Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 78 verk av Georges Rochegrosse i vår katalog
Kortfattat
Av alla originalverk som Georges Rochegrosse lämnade efter sig är det mest kända The Battle Of The Macar. Tätt efter följer The Flirt Of Yesteryear (1919) och Battle Of Marathon (1859). Vår katalog innehåller 78 verk av Georges Rochegrosse; galleriet har bevarat de 77 som världen beundrar mest, var och en presenterad med sitt datum, sitt museum och sin historia.
The Battle Of The Macar is an oil painting by Georges Antoine Rochegrosse. The artist, born in Versailles in 1859, rendered this scene with a focus on historical narrative and anatomical detail. The work depicts a chaotic engagement involving human figures and elephants engaged in hand-to-hand combat. Swords, spears, and shields appear among the combatants as they move through a landscape of overlapping layers.
In this 1919 composition, we find ourselves witnessing a quiet, private moment of connection. A woman sits in a chair, her head turned away from us, perhaps lost in thought or reacting to the proximity of the man behind her. He leans over, his presence close and his gesture suggesting a whispered confidence. There is a palpable sense of warmth in the way they occupy the space together, a fleeting…
In this 1859 oil painting, we find ourselves thrust into the center of a chaotic and dynamic struggle. The scene depicts a clash of Greek warriors, a moment of intense historical violence rendered with a heavy, realistic hand. There is a sense of urgency here, a feeling that the air itself is thick with the dust of the battlefield and the weight of impending fate. The composition is densely packed,…
The oil painting Gastibelza emerged from the brush of Georges Antoine Rochegrosse about 1886. Born in Versailles in 1859, the artist spent his final years in El Biar, French Algeria, where he passed away in 1938. This work belongs to a period of his life defined by intense, emotional naturalism and a fascination with the weight of history. The canvas captures a singular, heavy moment of human experience.
In this somber portrait, Georges Antoine Rochegrosse presents us with Gwynplaine. The Man Who Laughs, a work from about 1886 that focuses entirely on the psychological weight of a single figure. The subject is positioned vertically in the middle ground, centered within a dark, cavernous void that offers no distraction from his presence. He bears a grotesque, exaggerated grin, a facial distortion that reveals prominent teeth and creates an unsettling…
The scene unfolds through Barkilphedro, a work painted by Georges Antoine Rochegrosse. Created about 1886, this piece presents a quiet, heavy moment of stillness. The subject is a portrait of a man, captured in a state of profound contemplation or perhaps a deep, lingering exhaustion. He sits alone, his presence filling the space with a sense of weight and gravity.
This full-length portrait by Georges Antoine Rochegrosse depicts the subject identified as Lord David Dirry-Moir. Created in 1886, the work presents the man in a standing pose. He is dressed in elaborate 18th-century aristocratic attire. The clothing consists of several layers, including a waistcoat and breeches, rendered with attention to the specific textures of the fabric.
The portrait known as Duchess Josiane by Georges Antoine Rochegrosse emerges from the shadows of the late nineteenth century. Painted about 1886, this work captures a figure of high station, frozen in a moment of poised elegance. The subject gazes out with a quiet dignity that commands the space around her. Georges Antoine Rochegrosse brings a sense of theatrical weight to the sitter, ensuring her presence feels immediate and substantial.
The Age of the Pharaohs is an oil on canvas work by Georges Antoine Rochegrosse. Created about 1887, this piece belongs to the Orientalist tradition, focusing on the detailed depiction of ancient Egyptian life. The artist, Georges Antoine Rochegrosse, was born in Versailles, France, and his technical training allowed him to render the textures of this specific setting with significant precision.
Fire Of Persepolis, painted by Georges Antoine Rochegrosse about 1890, depicts a specific historical event. The subject matter focuses on the burning of Persepolis. This scene portrays a moment where celebration is intertwined with destruction. The canvas captures a chaotic atmosphere where figures engage in revelry while the environment undergoes ruin.
The Ancestor1915
12
Portrait Of An Oriental Woman
13
Oedipus And The Sphinx
14
The Death Of Messalina1916
15
Almond trees algiers
16
The ShipwreckMusée Victor Hugo
17
Salambo1895 · Dreux museum of Art and History
18
The Blue Princes1898
19
Salammbo, Who Came To Look For The Zaimph, Pushes Matho Away, Who Declares His Love For Him1900
20
Advertisement For Mazawattee Tea
21
Présentation Du Nouveau
22
The Wailing Wall
23
War and peace
24
Nouvelle Arrivée Au Harem
25
Bear And ManMusée Victor Hugo
26
King Charles Spaniel
27
The mirror
28
Avant La Représentation
29
The Courtesan's Walk
30
Oriental Festival
31
Lucrezia Borgia
32
Les BurgravesMusée Victor Hugo
33
Attila And The Huns
34
The Song Of The Muses Awakens The Human Soul
35
Lust And Death
36
The Sultana
37
The Toilet
38
Nude In Harem1910
39
Tableaux Parisiens1917
40
View Of The Roofs, Taken From Rue De Douai1920
41
Nude Smoking A Cigarette1920
42
Odalisque
43
Charles Baudelaire
44
Friend Or Foe
45
Odalisque
46
Easedale cottageNationalmuseum
47
The Arab Guard
48
Seeking sanctuary
49
An Eastern Beauty
50
Salome
51
Gentleman In A Red Cloak
52
Pets
53
Orientale
54
Unrequited Love
55
Veiled Beauty
56
Reclining Beauty
57
The Knight of the Flowers detail left
58
The Wave
59
L-esclave et le lion
60
Nu au repos
61
The Knight of the Flowers detail right
62
Red Flowers Amongst Drapery
63
Portrait De LEpouse De LArtiste Dans Latelier
64
The Mirror
65
A Portrait of Sarah Bernhardt
66
Sémiramis, The Queen Of Assyria
67
Harem Scene
68
The Wonderful Legend Of The Queen Of Sheba And King Solomon
69
Sarah Bernhardt
70
Beauties In A Garden
71
Portrait Of François CoppéeMusée Carnavalet
72
The Pharaoh's Daughter Brings Little Moses To The Palace
73
The Dancer
74
The Death Of PurpleMusée d'Arts de Nantes
75
Portrait Of A Woman In Orientalist Costume
76
Cathedral InteriorMusée des Beaux-Arts
77
The Knight of the FlowersMusée d'Orsay
De fyra motiv som återkommer oftast i dessa originalverk, var och ett med sitt främsta exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Georges Rochegrosse | Målningar från denna lista |
|---|---|---|---|
 Musée Victor Hugo |
Paris | 8 | Gastibelza, Gwynplaine. The Man Who Laughs, Barkilphedro |
 Museum of Fine Arts Ghent (MSK) |
Gent | 1 | The Age of the Pharaohs |
 Dreux museum of Art and History |
Dreux | 1 | Salambo |
 Nationalmuseum |
Stockholm | 1 | Easedale cottage |
 Musée Carnavalet |
Paris | 1 | Portrait Of François Coppée |
 Musée d'Arts de Nantes |
Nantes | 1 | The Death Of Purple |
 Musée des Beaux-Arts |
Reims | 1 | Cathedral Interior |
 Musée d'Orsay |
Paris | 1 | The Knight of the Flowers |
Välj ett decennium för att se originalverket som definierar det.
The oil painting Gastibelza emerged from the brush of Georges Antoine Rochegrosse about 1886. Born in Versailles in 1859, the artist spent his final years in El Biar, French Algeria, where he passed away in 1938. This work belongs to a period of his life defined by intense, emotional naturalism and a fascination with the weight of history. The canvas captures a singular, heavy moment of human experience.
Fire Of Persepolis, painted by Georges Antoine Rochegrosse about 1890, depicts a specific historical event. The subject matter focuses on the burning of Persepolis. This scene portrays a moment where celebration is intertwined with destruction. The canvas captures a chaotic atmosphere where figures engage in revelry while the environment undergoes ruin.
In this 1919 composition, we find ourselves witnessing a quiet, private moment of connection. A woman sits in a chair, her head turned away from us, perhaps lost in thought or reacting to the proximity of the man behind her. He leans over, his presence close and his gesture suggesting a whispered confidence. There is a palpable sense of warmth in the way they occupy the space together, a fleeting…
The Battle Of The Macar. Därefter följer The Flirt Of Yesteryear (1919) och Battle Of Marathon (1859).
The Battle Of The Macar, The Flirt Of Yesteryear, Battle Of Marathon, Gastibelza, Gwynplaine. The Man Who Laughs, Barkilphedro, Lord David Dirry-Moir, Duchess Josiane, The Age of the Pharaohs och Fire Of Persepolis. Rankingen ovan visar varje verks årtal och museum.
Vår katalog innehåller 78 verk av Georges Rochegrosse, daterade från 1886 till 1920.
Främst i Musée Victor Hugo (Paris), Museum of Fine Arts Ghent (MSK) (Gent) och Dreux museum of Art and History (Dreux). Museitabellen ovan listar alla.
Under 1880s: 6 av de 77 verk som finns på denna sida skapades då, varav Gastibelza.
På den här sidan är det tidigaste Gastibelza (1886) och det senaste View Of The Roofs, Taken From Rue De Douai (1920).
Woman (9), Man (8) och Flowers (5), fördelat på 77 verk på denna sida.
Oil On Canvas, för 11 av de 77 verk som finns på denna sida.
Orientalism, om man dömer efter originalen på denna sida.
Gastibelza, Gwynplaine. The Man Who Laughs och Barkilphedro: Musée Victor Hugo, Paris har 8 av verken på denna sida.
