sao Paulo). Museitabellen ovan listar alla.
Under 1900s: 15 av de 30 verk som finns på denna sida skapades då, varav Moroccan Jew, Jerusalem.
På den här sidan är det tidigaste Moroccan Jew, Jerusalem (1900) och det senaste Stepped Pyramid at Saqqara (1939).
Etching (16), Landscape (13) och Black and white (10), fördelat på 30 verk på denna sida.
Etching, för 17 av de 30 verk som finns på denna sida.
Realism, om man dömer efter originalen på denna sida.
Moroccan Jew, Jerusalem, Haifa V och Jerusalem, Russian Building II: Leo Baeck Institute, New York City har 29 av verken på denna sida.
